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Featured Piano Teachers Near Las Cruces, NM

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Here are just a few of the many teachers offering Piano lessons in Las Cruces . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Sebastian G

Instruments: Piano Guitar Violin

The method varies according to each student. Everyone has a diffent goal in their musical journey; My main goal is to provide a well rounded and dynamic instruction, where the student will have a solid understanding of the basic pilars of music: ear training, technique and reading skills;this will redund in quality performance. my students will learn to play both, by ear and by reading. Read More

Michael L

Instruments: Piano Guitar Electric Guitar Classical Guitar

My method for all my students is for them to be classically trained so learning the notes on the fretboard, proper technique and note reading. I use Christopher Parkening's Guitar method Book I to help my students learn the proper technique to play and for them to learn the notes in first position on the guitar and on the staff and beginner chord reading using chord diagrams at first and then showing them the chords on the staff. Read More

Ariel C

Instruments: Piano Voice Saxophone Drums

I am the students greatest motivator. I love to bring out the best in all of my students and help them discover things about their musical capacities that they never have before. I am highly enthusiastic and believe that every one learns at their own pace. Its never about how quickly you learn something, but about how well you learn it, even if it takes time. I like to acknowledge the students progress and their accomplishments because I believe it helps the student to have the desire to keep learning and progressing. Read More

Gustavo M

Instruments: Piano

My approach to each student is individual and dependent on the experience of the student. For beginning students I focus almost exclusively on the fundamentals such as right and left hand independence, finger positioning, posture, and so on. Then I'll try introducing more complexity in increments. For adults, my method is the same as with children unless the adult in mind has demonstrated greater expertise on the instrument. If the adult is more advanced I'll introduce more difficult piano repertoire to challenge the student. Read More

Aida L

Instruments: Piano

When I started my piano lessons, I worked mostly with the Hanon exercises. Since this book has always been essential material to my learning, I will use this book to teach the beginning students and show them that exercises can also be fun and enjoyable to play, as I find them to be. As the student begins to dominate the basics of piano, I will introduce simple and easy pieces of Classical Music that will not only be fundamental to the beginner student's learning but also of the students liking; this way the learning will also be enjoyable and fun. Read More

Johanna B

Instruments: Piano Voice

I have been teaching for over ten years. I started out with just a handful of students, and have since grown to have a student base of over forty students. I have taught all ages and all levels. I have seen many beginning students become advanced students over a period of years. I work with several families and have enjoyed the experience of seeing younger siblings of students become my students as well. Read More

Priscilla G

Instruments: Piano Voice

My expierences include having a major role in the Austrian American Mozart Academy summer opera of, "Le nozze di figaro." I have been in the top auditioned ensemble of NMSU for all 4 years and section leader for 2. I have been the president of NMSU Chapter American Choral Directors Association and president of NMSU Chapter National Association for Music Educators. I have also conducted and directed a children's choir for the past 2 years. Read More

Teacher In Spotlight

Nathaniel V

Instruments: Voice

What advice do you have about practicing effectively?
1) Repetition, repetition, repetition. Break apart the piece into its individual components (rhythm, notes, words) and only start assembling it when each element is solidly and independently learned. Can you self-conduct the rhythms? Can you speak the rhythms on words? It's easier for the brain to process simpler tasks, and approaching the music from many different directions helps memory. 2) Distributed practicing. Practice for 15 minutes here and there throughout each day, with the intent of accomplishing a specific task or goal. If you have this kind of focus, it's easier to actually get things done, and you won't get bored and tired cramming music for 4 or 5 hours, once a week, which is horrible for memory and technique.

How do I know if my child is ready to start lessons?
A child can start learning about the voice at anytime, however it takes the vocal folds a while to mature. To avoid serious injury or longterm vocal health issues, it's best to wait to begin formal lessons until the student is 13 or older. Sometimes, if the student is younger than 14, people recommend learning the basics of music and performance through another instrument, like the saxophone or piano. This helps the child become a good musician before their voice is ready to take voice lessons in the studio. If the passion is there in high school, there's no reason they shouldn't pursue lessons.

When will I start to see results?
Lessons develop voices, but they also develop confidence, musicianship, and responsibility in the student. Results are determined by the effort expressed in lessons and when practicing at home. Students obtain new ways to use and think about their voice during the first lesson, and results could theoretically begin to manifest from this first hour or half hour in the studio. However, real and longterm change takes time, and every learns at different paces. There shouldn't be pressure to be perfect right away--there's a lot to learn!

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
The methods of my lessons are lightly adapted from the teachings of my own instructor and mentor, W. Stephen Smith. He has had tremendous success with his students, who have gone onto garner some of the biggest professional careers in opera and musical theater today. He developed several "inventions" that work to disentangle the vocal apparatus and, in doing so, help to free the voice and musical expression behind it. His methods are universal, easily adjustable for each student, proven to work, and fun.

If you weren't a musician what do you think you'd be doing instead?
I have always had a passion for writing, and if I didn't choose to be a musician, I may have studied to become and author of fiction. Even now, it's a hobby of mine to read and write. This is an asset in the studio and practice room, because singing is a language art. The biggest difference between the voice and any other instrument is, of course, the ability to use words. An easy and clear delivery of text is a goal of mine every time I sing, because, without words, I might as well be playing any other instrument! I indulge in the luxury.

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