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Featured Piano Teachers Near Oakland, CA

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Here are just a few of the many teachers offering Piano lessons in Oakland . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Jacob P

Instruments: Piano Guitar

Flowing between the presentation of new information and the actual active playing music is very important to the way I conduct lessons. Especially for the young, I place much more emphasis on facilitating musical experiences rather than the integration of musical nomenclature and conceptualization. When we learn to speak, our ears guide us first, and we imitate. Writing and reading comes later. I've found that this pertains to music as well, if not even moreso. Read More

Amy C

Instruments: Piano Keyboard

I like to inspire people to learn playing piano by my step by step teaching style. I teach beginner students simple and fundamental music pieces to let them learn the basic keys and how to read the music sheet. I like to instruct students from diverse experiences the piano, and how to use the instrument as a means of self expression and stimulate their music talent. I will recommend "Alfred's Basic Piano Library Lesson, Theory" and "Basics of Keyboard Theory" as well as "Piano Adventures Level 1 to 2" for piano beginners. Read More

Shuyi H

Instruments: Piano

I am an active solo and ensemble pianist. I have worked with renowned soloists from Europe, America, Australia and Asia and I enjoy playing music with other musicians. I had my highly acclaimed solo recital series Watermark, a sad bird, and Imaginations at the National Recital Hall in Taipei. I have a master degree of piano performance from Manhattan school of music. Aside from performing, I am an experienced piano teacher. Read More

Yehoshua J

Instruments: Piano Guitar Voice Drums Bass Guitar Organ

My experience dates back to when I was excepted into OSA High school, where I auditioned into the school for saxophone and piano officially graduating in 2008. I started working as a music instructor at the age of 14 for the East Oakland Youth Development Center (E.o.y.d.c), summer cultural enrichment program (S.C.E.P.),  teaching classes for students from the age of 6 to 18 about music theory, history, instrument technique, and how to play an assorted of instruments. Read More

Kevin H

Instruments: Piano Guitar Trumpet Trombone Drums Ukulele Euphonium French Horn Music Keyboard Electric Guitar Acoustic Guitar

I have studied and performed music for over 30 years. I graduated from California State University, East Bay in 2010, and have completed 1 year of my M.M. in Trombone Performance from the University of North Texas. I am currently based in the SF Bay Area and plan to continue my studies here. I have extensive experience playing in many ensembles in many different styles, such as: orchestra, brass quintet, jazz band, rock band, horn sections, chamber music, as well as numerous others. Read More

Mark W

Instruments: Piano Clarinet

I teach all styles of music. I begin teaching from piano books published by Alfred. I also have the student learn their scales as well as give a weekly written music theory assignment. I incorporate styles and songs the student enjoys listening to or playing as well. I like to teach classical music. With this foundation, ALL other music is much easier to play, and helps tremendously with their sight reading skills. Read More

Dana S

Instruments: Piano Voice Keyboard

Music is my life. I actually enjoy teaching music and being creative with all ages and all kinds of people. Ive had the opportunity to play all over the world with jazz bands, Afro Cuban ensembles, top 40 bands as well as my own band which is a mix of original music that is jazz, r and b, soul, hip hop, reggae, latin and funk. I also direct a singing group in Richmond called Voices of Reason. Read More

Teacher In Spotlight

Gretchen S

Instruments: Piano Organ

What advice do you have about practicing effectively?
I have written an E-book about practicing well! Rather than include it here, I will happily share it with my students. The basics include avoiding negative self-talk, making realistic goals for the practice time available (which changes from one day to the next), working on a variety of passages rather than obsessing about just one, and identifying what needs to be improved rather than starting at the beginning and repeating what you already know. And I'll sure I will have a few more suggestions! I have studied with teachers who had no idea how to learn music. Finally, at age 28, I had the good fortune to study with a world-renowned professional pianist in New York. He had to learn music on deadline, and passed a great deal of his expertise on to his students. I am so grateful.

