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Featured Voice Teachers Near St Paul, MN

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Here are just a few of the many teachers offering Voice lessons in St Paul . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Rachel F

Instruments: Guitar Voice

I worked in a pre-school for over three years before I decided to pursue music fully. I began by establishing my own band with our own unique musical style that incorporates influences from cultures through out the world! Working with my band, I would sometimes give them singing lessons with the information I had learned from my own (exceptional) Voice Teacher. It was by applying my teaching skills to teach the singing techniques/ abilities that I had acquired through my own lessons and self-study, that I discovered that I can teach voice lessons! Read More

Jeehoon K

Instruments: Piano Guitar Voice Drums

My name is Jeehoon. I’ve studied voice performance over 15 years in Korea and the United States. In 2018, I completed and received a doctoral degree at the University of Minnesota. For 15 years, I conducted church and professional choirs and participated in many performances as an opera singer on stage. Through these experiences, I was able to know how to sing naturally and comfortably without any artificial sound. It ultimately became my goal when I teach my students. Read More

Robin M

Instruments: Piano Guitar Voice Violin Cello Viola Trumpet Trombone Saxophone Flute Clarinet Drums Bass Guitar Organ Synthesizer Accordion Banjo Ukulele Mandolin Recorder Electric Violin Fiddle Double Bass French Horn Tuba Piccolo Mallet Percussion Orchestral Percussion Oboe Bassoon English Horn Conga Music Keyboard Electric Guitar Classical Guitar Acoustic Guitar

I use generally use Faber and Faber for piano and the Yamaha method for guitar. However, each student learns differently therefore I like to meet and assess the needs before choosing a course to follow. For band students, I use the school's chosen method of instruction supplementing with theory, technique and performance pieces. For piano students, I get to know each student's taste in music and choose accordingly. I encourage my voice students to learn a varied repertoire of classical, folk songs, Broadway and pop if they desire. Read More

Laurent K

Instruments: Voice

I have been teaching private voice lessons for 5 years. For 2 years starting in 2017, I worked as a graduate voice assistant at the University of Minnesota where I taught vocal methods in a classroom environment, as well as private lessons to a studio of 18+ students. I am most experienced teaching young adults, though I am comfortable with any age group. I received training from the University of Minnesota and am familiar with a variety of pedagogical approaches. Read More

Lauren V

Instruments: Piano Voice Music Keyboard

I am motivated to foster a fun lesson environemnt.  I loved lessons growing up, and now enjoy the joys of teaching all ages. At my home studio, I teach voice piano and acting lessons to students of all ages. The Twin Cities fasters a rich and diverse musical community. I am happily performing locally with five different groups including two corporate bands, a jazz band, a funk group, an acoustic duo, and an original project. Read More

Deanna D

Instruments: Piano Voice

I started teaching in 2008 and my studio at its maximum capacity was 30 students - a large portion with whom I worked consistently for 3 years until I decided pursue graduate school. While at UNL I taught applied voice and diction, and literature classes as a teaching assistant. Organizing voice classes, studio recitals, and theatrical coachings are resources I have used and will continue to use in the studio to develop a student's full performance potential. Read More

Gabe S

Instruments: Piano Voice

I'm a recent graduate of St. Olaf College who has just settled in St. Paul. I've had the opportunity to perform with Minnesota Opera and will soon be performing with the Gilbert and Sullivan Very Light Opera Company. My interests range from opera and sonatas to pop and jazz, and I love to explore new avenues of musical creativity. My studio exists to give beginning and intermediate singers and pianists of all ages the confidence and ability to produce high quality music with ease. Read More

Teacher In Spotlight

Thomas A

Instruments: Guitar Classical Guitar

What advice do you have about practicing effectively?
Even more than practicing every day, it is important that students practice with their mind engaged. This means paying attention to notations in the music, reminders we have written on the page for both exercises and songs, and all the myriad aspects of posture and technique that we address in lessons. Of course, practicing regularly and with high frequency will also help you develop quickly as well. It is also important that, as daily practice volume goes past roughly 90 minutes, the student splits up practicing time into 45-60 minute chunks in order to avoid burning themselves out both mentally and physically.

When will I start to see results?
This depends on how much time you spend practicing each practice session, and how frequent those practice sessions are. Beginner students should practice every day if they want to see consistent, tangible progress. The amount of time spent practicing will also effect how much progress is made, as well. A bare minimum length for a practice session would be roughly 30 minutes, to allow the student enough time to warm up with technical exercises before moving on to working on the specific technical and musical challenges of whatever songs they are currently learning. Those students wishing to see more dramatic progress, especially early on, should aim to practice 60 minutes or more every day.

