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Featured Guitar Teachers Near St Paul, MN

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Here are just a few of the many teachers offering Guitar lessons in St Paul . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Rachel F

Instruments: Guitar Voice

I have been working and teaching kids since I was a kid myself. Upon graduating High School, I began attending Saint Paul College with the loose plan of becoming a "Sign Language Interpreter". I took American Sign Language Classes Level 1-4 and Deaf Culture, all of which worked to sharpen my already-clear communication skills. I discovered that becoming an interpreter was not exactly "my calling" and began expanding my degree to study Child Development and work with children. Read More

Michael M

Instruments: Guitar

I have been performing since age 7 playing classical piano in recitals with my sister. I got my first guitar at the age of 12. At 15 I was playing around town with different bands. After years of playing in garage bands, I applied to Wayne State University and enrolled in their music department. I have a variety of musical experiences to draw from which is a benefit to my students. Read More

Garrett K

Instruments: Guitar Bass Guitar Double Bass French Horn

For beginning horn students I use the Rubank method as well as my own combination of etudes. Once the student has a solid understanding of the fundamentals a regimine of solos and etudes will be assigned, followed by the standard solo repertoire. For bass and guitar students I have my own method book that focuses on music theory, technique, as well as improvisation. I strongly believe in adapting my materials and method to best suit the student and the students need, I will work to help you achieve your goals! Read More

Evan E

Instruments: Piano Guitar Drums Mallet Percussion Orchestral Percussion Conga Latin Percussion Music Keyboard Electric Guitar Djembe

Whatever type of music they are interested in playing, I find several examples to pull from that and use it as teaching material and relate it back to our foundational training. This keeps our lessons fun, engaging, and rewarding. For Drum set, I teach from Tommy Igoe's "Groove Essentials 1.0/2.0" and John Riley's "The Art of Bop Drumming". I encourage students to perform a recital but I like to stretch the definition of a "recital". Read More

Robin M

Instruments: Piano Guitar Voice Violin Cello Viola Trumpet Trombone Saxophone Flute Clarinet Drums Bass Guitar Organ Synthesizer Accordion Banjo Ukulele Mandolin Recorder Electric Violin Fiddle Double Bass French Horn Tuba Piccolo Mallet Percussion Orchestral Percussion Oboe Bassoon English Horn Conga Music Keyboard Electric Guitar Classical Guitar Acoustic Guitar

I am an instructor who tailors lessons based on the student's desires. Having been a performer since I was 13 years old, I work as a musical coach. My performing experience varies from pop, rock, country, jazz, hard rock, contemporary Christian and classical. I am a classically trained pianist and vocalist. Currently I play in a trio that performs regularly at nursing homes. I love bringing joy to the elderly by playing their favorite sing alongs as well as teaching them current music. Read More

Jeehoon K

Instruments: Piano Guitar Voice Drums

I have a lots of teaching experience in Korea and America. Both experience made me to be a stronger teacher and how to approach people having different voice. My teaching experience was started from church background. I started vocal performance when I was 20 years old. At the same time, I started to conduct a church choir and a professional choir as a vocal instructor and a assistant conductor in Korea. Read More

Benjamin K

Instruments: Guitar Electric Guitar Classical Guitar Acoustic Guitar

I love teaching guitar because nurturing someones passion for music is a rewarding experience. In my lessons I work to identify a students strengths, needs, learning style, and interests, and tailor lessons to each individual. I think students develop best when theyre working on things theyre excited about. I also think its important to help students with musical ideas, so they can become expressive musicians as well as skilled guitarists. Read More

Teacher In Spotlight

Jonathan S

Instruments: Trumpet

If you play more than one instrument, how did you decide to start playing the second? (Or 3rd, 4th, 5th, etc)!
In addition to playing the trumpet, I also play ukulele. In my first year at Juilliard, I had a hard time improving at Ear Training. Taking up a chordal instrument like the ukulele allowed me to hear music in a completely different way and advance my ear training skills much more quickly. I think it's very important if you play a single line instrument to learn a chordal instrument; whether it's harp, piano, ukulele, guitar etc. After getting better at ukulele, I formed a band with a colleague from school. Now, I write songs for my band and have a lot of fun playing and performing a different genre of music!

When did you decide to become a professional musician? Was it a gradual decision or was there a defining moment for you?
I have enjoyed playing music since I was very young. When I got to high school, I started taking music seriously and ended up attending the summer music camp at Interlochen Arts Academy. At Interlochen, I gained some of my first experience playing in orchestra which quickly became one of my biggest passions. Near the end of camp, we performed Mahler’s second symphony. I was captivated by this piece, and from the first rehearsal, I decided that I wanted to play and perform music for the rest of my life.

