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Featured Voice Teachers Near Chicago, IL

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Here are just a few of the many teachers offering Voice lessons in Chicago . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Katelyn A

Instruments: Piano Voice Violin Clarinet Ukulele Recorder Fiddle

I have a passion for sharing her love of music with others and am dedicated to educational success. I have completed my associate of science degree at Kishwaukee College, and was a part of the Performing Arts Club and studied keyboard, voice, and guitar. Currently, I am pursuing my bachelor's degree in music education at NIU and am double majoring in clarinet performance with Gregory Barrett. I am a highly motivated individual, eager to contribute to team success through hard work. Read More

Kathleen S

Instruments: Piano Voice

Im a passionate and motivated instructor who loves working with students of all ages and sharing my love of music! In 2010, I graduated from Bradley University with a Bachelor of Music degree in vocal performance. I started teaching private lessons while in college and loved it so much I never stopped! I have performed in various choirs and ensembles throughout the years and enjoy performing in musical theater productions. Some of my favorite roles include Cosette from Les Miserables and Lily from the Secret Garden. Read More

Alberto M

Instruments: Piano Voice Saxophone Clarinet

Every student is unique in their ability level, dedication to the instrument/craft, et. al; therefore, I cannot expect that every student will be the next Larry Combs. I do, however, expect that every student take their responsibility for practicing each week, coming prepared to lessons, and being a good student. In lessons, I am kind and personable as anyone should be, but I like to make clear my expectations right from the beginning. Read More

Zach K

Instruments: Guitar Voice Bass Guitar Music Electric Guitar Acoustic Guitar

I personally really enjoy the Hal Leonard series of method books for guitar and bass. I find them comprehensive, but not bloated, and very easy to understand without being dumbed down at all. I plan to use the Guitar Method and Bass Method books, both Complete Edition (comprised of Beginner, Intermediate, and Advanced method books), in combination with the Hal Leonard Music Theory book, which is aimed at stringed instruments. Read More

Emily V

Instruments: Piano Voice Trombone Euphonium Tuba Keyboard

Piano: For children who aren't familiar with music or reading yet, I use the Wunderkeys curriculum. It teaches simple things about the piano and about music that are easy to learn for kids 3-5 and has a lot of games to reinforce information and keep lessons fun. For older beginners, I use both Faber Piano Adventures and Bastien Piano Basics. Both accomplish the same goal, but some students prefer the more professional look of the Faber series as opposed to all the cartoons in the Bastien Series. Read More

Tye D

Instruments: Piano Guitar Voice Trumpet Bass Guitar Ukulele Keyboard Electric Guitar Djembe Acoustic Guitar

My experience with learning was fun. Since I was learning multiple instruments it was fun to tie everything together. I could say the best part while learning was understanding theory...that part of my learning opened up many doors for me musically. I started to understand why certain notes could and couldn't be played, why and how to use different scales. Those things are the same things I try to reveal to the students when the time is right. Read More

Emily B

Instruments: Piano Voice Violin Viola

For piano I use the Alfred series, and for violin and viola I use a combination of Essential Elements and Suzuki books.  As students advance I introduce additional solo repertoire.  My voice students learn from a variety of sources.  I usually start with a song they know well and work from there.  Students also learn a variety of warm-ups and sight-singing techniques.   Read More

Teacher In Spotlight

Luba D

Instruments: Piano Voice Music Keyboard

If you weren't a musician what do you think you'd be doing instead?
If I wasn't a musician - I would have wanted to be an athlete. I love the way I feel when I am fully immersed in physical activity. I love working with people and helping people feel good about themselves - so I would also like to be a life - coach.

What do you think is the hardest thing to master on your instrument?
I have two instruments. My voice, and piano. I find improvisation to be the most challenging skill. It requires a lot of coordination and understanding of harmony,.

Why did you choose your primary instrument?
We always had a piano and my mother was a pianist herself. It was the most accessible instrument for me to learn at home. I always enjoyed singing - so i began taking voice lessons in my teenage years.

What advice do you have about practicing effectively?
Be sure to practice the day after your lesson while remembering everything covered with your teacher. A few minutes of practicing is still precious. Do not worry if you do not have a lot of time. Play as often as you can!

What is your favorite style/genre of music to play and why?
I enjoy playing and singing any style of music. That is part of the fun for me. I was a jazz singer in NYC for many years - and that is certainly one of my greatest loves. I love improvising and interacting with live musicians.

Does music run in your family? Tell us a little about your musical family members.
My great- grandmother, grandmother, mother and aunt are all professional pianists. They all attended the music conservatory in Russia. Everyone practiced piano daily and I was exposed to many styles and attended many performances.

When did you decide to become a professional musician? Was it a gradual decision or was there a defining moment for you?
When I was living in NY at 18 years old - I wandered into a jazz club one day. I did not know that it was an "open mic" night - but the band leader came over to my table and asked me if I was a singer. I did not consider myself one - but I agreed to go on stage and sing anyway. This was a defining moment for me. The band leader suggested that I put together my own show, and we began to rehearse together regularly. From that moment on - I performed in NY consistently and I have never stopped!

