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Featured Piano Teachers Near Denver, CO

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Here are just a few of the many teachers offering Piano lessons in Denver . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Shelby Joy A

Instruments: Piano Voice Viola

I am an experienced and patient teacher, passionate about the versatile beauty of music and all of the ways it benefits music learners. I have been a music maker for just over 20 years, with piano as my first instrument. I began playing the viola in middle school and quickly progressed into advanced orchestras both at school and throughout the city. Though I initially intended to major in music education, once at the University of Minnesota I found myself incredibly drawn to opera. Read More

Nicholas E

Instruments: Piano

My method is definitively circumstantial to the student. If the student is hoping to perform casually, then we advance at a casual pace. If the student is hoping to perform competitively, we go much faster. Either way, I hope to transfer the art into a lens that grabs the student's heart and attention, since propelling the art - regardless of life circumstance - is my primary ambition. Read More

Ret N

Instruments: Piano Voice Cello Drums Bass Guitar Synthesizer Music Keyboard

Students don't learn if they don't feel motivated or enjoy what they are doing. Therefore, I make it a point to set an agenda in each lesson that starts and ends with something fun, and is also predictable so that students know intuitively how to go about their practicing. During each lesson, the student and I set realistic goals for practicing and, despite the popular saying that the more time you spend practicing, the more effective your practice is, I have learned from many students that each student practices and learns from practicing in their own way. Read More

Ed C

Instruments: Piano Voice Trombone Euphonium Keyboard

As a professional, state-licensed music teacher for over fourteen years, I began teaching in Carlsbad, New Mexico in 2001 before moving to Colorado in 2007 and serving in Douglas County School District, Denver Public Schools, and Jefferson County Public Schools. Encouraging students to practice on a regular basis is the cornerstone of musical growth and development, and I help especially younger students find the balance between popular music and classical music as a means of motivating practice and developing their skills. Read More

Julia B

Instruments: Piano

As your piano teacher, I aim to provide a warm, supportive, and engaging learning environment with honest yet positive feedback to help students become confident and self-motivated. Listening, evaluating, and learning how to use those observations to improve the way we play are all skills that I encourage my students to use to become independent learners. Every student has a unique set of abilities and way of learning, which is something to be embraced. Read More

Matthew G

Instruments: Piano Guitar Voice Drums Banjo Electric Guitar Classical Guitar Acoustic Guitar

As an analyst I developed a fascination with the science and theory of music and as an intuitive person with the raw mysteries of improvised playing. I have a degree in Music Composition with a focus in piano and guitar. I have been teaching ever since I developed my own understanding of Music Theory. I have always been fascinated with teaching music to others and developing new ways of understanding. Read More

Teacher In Spotlight

Ryan J

Instruments: Piano Saxophone Flute Clarinet Drums Synthesizer Piccolo Mallet Percussion Orchestral Percussion Oboe Bassoon English Horn Keyboard

Have any of your students won awards or been selected for special honors? How have they succeeded?
I do a pretty good job of placing students into regional, honors, and all-state bands. Usually there's someone in my studio who's all-state level. A few of my students have gone on to be professional musicians. One tours the world with his one-man Sax BeatBox" act; another plays in thee President's Own USMC band; etc. But I don't really measure success by how many of my students turn pro. If you've learned something, if you've grown as a person, if you retain a love for making music well after your last lesson is over, that's a success in my book.

What do you think is the hardest thing to master on your instrument?
Fundamentals, i.e. good tone, good time, solid technique, intonation, solid reading skills. You never really get beyond the basics; you just get better and better at them throughout your life. "Mastery" is a moving target where music is concerned; you'll pursue it your whole life.

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
For piano, I like the Alfred Books - they have a very robust and well-rounded curriculum. But others like Schirmer and Bastien are good, too. For wind instruments, I can teach effectively using whatever method book you're currently using in band. Standard of Excellence and Essential Elements seem to be the two favorites right now, and they're both great. We won't always be using books, though. I have lots of my own supplemental materials, and I'm also a big fan of learning by ear and improvising.

