Guitar Lessons in Queens Village, NY

Instruments: Piano Guitar Ukulele

Hi! I'm Kurt, singer-songwriter/composer, a multi-instrumentalist, and a patient and natural teacher. I've been playing guitar for over 20 years, piano for almost 20. I release music as "The Broadest Blue"; I am in the process of recording my second album--the first (plus two singles) are available on all streaming platforms. I've played every little bar venue in the East Village, directing a complex musical outfit built to play music with brass and string parts (all music, lyrics, and arrangements written by me). Read More

Instruments: Guitar Bass Guitar

I start out with fundamental theory, scales, and chords, along with easy songs and riffs. I teach student differently depending on their skill and ability level. I utilize textbooks and DVDs to accompany the lessons. My approach is straight forward, which enables the students to learn quickly.I think the visual aspect of the guitar is very important, so I focus a lot on theory applied directly to the guitar. Read More

Instruments: Guitar Bass Guitar

I am a dedicated and patient teacher and I am very proud of all the students that I have taught through the years. Its always really exciting to see any progress. While being considerate of the students pace or availabilty, I try to go in small steps that are easily accomplished each week, expecting constancy in the practice. Most cases, 20m/day every day is preferable than practicing for 2 hours straight the day before the lesson. Read More

Instruments: Piano Guitar Voice Bass Guitar Ukulele Music Keyboard Electric Guitar Classical Guitar Acoustic Guitar

I teach out of instructional books, notably books by Hal Leonard, Mel Bay, and Alfred. Sometimes, I use sheet music print outs, or draft up my own exercises.  I go back in forth in a non-conventional manner, adapting accordingly to the student's needs.  I like to incorporate exercises and warm ups to improve and enchance technique.  I also teach songs that the student would like to learn.  I'm very patient and rarely rigid in my approach, although I do stick to a general routine that allows a focused approach to learning. Read More

Instruments: Piano Guitar Voice Violin Cello Viola Trumpet Trombone Saxophone Flute Clarinet Drums Bass Guitar Synthesizer Ukulele Recorder Electric Violin Double Bass Euphonium French Horn Tuba Piccolo Mallet Percussion Orchestral Percussion Oboe Bassoon English Horn Music Keyboard Electric Guitar Acoustic Guitar

Effective music education is both developmentally and culturally appropriate: By working with the student to understand their interests, I hope to provide them with an experience that will enrich their musical and social life outside of the work we do together. Through infancy, I believe Music Learning Theory is effective for developing musical and linguistic skills. If a student in toddlerhood/childhood shows that they have a preferred way to express themselves musically, I will tailor lessons around the Kodaly (voice), Orff (instrumental), or Dalcroze (dance) philosophies. Read More

Instruments: Piano Guitar Voice

I think voice especially has always been viewed as a bit of a mystery... you can't see or touch your voice as you sing, unlike playing instruments, so there's a certain amount of imagination that has to be involved. I do my best to straddle making singing as tangible as I can, and approach things somewhat scientifically ("This muscle is used in this way," etc.) while also inspiring visualization ("Send your sound out into the distance," etc.) I also really think it's important for musicians to be diverse, so not only will we learn chord and strumming patterns on a guitar, we'll also learn how to read simple lead lines of solos, etc. Read More

Instruments: Guitar Classical Guitar Acoustic Guitar

I am a working musician and actively published musicologist. My career as a concert musician began in the 1970's with youthful performances around the US and Canada. In early 2006, I was included in Who's Who in American Women and Who's Who in Education in America, and in 2009 was added to the roster of International Who's Who in Music. I attended Wittenberg University (sacred music) studying conducting and orchestration with John Williams and Ian Polster, New York University for humanities, and the Mannes College of Music (MM classical performance and theory), studying with Robert Secrist, Frederic Hand, Charles Kaufman, Julius Levine, Yakov Kreizberg, Leo Edwards and Marie Powers and completed my graduate library studies with Jane Gottlieb at the Juilliard School. My scholarly work has been focused on the performance, documentation, historiography and promotion of music and performing arts. Read More