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Featured Cello Teachers Near Chicago, IL

4048   5 STAR Musika Reviews

Here are just a few of the many teachers offering Cello lessons in Chicago . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Peter B

Instruments: Piano Guitar Voice Violin Cello Viola Trumpet Trombone Saxophone Flute Clarinet Bass Guitar Ukulele Recorder Euphonium French Horn Tuba Electric Guitar Djembe

I developed my skills as a result of my upbringing. My mother was a teacher who specialized in encouraging me to live up to my most cherished dreams. Music was a good enough fit for me that I studied, performed, and taught for many years. Now, after fifteen years, I seek to go back to teaching private lessons - which will work better with a more seasoned perspective. No matter what else you want out of life, you chose music. Read More

Artan S

Instruments: Guitar Violin Cello Viola

1-Modern method -(Suzuki, Essential Elements, Orchestra Expressions, etc) 2-Traditional method- (Rodionov, Sevcik, Kayser, Kreutzer, Wohlfart, Dont, etc) 3-Fiddle, Bluegrass. Read More

Tim A

Instruments: Piano Guitar Violin Cello Viola Bass Guitar Synthesizer Recorder Electric Violin Double Bass Conga Keyboard Electric Guitar Djembe

My teaching style is very involved and incorporates playing for the student, playing with the student, and having the student play on their own. Creating a safe environment where the student is comfortable making mistakes is vital, because making mistakes is a vital component to learning how to play an instrument. I take each student at their own pace and cultivate growth through technical mechanics of the instrument as well as philosophical ideals about what it means to be a musician. Read More

Courtney V

Instruments: Piano Guitar Violin Cello Viola Trumpet Trombone Saxophone Flute Clarinet Double Bass Euphonium French Horn Tuba Mallet Percussion Orchestral Percussion Oboe Bassoon

For beginning students, I typically start with Hal Leanord's Essential Elements. Once the student has a grasp of their instrment and the fundamentals, I will begin to introduce solo repertoire and tecnique exercises. I will try to find out what the student is interested in to help guide my instruction and keep the lessons engaging and fun, no matter the age or ability level. Read More

Teacher In Spotlight

Isaac B

Instruments: Cello

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
I use the Suzuki method because it's what I started with, and it worked very well for me. It gave me the fundamentals I needed to start playing the classical repertoire, and does a great job explaining the technique of the cello. For more advanced students, I use the Kummer method, Cossman exercises, Popper Etudes, and Piatti caprices. I still practice Popper and Piatti to this day- they are absolutely incredible for building advanced technique.

What do you think is the hardest thing to master on your instrument?
When a great musician connects with and touches us in a special way, it's because they have transcended the technical challenges of their instrument to be able to say something very personal with their playing, and leave us the audience feeling moved and inspired. Being able to master the technique of playing the cello (intonation, bow technique, rhythm, etc.) to such a degree where one doesn't have to think about it when performing, and is free to communicate something special to the audience- that is the ultimate goal for me.

What musical accomplishments are you most proud of?
Last summer, I played in a masterclass for Yo-Yo Ma. This was a really big deal for me. His recording of the Bach Cello Suites was the first solo cello album I ever bought, and he was my first real musical hero. I learned a lot from him in that class, and it was a huge moment to have the opportunity to play for someone like him. In addition, I was recently awarded the Glenn L. and Frances Harris Prize at the Eastman School of Music for "outstanding work and accomplishment during his Eastman career". I'm so grateful to have had the opportunity to go to Eastman and work with the incredible faculty there, so to have my work and progress recognized like this really means a lot.

Did you have a teacher that inspired you to go into music? How did they inspire you?
Yes, her name is Janice (Ching-Jung) Lee. I started studying with her when I was in middle school, and she not only helped me improve as a cellist, but fostered a passion for music inside of me that is still with me to this day. She inspired me to find my own voice on the cello, and play the music in a very personal way. Every time she would demonstrate in lessons, I would be so inspired by her playing and teaching and remember going home after every lesson super motivated to practice a lot and get better. I was so lucky to have her as my teacher.

Why did you choose your primary instrument?
When I was in 5th grade, my elementary school had us try every instrument before we chose our classes for middle school. When I tried the cello, they couldn't get me to stop playing/trying it. I loved the sound so much. The lower strings had so much richness and warmth to them, and I had never been drawn to an instrument like this before. That day, I decided to sign up for my middle school orchestra program, and that love for the instrument has never left me.

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