When will I start to see results?
You should start seeing results right away. This all depends on the amount of time you want to put in. I only see you for 30-60 minutes once a week; the real progress happens during the other six days.

Did you have a teacher that inspired you to go into music? How did they inspire you?
I had many great teachers along the way, starting in 1st grade and continuing on through college. Most of them were pretty great about encouraging me to get better and supporting me, while at the same time not "sugar-coating" how difficult it is to make a living in music.

Why did you choose your primary instrument?
My mom was watching a cheesy music video one evening, right before we had out little 4th grade instrument "petting zoo." She made the offhand comment about how the saxophone was such a magical instrument to her. That was it - saxophone for me. Since that time I've branched out into several other instruments, but I still remember that moment.

What advice do you have about practicing effectively?
Make a habit of it, every day. Even if you only play for a few minutes - you might be surprised what you can accomplish in 5-10 minutes every day. You'll definitely accomplish more than "cramming" for 1-2 hours right before your lesson.

How do I know if my child is ready to start lessons?
You're ready today! If you have the desire to learn something new, you're absolutely ready right now. That's literally all that's required. That and the actual instrument, of course, lol.

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Recent Articles from the Musika Blog

Play By Ear: A Quick Guide for Beginning Musicians

...how the rhythm is organized. If you’re new to trying to play by ear, it’s a good idea to start with music that features conventional time signatures (4/4, 3/4, etc). Your main goal here should be to find where the strong beats are. Are the beats grouped in fours? Then the music you’re listening to is probably in the time signature of 4/4. Are they grouped in threes? Then you may be hearing music written in 3/4 or even 6/8 depending on the speed and feel of the music. Try to determine the tempo (speed) of what you’re listening to so you... Read More

5 Fun Ukulele Songs With Easy Chords

...I had a brother at Khe Sahn Fighting off the Viet Cong E They’re still there, he’s all gone B He had a woman he loved in Saigon | E | E | E | E | I got a picture of him in her arms now B Down in the shadow of the penitentiary Out by the gas fires of the refinery E I’m ten years burning down the road Nowhere to run ain’t got nowhere to go [Chorus] B Born in the U.S.A., I was born in the U.S.A. E B Born in the U.S.A., I’m a long gone Daddy in the U.S.A. ... Read More

Soloing Over Rhythm Changes

...of alternate changes written. I’ve written out a few examples of other rhythm changes progressions. I’ll go over some alternate changes for the ‘A’ section, followed by the ‘B’ section:     This is the progression used above, for comparison’s sake.     This example shows where you can place a passing diminished chord. The first two bars are a very common substitution. The sixth bar uses the same passing diminished chord that we went over in the blues to get from IV to I. I changed the fifth bar to a ii-V. Virtually any time there is a dominant ... Read More

Tips for Keeping Your New Year's Resolution to Learn an Instrument

...better. When you’re juggling an already busy schedule, picking a time and setting it aside helps make practicing a habit. It also helps with fighting procrastination! Sit down once per week and plan when you’re going to practice during the upcoming week. Write it into your calendar or planner so that it’s part of your daily schedule and you can’t avoid it. If you don’t keep a written or digital calendar, try setting alerts on your phone or computer. Do Mental Practice Sitting down and formally practicing your instrument is the main way to improve, but mental or informal practicing is also a useful tool. If you commute to work ... Read More

Easy Ear Training: Tips for singing Harmony

...Have you ever tried to sing harmony and didn’t know where to start? Did you feel awkward when you had a hard time finding your starting pitch? Singing harmony can be tricky at first and can often make a musician feeling vulnerable. It takes a little practice and a little patience but once you can start singing harmony it’s a very powerful tool you can use in your bag of tricks as a musician. Everyone has a voice and I feel everyone can learn to sing at some level. Now, if you’ve been playing music for awhile learning to sing harmony won’t be as hard as it seems. You’ll begin to ... Read More
Play By Ear: A Quick Guide for Beginning Musicians
5 Fun Ukulele Songs With Easy Chords
Soloing Over Rhythm Changes
Tips for Keeping Your New Year's Resolution to Learn an Instrument
Easy Ear Training: Tips for singing Harmony

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