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Featured Piano Teachers Near Las Cruces, NM

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Here are just a few of the many teachers offering Piano lessons in Las Cruces . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Gustavo M

Instruments: Piano

My approach to each student is individual and dependent on the experience of the student. For beginning students I focus almost exclusively on the fundamentals such as right and left hand independence, finger positioning, posture, and so on. Then I'll try introducing more complexity in increments. For adults, my method is the same as with children unless the adult in mind has demonstrated greater expertise on the instrument. If the adult is more advanced I'll introduce more difficult piano repertoire to challenge the student. Read More

Aida L

Instruments: Piano

When I was six I decided that I wanted to play the piano. Since I was very young, I always enjoyed listening to my mother play Classical Music, that was the moment when I developed my passion for playing the piano. I come from a very musical and artistic family. I am most passionate about Classical Music, and have always wanted to share my passion to others. My mother has not only been the root of my inspiration but also always been my instructor. Read More

Ariel C

Instruments: Piano Voice Saxophone Drums

Whether beginner or a bit more advanced, I have always liked to return to the basic foundational knowledge and techniques that must be understood well in order to advance and have a good sound and a good technique. For beginners in piano, I like to find books that the individual feels comfortable with and that they completely understand what they are getting themselves into. Every person is different. For snare drum, I like to use a book called stick control which helps students develop mastery in the way they play from precision to striking the snare drum correctly and the way they overall develop their style of playing. Read More

Justin M

Instruments: Piano Guitar Voice

Nothing makes me happier than seeing a student develop the same passion for music that I have. It is very important to me that each student progresses at his or her own pace. I encourage this by setting goals at each lesson, by a deadline, etc. Acknowledging accomplisments helps fuel a students desire to progress and makes them eager to learn more. Finding what inspires the student is the best possible way to tailor each lesson to their wants and needs. Read More

Priscilla G

Instruments: Piano Voice

My expierences include having a major role in the Austrian American Mozart Academy summer opera of, "Le nozze di figaro." I have been in the top auditioned ensemble of NMSU for all 4 years and section leader for 2. I have been the president of NMSU Chapter American Choral Directors Association and president of NMSU Chapter National Association for Music Educators. I have also conducted and directed a children's choir for the past 2 years. Read More

Sebastian G

Instruments: Piano Guitar Violin

The method varies according to each student. Everyone has a diffent goal in their musical journey; My main goal is to provide a well rounded and dynamic instruction, where the student will have a solid understanding of the basic pilars of music: ear training, technique and reading skills;this will redund in quality performance. my students will learn to play both, by ear and by reading. Read More

Johanna B

Instruments: Piano Voice

I have been teaching for over ten years and received private instruction myself growing up.  Teaching music I'd an important part of my life. Learning music has the power to form many connections in the brain that can increase academic performance in school as well as develop a sense of expressivity. This is a concept I have kept constantly in mind throughout my teaching career. In addition to teaching, I have performed in both solo recitals and with ensembles. Read More

Teacher In Spotlight

Nathaniel V

Instruments: Voice

What advice do you have about practicing effectively?
1) Repetition, repetition, repetition. Break apart the piece into its individual components (rhythm, notes, words) and only start assembling it when each element is solidly and independently learned. Can you self-conduct the rhythms? Can you speak the rhythms on words? It's easier for the brain to process simpler tasks, and approaching the music from many different directions helps memory. 2) Distributed practicing. Practice for 15 minutes here and there throughout each day, with the intent of accomplishing a specific task or goal. If you have this kind of focus, it's easier to actually get things done, and you won't get bored and tired cramming music for 4 or 5 hours, once a week, which is horrible for memory and technique.

How do I know if my child is ready to start lessons?
A child can start learning about the voice at anytime, however it takes the vocal folds a while to mature. To avoid serious injury or longterm vocal health issues, it's best to wait to begin formal lessons until the student is 13 or older. Sometimes, if the student is younger than 14, people recommend learning the basics of music and performance through another instrument, like the saxophone or piano. This helps the child become a good musician before their voice is ready to take voice lessons in the studio. If the passion is there in high school, there's no reason they shouldn't pursue lessons.

When will I start to see results?
Lessons develop voices, but they also develop confidence, musicianship, and responsibility in the student. Results are determined by the effort expressed in lessons and when practicing at home. Students obtain new ways to use and think about their voice during the first lesson, and results could theoretically begin to manifest from this first hour or half hour in the studio. However, real and longterm change takes time, and every learns at different paces. There shouldn't be pressure to be perfect right away--there's a lot to learn!

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
The methods of my lessons are lightly adapted from the teachings of my own instructor and mentor, W. Stephen Smith. He has had tremendous success with his students, who have gone onto garner some of the biggest professional careers in opera and musical theater today. He developed several "inventions" that work to disentangle the vocal apparatus and, in doing so, help to free the voice and musical expression behind it. His methods are universal, easily adjustable for each student, proven to work, and fun.

If you weren't a musician what do you think you'd be doing instead?
I have always had a passion for writing, and if I didn't choose to be a musician, I may have studied to become and author of fiction. Even now, it's a hobby of mine to read and write. This is an asset in the studio and practice room, because singing is a language art. The biggest difference between the voice and any other instrument is, of course, the ability to use words. An easy and clear delivery of text is a goal of mine every time I sing, because, without words, I might as well be playing any other instrument! I indulge in the luxury.

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