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Here are just a few of the many teachers offering Clarinet lessons in Los Angeles . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!
Instruments: Saxophone Flute Clarinet
I began teaching during my undergrad work and now have over 9 years of experience providing private lessons in saxophone, clarinet, flute, music theory, and conducting. I have worked with students from elementary school through college as well as adults, and in addition to my private studio, I am also the resident woodwinds instructor at 3 community music schools in the LA area. My main aim as a teacher is to enrich the lives of my students, whatever their specific goals. Read More
Instruments: Piano Violin Viola Saxophone Flute Clarinet Oboe English Horn Acoustic Guitar
Hello future Musika students! My name is Breana and I'm a multi-instrumentalist, improviser, teacher, and board-certified Music Therapist based in Los Angeles. I have a passion for exploring diverse music idioms, close collaboration with composers and other musicians, and the music of J.S. Bach. As a performer I've made appearances with wild Up, Jacaranda Music, Wordless Music Orchestra, Kaleidoscope Chamber Orchestra, The Echo Society (in collaboration with Grammy-winning composer Jeremy Zuckerman), the American Youth Symphony, and the Debut Orchestra. Read More
Instruments: Piano Guitar Voice Violin Cello Viola Trumpet Trombone Saxophone Flute Clarinet Drums Bass Guitar Organ Synthesizer Harp Accordion Harmonica Lap Steel Guitar Banjo Ukulele Mandolin Recorder Lute Electric Violin Fiddle Double Bass Euphonium French Horn Tuba Piccolo Mallet Percussion Orchestral Percussion Shakuhachi Oboe Bassoon English Horn Conga Latin Percussion Keyboard Electric Guitar Djembe Classical Guitar Acoustic Guitar
For beginning students who are children, I typically start with Hal Leonards Essential Elements book, as well a basic understanding of music. Once the student has progressed to have a nice grasp of the fundamentals of music, I usually begin to introduce solo repertoire appropriate for their first recital performance. I also believe in the importance of listening to as many professional recordings as possible of the instrument the student is taking lessons on. Read More
Instruments: Saxophone Flute Clarinet
I have been teaching students consistently for over 30 years and have been teaching in my home studio for the last 10 years. Regular practice on a daily schedule is key for anyone wanting to achieve a level of proficiency that yields satisfaction on any level. Several of my students have gone on to professional employment on Broadway, touring bands, and recording studios as well as becoming private instuctors, music directors, and school music teachers. Read More
Instruments: Piano Guitar Saxophone Flute Clarinet Music Keyboard
Certainly, here's a more concise description of my teaching approach in music: 1. Personalization: I tailor lessons to each student's background and goals. 2. Strong Fundamentals: I emphasize music theory and technique for a solid foundation. 3. Practical Application: Students start playing music early, fostering creativity and a connection to music. 4. Music Appreciation: I include lessons on history and culture for a well-rounded understanding. 5. Performance: I provide opportunities to build confidence and stage presence. 6. Read More
Instruments: Saxophone Clarinet
After studying under some amazing private teachers, I started teaching saxophone and clarinet when I was in High School. Since then, I have taught hundreds of students of all ages and skill levels privately and in conjunction with music institutions. I was the manager of Educator's Music in Twinsburg, Ohio for 3 years. After moving to California, I continued teaching private lessons through Musika and other online services. I have over 20 years of professional performing and teaching experience. Read More
Instruments: Piano Saxophone Flute Clarinet Recorder Piccolo Music
My teaching approach is patient, flexible, and student-centered. I meet each student where they are, tailoring lessons to fit their individual needs, goals, and learning styles. Whether a student is preparing for auditions, learning a new instrument, or playing just for fun, we work together to set meaningful goals and achieve them step by step. I strive to make every lesson fun, engaging, and encouragingso students stay motivated, build confidence, and develop a lifelong love and appreciation of music. Read More
Instruments: Guitar Saxophone Flute Clarinet Ukulele Recorder Music Acoustic Guitar
Have any of your students won awards or been selected for special honors? How have they succeeded?
Yes! I've had a number of students awards and honors. Those include: San Diego Honor Band, New Mexico All State, New Mexico All State Jazz, and received top marks for the Associated British Royal Schools of Music
What do you think is the hardest thing to master on your instrument?
One of the most challenging things to master on saxophone (and many instruments) is consistent control and and sound quality throughout the range of the horn. Every note has a slightly different character, and I believe the difference between a student and a master is the ability to hear those differences and start to create more cohesive and unified sound, no matter where you are on the instrument.
How do I know if my child is ready to start lessons?
Really important question. If anyone over the age of 8 states, "I want to learn the _____," then they're ready. Some teachers are willing to start younger. I've found that I'm a more effective teacher for students that are 8 or older
Does music run in your family? Tell us a little about your musical family members.
Yes, I can trace my musicality through my family. My mom was an avid amateur musician, and her mother (my grandmother) was actually a song writer who wrote under the pen name Edith Fields!
If you weren't a musician what do you think you'd be doing instead?
Great question! I actually am engaged in several activities outside of music: I train and perform partner acrobatics and other circus arts, and am an Executive Assistant for business professionals.
Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
It depends on the student. As a foundation, I like to use the "Rubank Method" and the "Standard of Excellence" books. After we get through those, I start to introduce standard pieces within the classical repertoire, or, if the student has a specific interest, start to work on other styles of music (Jazz, Funk, etc).
What does a normal practice session look like for you?
A normal practice session generally looks like scale practice, range exploration, crack downs (an exercise I got from a past teacher that I LOVE), altissimo practice, classical practice, improvisation, and sometimes tune learning, depending on what's coming up
What advice do you have about practicing effectively?
Do a little bit everyday. Music is a language, and the more regular exposure you have to creating it, the better. A 15-30 minute session every day is FAR more valuable than an hour+ session once a week. When you practice anything, you create pathways in your mind. The more you practice, the more efficient these pathways become. After six month of regular practice, that pathway might look like a well manicured forest trail. After six year, you might have something like a two or four lane roadway (or bigger if you practice everyday!). After 15+ years of REGULAR practice, you can bet there are some super highways related to music making and expression that have developed. Do a little bit everyday.
When will I start to see results?
I believe that teachers are guides; it is our job to continuously point the way and correct the students course, much like a sailor corrects the course of their ship. If a student incorporates my guidance and practices daily, then they will see results within 48 hours of our first lesson. If my suggestions and guidance are not heeded, progress will be MUCH slower. The number one thing is daily practice. Music is a language, and one needs constant exposure to see any improvement. This includes both music making and listening. Practice, practice, practice!
25 Years
Since We Started
41,456+
Happy Customers
10,769
Cities with Students
3,123
Teachers in Network
Trusted as the industry leader, for over 21 years the teachers in our network have been providing Clarinet lessons in Los Angeles to students of all ages and abilities.
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