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Featured Guitar Teachers Near St Paul, MN

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Here are just a few of the many teachers offering Guitar lessons in St Paul . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

David M

Instruments: Guitar Bass Guitar

My teacher was very encouraging and always believed me, and I try to be that person for my students. There are lots of different types of guitar players and songwriters, so what I like to do is tailor each curriculum to the individual student's ability, goals, and taste in music. Working out of a book is fine in some cases, but I have found that expecting everyone to learn from the same method doesn't always work. Read More

Kelly B

Instruments: Guitar

There is nothing more fulfilling that seeing my students become passionate about the guitar. I love seeing the weekly improvements and satisfaction they receive when learning a new skill. I understand each student is different and learns at their own pace but that doesn't mean I won't still motivate them to improve. I know from experience how important everyday practice can be. I always use positive reinforcement with my students but will also provide feedback on areas that need improving. Read More

Garrett K

Instruments: Guitar Bass Guitar Double Bass French Horn

I am a driven and passionate musician, who loves performing, and most of all passing on my love of music to students. In 2014 I graduated from Messiah College with a Bachelor of Science degree in Music Education, Studying both horn and Jazz Bass. Upon graduating Messiah, I attended Bowling Green State University studying Horn Performance. My wide range of musical experiences has equiped me to teach different styles to a wide variety of students. Read More

Evan E

Instruments: Piano Guitar Drums Mallet Percussion Orchestral Percussion Conga Latin Percussion Music Keyboard Electric Guitar Djembe

For beginning students, I typically start with the universal drum exercises every drummer should know, like the Ted Reed's book "syncopation" or the very classic "stick control". These exercises are mostly for warm ups, hand coordination, internalizing rhythm, and speed training. Depending on their musical background, I often like to introduce basic music theory concepts just so we are able to speak the same language. Once a foundation is set, I quickly move to what the student's interests are. Read More

Raphael P

Instruments: Guitar Bass Guitar Electric Guitar Classical Guitar Acoustic Guitar

My teaching experience can be dated back to high school, where I taught friends and family after school or in the summer. I started to take teaching music lessons seriously within the last couple of years. I love passing this onto my students and giving them the tools to succeed on guitar. I can see from the results of my teaching, that consistency is key. Every time we are having a lesson, I teach the student a new concept and elaborate on their prior knowledge. Read More

Jeehoon K

Instruments: Piano Guitar Voice Drums

My final goal is how to enjoy singing. In my opinion, the most important thing is that singing should be comfortable to both a singer and an audience. For this reason, I generally help them to sing comfortably. Most of the students have a common problem to sing. I would say it is artificial voice which makes their voice tired and injured. When I taught students some of them struggled with development about their voice quality. Read More

Daniel S

Instruments: Guitar

My teaching experience started back in 2009 as i was a freshman at McNally Smith College of Music. I really like to stress that practicing at least a half hour per day is key to help with finger strength and musle memory. I have been teaching from my home for seven years. The students that i have had really enjoyed my in depth knowlege of theiry the guitar and technique exercises. Read More

Teacher In Spotlight

Peter R

Instruments: Drums Music

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
It's important for beginners and intermediate drummers to learn from the same basic books that have been the staple for teachers and students for time and memorial. I make sure I incorporate lessons from: 1) George Lawrence Stone's Stick Control 2) Ted Reed' Progressive Steps to Syncopation for the Modern Drummer 3) Joe Morello's Master Studies 1 & 2, 4) Podemski's Standard Snare Drum Method 5) George Lawrence Stone's Accents and Rebounds 6) Rubank Elementary Method I use so many other books that are too numerous to list.

What do you think is the hardest thing to master on your instrument?
The drums never cease to amaze me. There is always something new to learn or improve on. This instrument requires musicianship, strength, endurance, and 4-way independence unlike any other instrument. As a drummer, you need to "get out of your head", and let yourself go. Once you overthink something, your playing can start to sound academic. You must be able to execute without tripping over yourself. Unless you're ambidextrous, getting your non-dominant hand to do what your dominant hand does is the single hardest thing to achieve and maintain. Every one of my professional drum colleagues says the same thing, "it's a constant struggle and a lifelong challenge to build control with a non-dominant hand."