How do I know if my child is ready to start lessons?
First, I should say that Suzuki lessons are wonderful, as are Kodaly and Orff classes. All have proven results. However, that is not my training. The best scenario for me is with students who securely know their left from their right hand. This is because directions change on the piano and can become confusing. ("Down" is "left" on the keyboard.) In addition, by age 8, children's attention span has typically improved. If you have a younger child, you may want to consider a class for children and parents together. Play music for them, sing to them, dance with them, and let them bang on pots and pans. Children's choir is also a great way to go. They will be gaining awareness of melody and rhythm, forming an excellent foundation for lessons. As soon as the child is moving to music, jumping around, smiling, and singing along, s/he is ready to try having lessons.

When will I start to see results?
This is an excellent question! Results start to appear very quickly! Everyone will be playing a tune in the very first lesson. More complicated pieces using both hands together will take a little longer. I have seen adult beginners playing for their families with both hands after two months. The students were surprised that family members recognized the songs! This exact scenario has happened over and over. FYI, I am talking about realistic results here. To play at Carnegie Hall, everyone needs years and years of preparation, just so you know. Recordings make it sound like everything must happen instantly. Some things do.... ;-) Hold that thought!!!

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Recent Articles from the Musika Blog

Guitar Speed Exercises

...half notes and then finally quarter notes. Repeat this sequence down a fret until you reach the bottom of the guitar. If you’re looking for a challenge, try this exercise playing one power chord per eighth note from start to finish. Adding these guitar speed exercises into your practice routine will do amazing things for your playing. We recommend reserving 10-15 minutes of your practices for exercises like these. If you need extra help upping the speed and accuracy of your playing, we recommend taking some time to find an experienced teacher in your area. For more helpful articles about the... Read More

Ukulele Chord Chart: All The Chords You Need to Play Popular Songs

...the 19th century when it was introduced by Hawaiian and Portuguese immigrants. It’s a small guitar-like adaptation of an instrument called a machete (not the sword type of machete used to slash through jungles) that gained prominence when it made its way to the United States during the 20th century.     Uke Tuning     Ukuleles, or ukes, feature four strings: G-C-E-A. Our favorite acronym to help us remember uke strings is “Greedy Cats Eat Avocados,” but feel free to create your own. Something seasoned musicians might find odd about the uke is that its bottom G string is tuned an octave higher than expected. This might seem ... Read More

Understanding Time Signatures in Music

...wonderfully manic song manages to defy the boundaries of what popular music can and can’t sound like with its unconventional time signature and use of electronically generated textures of sound. 7/8 is a time signature that manages to deliver a great deal of tension to the music due to the fact that the measures never seem to feel complete or resolved.   There are many more time signatures to explore and appreciate, so the songs above are just a few examples of how creative uses of time signatures can be used in music. If you’re new to reading music on your instrument, we recommend sticking with conventional time signatures ... Read More

Jazz Scales: The Whole Tone Scale

...Practicing the whole tone scale is even easier than practicing the diminished scale. Once you know it in two keys, you can use it in all twelve keys. Chord/Scale Relationship Last blog post, I introduced the concept of “chord/scale relationships”. The best way to figure out how a scale relates to a chord is to break down the scale and analyze each tone. Before reading on, I advise that you look back at how the scale is constructed and try to figure out for yourself what chord the whole tone scale would sound good over. The best way to learn ... Read More

The Bass Trumpet- A Brief Overview

...modern bass trumpets follow the Alexander tradition more closely than Moritz’s style.   Probably due to Wagner’s influence, composers like Stravinsky, Janacek, and Schoenberg began to write works with bass trumpet parts; other than Wagner’s Ring Cycle, the Rite of Spring by Stravinsky is the most well-known work to use the bass trumpet. Schoenberg’s Gurre-Lieder—one of his few tonal romantic works—may be the most challenging work in the orchestral bass trumpet repertoire.   Some tips for the lucky bass trumpet player in the Wagner: “It’s best to use a C bass trumpet for Wagner, as you play with trumpets more ... Read More
Guitar Speed Exercises
Ukulele Chord Chart: All The Chords You Need to Play Popular Songs
Understanding Time Signatures in Music
Jazz Scales: The Whole Tone Scale
The Bass Trumpet- A Brief Overview

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