What does a normal practice session look like for you?
A normal practice session includes some ear training games, improvisation, and repertoire. I carefully select material based on the student's interest and preferences. I play several selections for the student to choose from.

If you have a Music Degree, what is it in (Performance, Education, Musicology, Theory, Composition, etc) and why did you choose that degree?
At the age of 18, I began performing in jazz clubs in New York City with wonderful musicians, many of whom were persuing degrees, or had graduated already. I decided that I wanted to increase my skills and pursue a lifetime career as a musician.

What is your dream piece to perform and why?
My dream piece is inspired by my audience in the moment. I enjoy taking requests and engaging with my audience. I am also inspired by the musicians I am working with on stage.

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
I supplement my own method with workbooks that help with note recognition and musical concepts. Alfred is my favorite Notespeller. I have developed many of my own materials and visual aids which I use in my classes. During my 25 years of teaching - I have collected hundreds of songs for all levels and I enjoy sharing them with my students.

How do I know if my child is ready to start lessons?
If you're not sure if your child is ready for private lessons - try a group class! You can have several children in a class together. They will motivate each other and have more fun!

When will I start to see results?
Immediately! My style of teaching will build fundamental skills that will show immediate results! The student will develop their aural listening skills and gain the tools to work on their own musicianship skills.

Have any of your students won awards or been selected for special honors? How have they succeeded?
Many of my students are studying music at the University. They are regularly asked to perform for events in the University. I have prepared some of my students to play for their church services. I believe in practical application of skills!

What musical accomplishments are you most proud of?
I am most proud of being a live performer. I enjoy engaging with fellow musicians on the stage and creating meaningful and beautiful moments with a live audience.

Did you have a teacher that inspired you to go into music? How did they inspire you?
I was born into a household of professional classical pianists. Everyone was playing and practicing daily. Naturally - I wanted to do it too. My mother was my very first piano teacher.

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Recent Articles from the Musika Blog

Mastering the Cello Repertoire: Twinkle Variations, Dvorak Concerto, and What Lies Between

...students will begin exploring outside of first position with finger extensions and shifts. Also, repertoire will begin to incorporate brush stroke. As beginning cellists become more comfortable with basic technique, teachers will also start encouraging students to develop their tone quality. Intermediate Cello Repertoire Allegro Moderato, Sonata No. 1 in G Major: J.S. Bach (Suzuki Book 3)   As students begin their intermediate studies, they will be introduced to ornamentation, vibrato, trills, and more advanced rhythms. To foster musical maturity, students will also start to refine melodic phrases by thinking beyond the beat, learning to express a musical shape... Read More

Teaching Violin: Tips for New Teachers

...added gradually, so that the student (or parent) does not receive emotional whiplash. Did you figure out a new game for group class? That should be pretty simple to add to the immediate schedule. But changing all the music for your beginner orchestra group two weeks before the concert is probably not a good idea. So temper your modifications with an eye to what’s reasonable.   In Conclusion Teaching violin is an intensive process. From figuring out which teaching space you will use to budgeting costs and time, you will always be planning, preparing, and looking to see what needs to be done next. ... Read More

Have You Ever Seen The Rain Chords Tutorial

...song where the strumming pattern varies. If you’re new to chord strumming, it may take some practice and a few listens through to master. The use of the F major chord throughout the song will help you develop strength in your index finger and become more comfortable with the chord.   Intro This song is, and these chords are, particularly easy and versatile because it is in the key of C major. If you’re studying theory alongside learning your instrument, you likely know that C major is the key that uses no sharp or flat notes (only the white keys on the piano). If you’re hoping to start a ... Read More

Jazz Scales: The Altered Scale

...a few examples for you to practice in twelve keys:     The first two are pretty self-explanatory. The first example is just the scale in groups of four. The second example is the scale in descending triads.   The third example is based on a diminished scale exercise we went over a couple of articles back. It’s a little more complicated because there aren’t an even number of notes. Also, it has to be practiced in twelve keys since the altered scale isn’t a symmetric scale. I think it sounds pretty cool, though. It’s one that I use often when improvising. Application to Improvisation ... Read More

The Morningside Lights Parade: Bringing Communities Together Through Merry Music-Making

...the midst of his latest musical debut. Bear in mind, that the musicians performing this evening were not even hired professionals; in fact, they were volunteers who had met mere moments before the start of the performance. This spontaneity was all part of Davis’s vision for the piece. Like every other aspect of this unique event, Davis wanted anyone to be able to participate, no matter what their musical ability or instrument of choice happened to be. Those unable to read music had nothing to fear— there was no typical score to speak of, only instructions written on a pamphlet-sized map of the parade route, suggesting musicians play certain ... Read More
Mastering the Cello Repertoire: Twinkle Variations, Dvorak Concerto, and What Lies Between
Teaching Violin: Tips for New Teachers
Have You Ever Seen The Rain Chords Tutorial
Jazz Scales: The Altered Scale
The Morningside Lights Parade: Bringing Communities Together Through Merry Music-Making

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