Why did you choose your primary instrument?
My father plays the guitar as well. He had many classical guitar records that we listened to constantly when I was young. The guitarists we spent the most time listening to were Andres Segovia, Christopher Parkening, John Williams, and Julian Bream. They played a historical cross-section of music spanning genres from the 17th century all the way up to the 20th century, influenced by a variety of cultures. This music is what inspired me to pick up the classical guitar. I also love jazz music; we listened to jazz guitarists such as Joe Pass and Wes Montgomery constantly as well.

What do you think is the hardest thing to master on your instrument?
The illusion of continuous sound. Every time the instrument is plucked, the sound of any individual plucked note immediately diminishes. This is in contrast to a violinist or vocalist, to take two examples: both of those kinds of musicians can sustain a note, and even change its volume and tone as they sustain it. On the guitar, changing volume and tone can only be achieved over the course of playing several notes. Being able to change volume and tone in this way requires the student to address the issue as part of technical exercises I introduce or develop in lessons.

If you have a Music Degree, what is it in (Performance, Education, Musicology, Theory, Composition, etc) and why did you choose that degree?
I currently have two degrees: a Bachelor's of Music, and a Master's of Music, both in Guitar Performance, both from the IU Jacobs School of Music. I am working towards a Doctor of Music in Guitar Performance at the same school. I have pursued performance degrees because it is my hope to pursue a career performing professionally in addition to teaching. As part of all three degrees, I have taken and am taking rigorous classes in music theory and history. I have studied Baroque music quite thoroughly in two separate courses and intend to study both 16th and 18th century counterpoint in the next two years as well.

If you weren't a musician what do you think you'd be doing instead?
I have always been interested

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Recent Articles from the Musika Blog

Jazz Scales: The Pentatonic Scale

...their own category. Many musicians are only aware of one pentatonic scale, but there are many pentatonic scales. There is one simple rule for the construction of a pentatonic scale: there must be five notes. I mean, it’s in the name.   The most well-known and most used pentatonic scales are the major pentatonic scale and the minor pentatonic scale. The major pentatonic scale uses the chord tones 1 2 3 5 6. The minor pentatonic scale uses the chord tones 1 b3 4 5 b7. As you can see, these two pentatonic scales are actually the same scale starting on a different note.... Read More

How To Start a Band

...obviously require musicians with lots of proven training and experience. Don’t be afraid to audition band members if you’re looking for musicians that specialize in a certain type of style or sound.   Are they a good fit stylistically?   If you’re looking for musicians to collaborate with, attributes like taste and personality can trump a musician’s proven experience. While feeling out whether someone could be a good fit for your project, take some time to learn about their musical preferences and style of playing or songwriting before taking them on permanently. Better yet, schedule a low-pressure playing session to simulate ... Read More

How to Read Strumming Patterns for Guitar

...fret. Once you get to the 4th fret of the first string, do everything exactly backwards until you get back to where you started on the open 6th string. Throughout this warmup and any scale you play, never pick one direction more than once.   Music Notation   A lot of young, eager guitar students look forward to reading music notation as much as they look forward to a trip to the dentist, but I’m here to tell you that dotted eighth notes and ties are not out to get you. Music notation is not some lofty, intellectual code used by only serious ... Read More

Stay With Me Chords for Beginner Guitar (Sam Smith)

...into the world of fingerstyle playing and singing while playing. The repetitive nature of the chord progression and accompaniment pattern lend themselves to working on these skills.   Accompaniment Techniques   The rhythmic feel uses syncopated anticipations and these techniques help create motion and interest. The pattern can be a little tricky at first, but once you get it down, it’s repeated throughout the tune providing you with ample opportunity to practice. Here’s the breakdown:   It’s a 2-bar rhythm pattern. Play the Am on beat 1. Switch to the F on the “and” of 2. Then, the C chord ... Read More

Piano Technique: The Importance of Good Playing Habits

...How Piano Technique Was Developed   Piano technique began developing long before the piano’s invention in 1700. This is because the piano is basically a new and improved version of a very similar instrument called the harpsichord, and many of the same posture and hand positions from that instrument apply to the piano. There are detailed chronicles of how the composer Bach and his sons approached playing the piano, and his ideas and methods have been widely circulated. The piano website Pianotechnique.com recently profiled the famous composer Bach’s son, Carl Philip Emmanual Bach and some of his playing techniques for ... Read More
Jazz Scales: The Pentatonic Scale
How To Start a Band
How to Read Strumming Patterns for Guitar
Stay With Me Chords for Beginner Guitar (Sam Smith)
Piano Technique: The Importance of Good Playing Habits

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