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Featured Piano Teachers Near Madison, WI

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Here are just a few of the many teachers offering Piano lessons in Madison . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Keith S

Instruments: Piano Guitar Bass Guitar

I have found nothing in my professional life more satisfying that developing lasting relationships with my students. Watching someone grow in their ability to play music, especially music they love, is an experience that is second to none. I will help you become the musician you long to be, and hopefully point you in some new and exciting directions along the way. We embark on this journey together, and no matter where we end up it will be a wonderful ride getting there! Read More

Caroline H

Instruments: Piano Voice

I began teaching private music lessons a decade ago as an undergraduate music student. Working at a community music school, I volunteered to teach piano lessons and lead the choir. I fell in love with teaching and after receiving my Bachelors of Music in Vocal Performance, I began teaching private lessons and directing the commercial vocal ensemble at Trevecca Nazarene University in Nashville. While working at Trevecca, I taught many different genres of music to music majors, music minors, and elective students. Read More

Zach W

Instruments: Piano Djembe

I have been offering music education since 2009, where I have had the luxury to work, learn and play with students, other fellow musicians and experience music education in a variety of environments and platforms whether in person or via the internet. I am a self-taught musician, beginning at Edgewood College, where I served as the pianist in the Jazz Ensemble. After college, I had the opportunity to play professionally for several years; as the pianist in the Jeff Peronto Jazz Orchestra (Big Band) and also was the pianist for a period of time with Madison, WI Jazz Club "Cafe' Coda" owner, Hanah Jon Taylor in the Hanah Jon Taylor Artet (Jazz Combo). Read More

Ashley M

Instruments: Piano Voice

Music is much more than notes on a page or a skill to be obtained- it is an universal means of expression and has the potential to touch people in different ways, performer and audience alike. Because of this perspective, I enjoy studying and teaching a variety of genres, eras, languages, and characters. I believe that some of the best teachers of performing arts are those that can use their performance knowledge as a basis for guiding their students while also acting as a sounding board for their students to use in respect to their own musical decisions. Read More

Tim A

Instruments: Piano Guitar Violin Cello Viola Bass Guitar Synthesizer Recorder Electric Violin Double Bass Conga Keyboard Electric Guitar Djembe

I'm a passionate and caring music educator and I love inspiring those around me to feel comfortable harnessing their expressive energy and manifesting it into art in their lives, specifically music. I study Music Theory and Composition at the University of Wisconsin-Whitewater with strong foundations in music theory, improvisation, and intuitive integration of sound and imagination. I started playing the cello at the age 17 years ago and have loved it as my primary instrument ever since. Read More

Caroline S

Instruments: Piano Drums Mallet Percussion Orchestral Percussion Latin Percussion Djembe

I graduated from Milwaukee Area Technical College and earned an associates Degree in Jazz Music. I went on to U.W. Milwaukee and studied classical music and was part of the U.W. Milwaukee Percussion Ensemble for 4 years. After graduating from U.W. Milwaukee I became a full time musician and traveled as a full time musician working throughout the United States and internationally. I worked in a wide range of venues night clubs, lounges, casino's, U.S.O's bases, musicals I have worked as various schools nursing homes, boy scout groups Native American Reservations etc. Read More

Jonathan M

Instruments: Piano Guitar Voice Drums Bass Guitar Keyboard Djembe Acoustic Guitar

My teaching style is very simple. With the fundamentals in place, it's possible to learn any song you want to. If there's a song that goes beyond a student's fundamentals, then that's what we'll learn next. As my music teachers told me, if you listen to a record and you find something on it that you don't know how to play, go back and learn how to do it! Listening and learning is essential to playing the music that you want to be able to play as quickly as possible. Read More

Teacher In Spotlight

Caroline R

Instruments: Piano Flute Keyboard

What advice do you have about practicing effectively?
Always have a pencil and don't be afraid to mark up your music! It doesn't make you dumb if you have to remind yourself that a certain note is flat or sharp. If you need to write in the counting - go for it! - it will only mean less mistakes being ingrained in your muscle memory. Especially at the piano - write in any finger number you need! Experiment and don't mind erasing previous work if you later come across a better way to finger a passage...but write what you have in the moment down so you don't forget. Marking up the music not only saves loads of time by not having to repeat certain steps in the learning process, but it also helps your brain solidify positive connections!

What is your dream piece to perform and why?
Rhapsody in Blue with the orchestral accompaniment. I heard it for the first time in Fantasia 2000 when I was little and fell in love with it back then. Once I was in high school I came across the piece again and bought the music. Then in college I made sure as many of my theory assignments or history assignments could focus on that piece. I have always loved jazz, but have kept mostly to the classical world in my practice. Rhapsody in Blue invokes an emotion that is so relatable - which is sometimes difficult for me to do with classical music.

What does a normal practice session look like for you?
1. warm-up for about 20 minutes (long-tones, scales (all modes), arpeggios, thirds, tonguing rhythms) with a tuner (for flute) with a metronome (for flute and piano). 2. Sight-read (I try to rotate between easy - intermediate - advanced) 5 min 3. Wood-shed (find the hardest passages I'm working on practice slowly, fix bugs, experiment, google info on the piece to see if there are any suggestions, listen to recordings, sing them) the 2-3 hardest passages in my repertoire. 45-60 minutes 4. Context practice: play longer sections of passages I had worked on in my last practice session. 30 min Note: this level of detail and continuity requires me to mark up my scores and keep a journal (on my phone) so I know what I've practice when. I also don't do this all in one sitting. Sometimes I do, but more often than not I warm-up and sightread then take a break - maybe practice piano or read, or clean, etc.) then do the wood-shed practice and take another break before going into context practice. If I'm crunched for time I warm-up and do as much wood-shedding as I can.

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Elements of a Song
A Case for Early Childhood Music Education
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