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Featured Piano Teachers Near Elk Grove, CA

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Here are just a few of the many teachers offering Piano lessons in Elk Grove . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Andrea G

Instruments: Piano Flute Music

For beginning students in flute and piano, I use Trevor Wye flute books and Alfred piano books, respectively. These books cover fundamentals and hand technique and once that is learned and internalized, then I will introduce more solo or accompanied repertoire that they would eventually perform in a recital. For beginning composition students (which are taught remotely on Zoom), I will go over different "lectures" about fundamental music theory and integrate short composition assignments that go according to what was learned in the lesson. Read More

Sarah W

Instruments: Piano Flute

I'm a composer-flutist and flute/piano teacher who received a PhD in music composition and theory with departmental distinction from UC Davis in June 2021. I also hold a master's degree from the San Francisco Conservatory and a bachelor's from Columbia University. My own compositions have been performed at music festivals across the U.S. and in Europe. I have won several calls for scores, including calls from the Sewanee Summer Music Festival (2020), North/South Consonance (2019), Vox Musica (2017), and New Music on the Bayou (2016). Read More

Gorjana Z

Instruments: Piano Voice Music Keyboard

As a teacher, my aim is to help students unlock the meaning and message of any piece of music. For me, teaching and learning are both about exploration, inquiry and experimentation. And I approach each lesson fully committed to spark a student’s imagination and musical understanding through these principles. The joy in my teaching is seeing students’ ideas develop and being there to guide them each step of the way! Read More

Javier A

Instruments: Piano Cello

I have written and released my own piano series which I use for beginner and intermediate students of all ages. My method introduces students to vocabulary of rhythm, pitch, music symbols and ensembles. Read More

Andy L

Instruments: Piano Voice

For children, I begin with Donald Waxman's Pageant for Piano series. The pieces are quite fun, and also good for technique. The illustrations also offer many opportunities for story-making and engagement. For adults, I begin with James Bastien's The Older Beginner Piano course, and for intermediate learners, supplement it with pieces from Bartok's Mikrokosmos, Czerny, Kabalevsky, Burgmuller's 24 Etudes, duets and various other literature as appropriate. Improvisational skills may also be taught. Read More

Noemi C

Instruments: Piano Guitar Voice Violin Flute Bass Guitar Keyboard Electric Guitar Classical Guitar

Teaching piano is my passion and I always strive to give personal attention to each and every student. I especially enjoy helping students develop their love of piano playing and their piano skills and watching them reap the benefits of their hard work and dedication I am active in participating and attending convention as hosted by the Music Teachers Association of California and other teacher's workshop in town and other workshops hosted by the Music publishers and well known composers. Read More

Spencer N

Instruments: Piano Guitar Violin Trumpet Fiddle French Horn Electric Guitar

I'm a motivated and patient instructor who likes working with many different types of students and sharing what I know and love about music with others. I graduated from UC Berkeley with a microbiology degree in 2017; while most of my studies were unrelated to music, I took genre and performance classes in music throughout and played in several live music ensembles. I've played violin and guitar from a young age, learned brass and percussion in high school, and taught myself piano while in college. Read More

Teacher In Spotlight

Gretchen S

Instruments: Piano Organ

What does a normal practice session look like for you?
My practice is different every day. The window of time available changes, sometimes during the practice session. Rather than stubbornly sticking to my original plan for that session, I have found much more peace of mind in revising the goal for the day. Example: When you have planning on practicing for two hours and then the phone rings, changing your plans, when you reassess the time available and find something that can be accomplished within that amount of time, you will have reached a goal and will feel good about it. There is no requirement to adhere to a rigid goal and feel down on yourself for not accomplishing it. Life happens! FYI, it took me a long time, i.e. years, to learn that!

What is your dream piece to perform and why?
I would give my right arm, as they say, to be able to perform Twenty Portraits of the Infant Jesus by Olivier Messiaen. It's too hard! Several years ago, I found four movements that seemed to be more accessible than the others. I would practiced them for two months, say, then put them aside. Six months later, I would try again. The result was always the same. My fingers remembered nothing and I had to start over. After four rounds of this, I decided to look at Messiaen's Preludes instead. I have happily performed three of the Preludes many times. Pierre Laurent-Aimard performs the Vingt Regards (Twenty Portraits) on tour, from memory. I have ceded ownership of the piece to this wonderful pianist.

Does music run in your family? Tell us a little about your musical family members.
Yes, music was something that was always around when I was a child. My father was a minister. He had sung in his college's male quartet. He had a lovely bass voice, and with further training might have had a professional singing career. My mother had been a public school music supervisor before I was born, after which she taught kindergarten and supervised the elementary Sunday School department in our rather large church. She led a brief worship service for the children before smaller classes were taught, including a music component. My parents met in college choir. In the Midwest, ministers' children at the time typically took lessons. My three older siblings all played instruments, with my sister playing both piano and organ. She played organ for our church before I did. It must have been an unspoken part of the circumstances that the minister's children play for church. Even if that was the case, it was fabulous training. Playing congregational responses and hymns well requires good listening skills, the ability to adjust to changing acoustics depending on the size of the congregation, providing inspiration for the congregation to keep a steady tempo, and dreaming up something to bridge unexpected gaps in the service. That's quite a challenge for a 14-year-old! Also, church services and choral rehearsals have many similarities in terms of the number of participants, size of the space, location of the piano or organ, listening and response skills needed.

When did you decide to become a professional musician? Was it a gradual decision or was there a defining moment for you?
When thinking about college choices, I began thinking about various possible majors. Since I felt very strongly that I would never be able to live without music, the decision was an easy one. Settling on the piano took a little longer. I started out majoring in organ. However, my older sister is such a good organist, that was a big factor in my choosing something else. In addition, it turned out that I was more comfortable playing the piano, while my sister found a better fit with organ. That said, I have had organist/choir director/choral singing jobs in different churches and denominations since age 14.

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