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Featured Piano Teachers Near San Francisco, CA

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Here are just a few of the many teachers offering Piano lessons in San Francisco . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Lauren P

Instruments: Piano Voice

I have grown up in the wonderful world of music and my passion is to give you or your children the tools they need to be successful and have fun in both vocal studies and piano studies I was born and raised in Michigan, and have been studying music since age 4. I began piano studies first and found a love of vocal music through church choir when I was still quite young. Read More

John F

Instruments: Piano Guitar Voice Bass Guitar Ukulele Music Electric Guitar Acoustic Guitar

I believe in encouragement, fun and positive focus on the students progress at whatever speed that they progress. This makes each student look forward to each lesson with eagerness and actually accelerates their progress. I never push a student and instead encourage and edify the student and try to use their own favorite pieces of music to keep them excited about their next lesson. Acknowledging small progress is the key and I never let a student leave without celebrating their accomplishments no matter how small! Read More

Rupali S

Instruments: Piano Voice

I am very encouraging and patient as a teacher, i understand how learning is when your trying to get over the hurdles. My compassion allows me to put myself in the students shoes, which makes me a better teacher. I like to encourage the student to listen to artists and incorporate musical philosophy to inspire the student to play and achieve and experiment. I think being curious is a musician's best friend, it creates the drive to want to learn more. Read More

Jacob T

Instruments: Piano Voice

Both passionate and laid back, ambitious and realistic, I have found great success through having an open mind and grateful spirit in this crazy music business. My friends and colleagues have described me as consistently positive, easy to get to know, and warm hearted. I hold two degrees in vocal performance, and consider the countless hours I've spent teaching in the studio and performing on stage to be my greatest assets. Read More

Derek S

Instruments: Piano Ukulele Keyboard Acoustic Guitar

I'd say my teaching style is first tailored to each individual student- their learning style, their genre interest, and their goals. Some student respond to more traditional classical structure, and some respond to improvisation as a way of learning musical concepts. What's exciting is finding out which style each student has, and always come back to the joy keeps them motivated. While I am flexible in this regard, I do have specific practice assignments and repetition exercises that are the work of learning an instrument. Read More

Jenna Countryman M

Instruments: Piano Flute Recorder Piccolo

I first started teaching in college, taking courses in flute pedagogy in 2007, and working privately with local high school students. Since 2011, I have had a regular studio of private flute (and recorder or piccolo) students as well occasional students on other wind instruments and piano. I've also taught a variety of wind and chamber ensembles. I believe that every student is unique and learns best when that individuality is celebrated. Read More

Teacher In Spotlight

Annemarie W

Instruments: Piano Voice Ukulele

If you have a Music Degree, what is it in (Performance, Education, Musicology, Theory, Composition, etc) and why did you choose that degree?
I have a bachelor of arts degree in music. I also have a Master of Arts degree in Education, Teaching, Learning and Curriculum with an emphasis in Music.

Why did you choose your primary instrument?
I always loved to sing. I think because I loved hearing famous singers on the radio, t.v. and at concerts. I loved their stage presence as well as hearing how their voice could sing a large vocal range and express their emotions. I enjoyed the artists that created emotions in the listeners ears and created a sense of beauty.

What musical accomplishments are you most proud of?
I was able to sing with an artists who performed at Carnegie Hall in front of thousands of people. I published a thesis at the University that I attended and earned several honors, scholarships and awards. The highest honor was a Soroptomist International Master's Scholarship.

Have any of your students won awards or been selected for special honors? How have they succeeded?
Several of my students have made honor rolls. They have also been selected for leading singing roles and have sung in prestigious choirs. Some of my special needs students have been cured of their challenges and have moved on to a successful learning path.

What do you think is the hardest thing to master on your instrument?
Rhythm, vocal sound quality and getting over the fear of performing in public are the most challenging. I also think that singing and playing piano, to the point where you are freely expressing yourself without fear and too much concentration.

