Piano Lessons in Cynwyd, PA

Instruments: Piano

I encourage students to pick the music they want to play.  For those who have no prior music knowledge at all, there are numerous beginning methods that are satisfactory.  I teach harmony and ear training at a level in agreement with ability of the fingers to execute.   It is so nice to learn to play by ear, (starting with very simple tunes) going from the brain to the keyboard without the crutch of the paper score.  Of course this is the objective of preparation (study, practice) anyway, so the emotional feeling that the composer intended can be experienced and interpreted (and communicated to the audience) in a wonderful, magical way.  Read More

Instruments: Piano Voice Trumpet Drums Mallet Percussion Orchestral Percussion

Many new students are intimidated by learning about music because it seems so difficult. I'm here to tell you that is not true. Sure, becoming a sucessful musician takes hard work and practice, but anyone with a desire to learn can achieve. As a teacher I will guide you step by step through the processes necessary to reach your musical goals whatever they may be. Read More

Instruments: Piano Saxophone Flute Ukulele

I feel like I have a very loose teaching style that is grounded in the fundamentals. I do not put deadlines or timelines on any student's progress, and I also realize that each student's needs are unique to each and every person. I work to give each and every student a very solid understanding of music (being able to sit at a piano or pick up a horn and play music, be able to recognize and understand the theoretical aspects of music, aurally discern chord progression and when a wrong not is played to understand why chords move they way they do and be able to easily hear your own musitakes). Read More

Instruments: Piano Trumpet

Mary has primarily studied classical trumpet, but also has training in jazz and world music. She currently plays principal trumpet in the Bravura Philharmonic and occasionally performs with the Philharmonic of Southern New Jersey, Orchestra Society of Philadelphia, and the Garden State Philharmonic. Shes also a member of the Philly Bloco and the Bella Vista Brass Quintet. Shes been involved in many performance groups including but not limited to the Vassar Wind Ensemble, Penn Orchestra, Marsyas Ensemble and numerous Purchase Conservatory ensembles including the symphony orchestra, graduate brass quintet, Latin jazz orchestra, klezmer ensemble, and the new music ensemble. Read More

Instruments: Piano Saxophone

It's remarkable to witness how these small victories fuel a student's eagerness to delve deeper into their musical exploration. Understanding what sparks a student's interest is key to crafting personalized instruction that resonates with them. By delving into their inspirations and aspirations, I can tailor my teaching approach to align with their unique wants and needs. Whether it's a favorite artist, a particular style of music, or a desire to master a specific technique, I strive to create a learning environment that fosters their passion and cultivates their potential. Read More

Instruments: Piano

Since I strongly believe each person has his own learning style, I cater each lesson to him personally. I customize each lesson according to my student and the pace appropriate for him. Typically one of my pre-college student's lesson bags will include the following material: a lesson book, theory book, technique book, 1 or 2 supplementary repertoire books, notebook, flashcards, and handouts, which include sight-reading, lead sheets, progress charts, memos, etc. Not every item will be used each lesson, but certainly each month. Read More

Instruments: Piano Violin Viola

For the beginning student, I typically suggest a collection of specific studies from an array of sources, some designed simply for technique and others for the development of musical understanding. Naturally, these depend on the individual and their needs. I am most dedicated to facilitating the needs of each individual student and providing them the ability to express their musical ideas clearly and easily. For more advanced students, I will focus on honing technical proficiency and challenging them with new repertoire, preparing them for new musical opportunities, such as youth orchestras, chamber music, recitals, and competitions to further their growth. Read More