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Featured Piano Teachers Near Kansas City, MO

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Here are just a few of the many teachers offering Piano lessons in Kansas City . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Stephanie B

Instruments: Piano Voice

Teaching is my passion! I have been a private piano and voice instructor for over 10 years, as well as a classroom teacher for over 12. I love finding the gifts in all students and nurturing those gifts by sharing my love of music and knowledge. I graduated from Northwest Missouri State University with a Bachelor of Science degree in Music Education. My career as a musician has given me many enriching opportunities to be involved in vocal performances and teacher-led performances over the last 12 years. Read More

Sky L

Instruments: Piano Guitar Voice Saxophone Flute Drums Bass Guitar Ukulele Mandolin Music Keyboard Electric Guitar Classical Guitar Acoustic Guitar

I believe in a student learning to hear music and think for themselves. Through ear training, creativity, and learning "how" music works, the goal is to get each student to not need a teacher to learn their instrument, but want a teacher so they may become their best version of it. I focus on this as a primary value in my studio. In lessons, we'll use formulas and concepts to understand "why" things sound good, and "how" we actually get better. Read More

Marianne L

Instruments: Piano Voice

For beginning students who are children, I like to start with Hal Leonard's Piano for Beginners. Progress will depend on the students' willingness to learn and practice as well as encouragement from their parents. For students who already have an understanding of basic fundamentals, I will assess their skill level and select music appropriate for their progression and level of play. Adult beginner students are more than welcome to use piano books. Read More

Erin S

Instruments: Piano Saxophone Clarinet Oboe English Horn

I believe every student is different and therefore demands a different instruction style. Some students need a lot of encouragement and some students need more of a push. I also believe students need musical ideas to be presented to them in different ways. Some students need a visual explanation, some auditory, and some kinesthetic. Through my training to become a music educator at Missouri State University, I gained experience in several different types of students and I am confident I can help a large variety of students. Read More

Alla A

Instruments: Piano Violin

Nothing is more rewarding than seeing one of my students develop a passion for music! Therefore, it's important that each student progresses at his or her own pace. I encourage this by setting realistic goals for my students at each lesson. Acknowledging accomplishments helps fuel a students desire to progress, and makes students eager to learn more. By trying to find out what inspires the student, I can successfully tailor my instruction to their wants and needs.. Read More

Teacher In Spotlight

Alison D

Instruments: Piano Guitar Voice Organ Ukulele Recorder Keyboard Djembe

What advice do you have about practicing effectively?
Don't skip over the parts you're making mistakes in. If you find yourself making mistakes consistently in the same area, stop, and practice those measures until you can play them without error. It is a frustrating, tedious way to practice, but muscle memory is huge when it comes to your music skills. When you play the same passage with the same mistakes, your muscles learn those mistakes and it is that much harder to correct errors. Take the time to learn correctly and you will find yourself a more diligent, excellent musician.

How do I know if my child is ready to start lessons?
My personal recommendation is to never start students in lessons until they know their alphabet letters - it's very challenging for students to grasp the concept of notes when they cannot differentiate a B from an E. Typically, if you place your child in front of a given instrument and he/she attempts to play it, there is enough interest there to begin lessons. Almost every study shows the ideal age for honing music skills ranges between 3-11. Does that mean you can't start at age 12? Of course not. This is a decision only you can make. No one knows your child better than you. Trust your instinct.

When will I start to see results?
After your first lesson. Will your beginner student come home with a song learned the first lesson? More than likely not. There is a decent amount of rapport building done in initial lessons, asking each other questions, learning interests, and learning the basics of the instrument - how it works, where the notes are, etc. For intermediate/advanced students, you'll likely see results from lessons quicker because I'll be building on skills that are already there. To put it bluntly, music lessons are like anything else in life - you get what you give, and if you're practicing with good technique, you will absolutely see results.

Why did you choose your primary instrument?
I didn't. My parents both grew up in homes that had pianos, and wanted me to play piano. I didn't start til 4th grade, which is later than the typical musician. I learned quickly as I have a skill for sight-reading, and now that I've got a degree in music, I truly believe piano is the best instrument to start with. It worked out for the best that piano was my primary instrument, since it is a necessary music skill across every single music degree. I believe I would have ended up with piano as my primary instrument, anyway.

