505-488-0989
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505-488-0989
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Here are just a few of the many teachers offering Piano lessons in Las Cruces . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!
Instruments: Piano
My experience in teaching has been mainly focused on voluntary work, in teaching close friends, family and friends. I have always wanted to teach the joys of Classical Music to all ages. I have encouraged those of my teaching, to always have a consistency and regular practice so that with patience and time, they will see not only improvement but will also developed a passion for the instrument. I think that the key to becoming a piano virtuoso is having fun while learning, being patient, determined, persistent, and consistent. Read More
Instruments: Piano Voice
At the very first lesson, I try to understand how far along in training the singer has come. From the very beginning we sing so I get to understand the singers voice. Their strengths and weaknesses. I then build lessons around each singers individual vocal journey to get them to their goals which we will discuss in the first lesson as well. I am trained in a European classical format as well as Broadway foundation that can help benefit any singer. Read More
Instruments: Piano
Though I have plenty of experience as a pianist I'm relatively new to the field of teaching. I have have several piano teachers throughout my life whose methodology I can draw from as experience. My experience with the various teachers I've had in my life has taught me one important lesson. Always pace yourself and never get too big for your boots. The basics or the fundamentals are just as important if not more so than mere virtuosity on your instrument. Read More
Instruments: Piano Guitar Voice
Nothing makes me happier than seeing a student develop the same passion for music that I have. It is very important to me that each student progresses at his or her own pace. I encourage this by setting goals at each lesson, by a deadline, etc. Acknowledging accomplisments helps fuel a students desire to progress and makes them eager to learn more. Finding what inspires the student is the best possible way to tailor each lesson to their wants and needs. Read More
Instruments: Piano Voice Saxophone Drums
My experience as a private instructor began as early as when I was a student in college studying music. I have always had a profound passion for teaching at the private level because it really gives me the opportunity to help an individual in a more focused and meticulous manner. I've always believed that music is much more than just reading notes off a book, but have understood that music has many different dimensions, including being able to feel what you're playing, your natural music inclination, your ability to listen meticulously to your sound and your pitch and so many others. Read More
Instruments: Piano Guitar Electric Guitar Classical Guitar
I am currently working on an BM in Guitar Performance at the University of Texas at El Paso where I have been taking lessons from Hiram Rodriguez. I first started playing guitar 10 years ago learning rock songs and things of that nature and about 6 years ago I started learning classical guitar. I have taken lessons with John Siqueiros for a short time as well as a master student from the University of Texas at El Paso Edgar Camargo and I took some jazz lessons from Mr. Read More
Instruments: Piano Voice
It is important to me that a student both enjoys and learns from their lessons. I strive to make lessons well-rounded. While piano instruction is certainly central to each lesson, I also spend time teaching music theory and ear training. I typically use Alfred's Basic Piano Library method books to achieve this well-rounded approach. The ultimate goal I maintain with students is to see them become independent and proficient learners, as well as to see them making music as a regular part of their lives. Read More
Instruments: Voice
What advice do you have about practicing effectively?
1) Repetition, repetition, repetition. Break apart the piece into its individual components (rhythm, notes, words) and only start assembling it when each element is solidly and independently learned. Can you self-conduct the rhythms? Can you speak the rhythms on words? It's easier for the brain to process simpler tasks, and approaching the music from many different directions helps memory. 2) Distributed practicing. Practice for 15 minutes here and there throughout each day, with the intent of accomplishing a specific task or goal. If you have this kind of focus, it's easier to actually get things done, and you won't get bored and tired cramming music for 4 or 5 hours, once a week, which is horrible for memory and technique.
How do I know if my child is ready to start lessons?
A child can start learning about the voice at anytime, however it takes the vocal folds a while to mature. To avoid serious injury or longterm vocal health issues, it's best to wait to begin formal lessons until the student is 13 or older. Sometimes, if the student is younger than 14, people recommend learning the basics of music and performance through another instrument, like the saxophone or piano. This helps the child become a good musician before their voice is ready to take voice lessons in the studio. If the passion is there in high school, there's no reason they shouldn't pursue lessons.
When will I start to see results?
Lessons develop voices, but they also develop confidence, musicianship, and responsibility in the student. Results are determined by the effort expressed in lessons and when practicing at home. Students obtain new ways to use and think about their voice during the first lesson, and results could theoretically begin to manifest from this first hour or half hour in the studio. However, real and longterm change takes time, and every learns at different paces. There shouldn't be pressure to be perfect right away--there's a lot to learn!
Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
The methods of my lessons are lightly adapted from the teachings of my own instructor and mentor, W. Stephen Smith. He has had tremendous success with his students, who have gone onto garner some of the biggest professional careers in opera and musical theater today. He developed several "inventions" that work to disentangle the vocal apparatus and, in doing so, help to free the voice and musical expression behind it. His methods are universal, easily adjustable for each student, proven to work, and fun.
If you weren't a musician what do you think you'd be doing instead?
I have always had a passion for writing, and if I didn't choose to be a musician, I may have studied to become and author of fiction. Even now, it's a hobby of mine to read and write. This is an asset in the studio and practice room, because singing is a language art. The biggest difference between the voice and any other instrument is, of course, the ability to use words. An easy and clear delivery of text is a goal of mine every time I sing, because, without words, I might as well be playing any other instrument! I indulge in the luxury.
25 Years
Since We Started
41,456+
Happy Customers
10,769
Cities with Students
3,123
Teachers in Network
Trusted as the industry leader, for over 21 years the teachers in our network have been providing Piano lessons in Las Cruces to students of all ages and abilities.
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