What musical accomplishments are you most proud of?
Being endorsed by HingeStix Practice Drumsticks was monumental for me. I knew I had arrived as a player and a drum teacher when I got that endorsement. But I also knew I had accomplished being a drummer when fellow musicians would tell me that I was a great drummer, perhaps the best drummer they had ever heard or played with. I know that I'm not as good as some, or better than others. But I appreciate the positive feedback. I've also written and produced music projects over the years that borrow from my percussion background to create driving music beds and themes for television and cable broadcast, and streaming digital platforms.

Why did you choose your primary instrument?
Like many children of the sixties and seventies, Rock n Roll was very popular. The English music revolution had taken hold. When I saw The Beatles, The Rolling Stones, Herman's Hermits, the Kinks, and more, that did it for me. But it was the Dave Clark Five that pushed me over the top. Dave Clark was the lead singer and the drummer. That, too me, was the coolest thing I'd ever seen, and that's when I knew I wanted to be a drummer. I needed to be a drummer!

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Recent Articles from the Musika Blog

Beginning Jazz Piano: Getting Started with Chords and Lead Sheets

...spots around the keyboard.     Now let’s go through how to build Diminished chords. Go back to Middle C and build a C Minor chord. With your pinky, move down to a Gb. The interval between C and Gb is a Tritone, and it provides the dissonance you hear in diminished chords. All Diminished chords are built off of a formula of the root-minor 3rd-Tritone (which is six half steps away from the root). Try playing Diminished chords at different spots around the piano.   Extended Chords   Once you know how to build basic chords, you’ll need to understand extended... Read More

Tips for Singers: Easy Steps for a Better Voice

...Do you consider yourself an active singer? Are you currently taking voice lessons or looking into increasing your knowledge on the subject? Do you feel stuck in a rut when it comes to your musical progress? These tips for singers should help.   As a professional singer and voice teacher whose musical journey has had its fair share of ups and downs, I’ve discovered a set of guidelines that have been immensely useful for both my musical and personal development. My goal in composing these tips for singers is to help any vocalist set the stage for his or her most successful singing through ... Read More

Types of Ukuleles

...There are many types of ukuleles available in the world today. They come in different sizes, pitch ranges, and distinct styles to give them all a unique sound. Some ukulele craftsmen experiment with different woods, metals, and plastics to change the sound of the instruments, too. The first major difference you will find in different types of ukuleles are their size. Traditionally, ukuleles come in four sizes: soprano, concert, tenor, and baritone. The most common types of ukuleles are the soprano and concert, but this does not mean the other sizes do not have their merit.   Soprano Ukulele Soprano is the smallest size of ukulele available. Its size makes ... Read More

Principals of Basic Drum Beats for Rock, Part 1

...speak of a ‘drum beat’, we are typically referring to the main pattern a drummer plays in a given song (which in most rock and pop will typically be treated as a written part, to be played more or less the same in each performance, as differentiated from that of a jazz drummer, whose job tends to be more fluid and improvisatory, though not without its own standard patterns). The terms ‘beat’, ‘drum beat’, and ‘rock beat’ are often used interchangeably to refer to this pattern, and this pattern is generally recognized as the backbone that articulates the ‘beat’- in the larger sense- for the listener ... Read More

Jazz Exercises for Saxophone: Intermediate Studies in 12 Keys

...the ii-V-I progression wherever you can find it (which will be many places). I highly recommend using the digital patterns, the common resolutions, and a combination of these two approaches over several jazz standards. For starters, I recommend playing over the blues, any rhythm changes (“I Got Rhythm”), “Autumn Leaves”, “How High the Moon”, “Solar”, and, if you’re looking for a challenge, “Cherokee”. These tunes are filled with ii-V-Is. “Cherokee” hits seven keys in one song.     Another way to practice the digital patterns and common resolutions over the ii-V-I progression is to run through the ii-V-I progression in ... Read More
Beginning Jazz Piano: Getting Started with Chords and Lead Sheets
Tips for Singers: Easy Steps for a Better Voice
Types of Ukuleles
Principals of Basic Drum Beats for Rock, Part 1
Jazz Exercises for Saxophone: Intermediate Studies in 12 Keys

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