What does a normal practice session look like for you?
A normal practice session for me starts off with about ten minutes of long tones and breathing exercises, resting as much as I play and going very slowly (38 beats per minute). After this, I work out of the Stamp book to play pedal tones and slur up above the staff. Then, I work on technical exercises, which include intervallic slurs, multiple tonguing, articulation and other things from Bai Lin, Shuebruk, Arbans, Flexus or Franquin. I write down everything that I do and how it went. I typically work on a single exercise for about a week and then move on to the next one. After I get my warm up and technical exercises out of the way and take a break, I work on the music that I have to play for any upcoming auditions or performances. It's important to me to start the day off as relaxed as possible, making sure that all of the technical aspects of my playing are in the proper place before I move on to my music. It makes playing difficult music much easier!

What advice do you have about practicing effectively?
Since the trumpet has a max practice time of around two or three hours, it is incredibly important that students use their time effectively. We can't spend two or three hours on a single passage of music like a violinist or pianist, so every note we play should have our complete attention. Trumpet players must also not overplay anything, as it's very easy to sustain a injury or to lose that mental focus. Resting as much as we play and breaking up practice sessions into thirty-minute blocks is a very effective strategy to working around these issues.

When will I start to see results?
Results can vary student to student. For example, a student working on articulation will see results much faster, a few days to a week, than a student working on an embouchure change, which could take anywhere from month to a year. However, since my lesson plans involve writing everything down (what the exercise or etude the student is working on, what is good and bad about it, time spent on material, what to improve, etc.) students should be able to easily document their progress day by day. When starting out with lessons, it’s typical to see a great deal of improvement in a short amount of time.

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Recent Articles from the Musika Blog

Beginning Jazz Piano: Getting Started with Chords and Lead Sheets

...spots around the keyboard.     Now let’s go through how to build Diminished chords. Go back to Middle C and build a C Minor chord. With your pinky, move down to a Gb. The interval between C and Gb is a Tritone, and it provides the dissonance you hear in diminished chords. All Diminished chords are built off of a formula of the root-minor 3rd-Tritone (which is six half steps away from the root). Try playing Diminished chords at different spots around the piano.   Extended Chords   Once you know how to build basic chords, you’ll need to understand extended... Read More

Tips for Singers: Easy Steps for a Better Voice

...Do you consider yourself an active singer? Are you currently taking voice lessons or looking into increasing your knowledge on the subject? Do you feel stuck in a rut when it comes to your musical progress? These tips for singers should help.   As a professional singer and voice teacher whose musical journey has had its fair share of ups and downs, I’ve discovered a set of guidelines that have been immensely useful for both my musical and personal development. My goal in composing these tips for singers is to help any vocalist set the stage for his or her most successful singing through ... Read More

Types of Ukuleles

...There are many types of ukuleles available in the world today. They come in different sizes, pitch ranges, and distinct styles to give them all a unique sound. Some ukulele craftsmen experiment with different woods, metals, and plastics to change the sound of the instruments, too. The first major difference you will find in different types of ukuleles are their size. Traditionally, ukuleles come in four sizes: soprano, concert, tenor, and baritone. The most common types of ukuleles are the soprano and concert, but this does not mean the other sizes do not have their merit.   Soprano Ukulele Soprano is the smallest size of ukulele available. Its size makes ... Read More

Principals of Basic Drum Beats for Rock, Part 1

...speak of a ‘drum beat’, we are typically referring to the main pattern a drummer plays in a given song (which in most rock and pop will typically be treated as a written part, to be played more or less the same in each performance, as differentiated from that of a jazz drummer, whose job tends to be more fluid and improvisatory, though not without its own standard patterns). The terms ‘beat’, ‘drum beat’, and ‘rock beat’ are often used interchangeably to refer to this pattern, and this pattern is generally recognized as the backbone that articulates the ‘beat’- in the larger sense- for the listener ... Read More

Jazz Exercises for Saxophone: Intermediate Studies in 12 Keys

...the ii-V-I progression wherever you can find it (which will be many places). I highly recommend using the digital patterns, the common resolutions, and a combination of these two approaches over several jazz standards. For starters, I recommend playing over the blues, any rhythm changes (“I Got Rhythm”), “Autumn Leaves”, “How High the Moon”, “Solar”, and, if you’re looking for a challenge, “Cherokee”. These tunes are filled with ii-V-Is. “Cherokee” hits seven keys in one song.     Another way to practice the digital patterns and common resolutions over the ii-V-I progression is to run through the ii-V-I progression in ... Read More
Beginning Jazz Piano: Getting Started with Chords and Lead Sheets
Tips for Singers: Easy Steps for a Better Voice
Types of Ukuleles
Principals of Basic Drum Beats for Rock, Part 1
Jazz Exercises for Saxophone: Intermediate Studies in 12 Keys

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