What do you think is the hardest thing to master on your instrument?
Practicing technique. There's nothing harder in lessons than discipline. That's really the hardest thing in life - discipline. It's a cliché, but the saying "There is no progress without struggle," applies perfectly here. It's so easy to slide over mistakes and play music "good enough." Practicing with GOOD technique takes so much self-control, and I make each of my students aware of the cost/benefit of not using good technique. Am I a stickler for playing every single note correctly? No. We would never attempt hard music if we had to play it perfectly every time. But the key is to recognize when you need to stop and work on smaller sections in order to produce a more excellent product.

If you have a Music Degree, what is it in (Performance, Education, Musicology, Theory, Composition, etc) and why did you choose that degree?
I have a degree in music therapy. I had my grandma go through hospice care and played piano for her/sang to her in the few weeks before she died. She told me "Never stop helping people with music the way you've helped me." At the time, I agreed, but had no idea there was a way to do that with a college education. I heard about music therapy about 3 years later when I was attending college for secondary education, and decided to switch colleges to pursue music therapy. Today, I am still teaching music lessons, but am also actively pursuing a position as a hospice Music Therapist!

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Recent Articles from the Musika Blog

What is 'Concert Pitch'?

...at all practical. First of all, it would basically involve rewriting history, figuratively and literally. Instruments have been perfected in the respective keys that they are in. Companies have been improving upon instruments over a long period of time. Each instrument has its defining tonal qualities that couldn’t possibly be replicated. Look at the C melody saxophone. It was an attempt to reinvent the saxophone as a C instrument. It didn’t last long. Also, look at the clarinet. You might wonder why there’s a clarinet in Bb and a clarinet in A. They have different tonal qualities and so both remain a part of modern music.... Read More

Opera Voice Types

...than dramatic baritones or bass-baritones, and the color of the lyric baritone voice is the warmest in the family. If you’ve heard the role of Marcello from La Boheme, you are familiar with the smooth sound of a lyric baritone voice. Other famous lyric baritone roles include Don Giovanni in Mozart’s Don Giovanni and Figaro in Rossini’s Barber of Seville.     Dramatic Baritones, as you can probably guess by now, have a more intense and dark sound than the lyric baritone. Correspondingly, the dramatic baritone tessitura is slightly lower as well. “Verdi Baritones” are considered part of the dramatic family, although ... Read More

10 Benefits of Learning Piano

...Though we might take it for granted now, the invention of the piano dramatically altered the musical landscape back in 1700, and music has never been the same since. The piano is an instrument that can be found in music composed by everyone from famous pop songwriters to obscure art and classical music composers and every type of musician in between. The piano shows up in virtually every type of music all over the planet. It has become a permanent fixture in music because of its incredible power and versatility. The benefits of learning piano include more than just learning how to ... Read More

Principals of Basic Drum Beats for Rock, Part 1

...is what is known as the ‘ride pattern’. This is a (generally) steady, continuous timekeeping pattern typically played on the high hat or ride cymbal. The following illustration is of four basic ride patterns:   Numbers 1 and 2, the shuffle and the swing, respectively, are typical of the early days of rock and roll (as well as of jazz, r’n’b, etc.) While they are certainly still in use, the ‘straight eighths’ feel of number 4 (every eighth of the bar articulated) has overwhelmingly dominated rock music since the 60s and is one of the basic drum beats every drummer should learn. For this reason, we’ll ... Read More

Ways to Improve Piano Sight Reading

...good starting point for practicing piano sight reading outside the method books. They generally stay in one hand position and use simple rhythms.       Hanon: Originally designed to be transposed into every key, in fact! (just read the preface) the first 30 exercises of Hanon: The Virtuoso Pianist in Sixty Exercises is useful for developing ease and confidence in playing in every key, so long as you do not have to leap over large intervals or change positions often.   Transposition: As a part of playing scales, pick a simple piece of music that is major and another that is minor that you ... Read More
What is 'Concert Pitch'?
Opera Voice Types
10 Benefits of Learning Piano
Principals of Basic Drum Beats for Rock, Part 1
Ways to Improve Piano Sight Reading

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