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
I use Bastien, Suzuki, Hal Leonard and Bel Canto singing/piano methods. I also cater to the students interests, strengths and familiar pieces of music. I try to strengthen the students skills through these materials.

When will I start to see results?
It takes a few weeks to grasp one or two concepts and master a beginning level song. It takes about a year to learn several songs and to be able to perform them in public.

Did you have a teacher that inspired you to go into music? How did they inspire you?
My aunt has a beautiful singing voice. My mother is very musical and she was a choir director. My mother was also very involved at my school's musical functions.

How do I know if my child is ready to start lessons?
If they are eager to learn music, express an interest by tinkering at the piano or singing a lot in the car, playing at home or taking walks etc.

What advice do you have about practicing effectively?
It is best to practice in the morning when you are fresh or in bits throughout the day. Setting goals is imperative. If you would like to perform, then finding practical ways to do this is helpful, such as open mic venues, churches or bands that are looking to start up.

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Recent Articles from the Musika Blog

10 Reasons Why Everyone Should Be Playing Ukulele

...difficult to memorize because the uke only has four strings. Chord shapes that are played with three or four fingers on the guitar are often played with just one finger on the uke.   Here’s a C major chord shape on the guitar and ukulele:   C Major Shape On Guitar:     C Major Shape On Ukulele: It usually takes months of difficult work to be able to memorize enough guitar chords to be able to play simple songs, but just a week or two of practice can give you access to all the chords you’ll need to be able to play... Read More

Soloing Over Rhythm Changes

...the ‘A’ sections, I used the scale based on the V chord for each measure with a ii-V. For the first bar, I just wrote out the major scale. These three scales are meant to be used over dominant chords. It’s possible to use the diminished, whole tone, or altered scale based on the V over the first measure, but for the purpose of this exercise, I just wrote out the major scale. I think it provides a ‘ground’ for when you’re first practicing this material. The ‘B’ section only consists of dominant seventh chords, so it should be pretty ... Read More

Jazz Scales: The Whole Tone Scale

...whole tone scale within the first ten seconds. It’s pretty easy to recognize. In my last post, I talked about the diminished scale and how its possibilities of manipulation were seemingly endless to me. I talked about how learning about the diminished scale had a pretty big impact on my musical life. I’m not sure I can quite say the same thing about the whole tone scale. Maybe it’s just my ear’s personal preference, maybe it’s because there are less notes in the scale (and therefore, mathematically, less possible permutations), maybe it’s just not used as much as the diminished scale. ... Read More

Jazz Exercises for the Saxophone: Advanced Studies in 12 Keys

...regular practice regimen). Some jazz standards’ melodies utilize only one scale, so it’s not so difficult to learn the melody in 12 keys. Look at the melody to “There Will Never Be Another You” or the ‘A’ sections to the melodies of “I Got Rhythm” and “Cherokee”. For the most part, all of the notes in each melody are part of only one scale. So, to transpose the melody to other keys, we can simply utilize the number system applied to the scale that the melody is derived from (as we did in the last blog post with simple melodies ... Read More

Jazz Exercises for the Saxophone: Advanced Studies in 12 Keys

...would be I ii iii IV V vi vii. The second and third chords of “All of Me” are III and VI respectively (they’re actually V/V/ii and V/ii, but that just complicates things further). So, to make it easier to learn the melody and harmony in 12 keys, we can learn them together. When we relate the harmony and the melody to each other in these jazz exercises, transposing them is easier. Like with the digital patterns, we can associate the numbers of the scale degrees with the harmony rather than with solely one scale. Under the first chord, we ... Read More
10 Reasons Why Everyone Should Be Playing Ukulele
Soloing Over Rhythm Changes
Jazz Scales: The Whole Tone Scale
Jazz Exercises for the Saxophone: Advanced Studies in 12 Keys
Jazz Exercises for the Saxophone: Advanced Studies in 12 Keys

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