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24 Years
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Here are just a few of the many teachers offering Piano lessons in San Jose . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!
Instruments: Piano Flute Piccolo
For beginning students, I place a large emphasis on the fundamentals i.e. scales, chord progressions etc. I also start them on solo pieces and like them to choose the pieces they are working on. I believe that if they choose their repertoire then they will have greater love and enthusiasm for the music. I also encourage them to push beyond what they think they can do. I work hard to match my teaching style to the needs of each and every student. Read More
Instruments: Piano Organ
I love forming partnerships with my students. When we work together, we begin to speak the same language and work toward your goals in a positive way. You will have an opportunity to play music from various styles and musical periods. There is no predestined path here. I tried that when I was in my 20's, and learned very quickly that every student is different. Everyone's paths diverged, and all those notes I had taken to plan ahead for the next six months didn't work at all. Read More
Instruments: Piano Keyboard
I'm passionate about teaching others to love music. It is one of my greatest pleasures. I have been performing and teaching since I was a teen. I have performed both classical and original music and am currently working on a rock album writing piano and orchestra for about 12 songs. We have a Grammy-nominated producer in Denmark producing our album. Seeing new students experience learning to play is a great joy for me as well as helping an experienced student ace a RCM or other performance exam, place in a competition, or enter a music program in college. Read More
Instruments: Piano Guitar Keyboard Acoustic Guitar
I have a lifelong love of music that has taken many forms. I have had concert hall performances around the country of pieces that ranged from traditional classical, to the experimental and the avante-garde. I have created gallery installations that transformed sound as participants moved about the space, as well as other digital/performative experiments that pushed the leading edge of art. I have performed original pop and rock music, organized public musical events, and throughout it all my passion for music and sound has continued to deepen. Read More
Instruments: Piano Oboe
I start playing the piano when I was 5 and started playing oboe at the age of 8 in Guanran Catholic Music Elementary School in Taiwan- a school that taught music theory, ear-training, aural skills, music history, choir, and orchestra, in addition to regular academic classes. Throughout my life, I have performed as a solo and collaborative pianist, instrumental and vocal accompanist, oboist, choral singer, and conductor in various venues in US, Taiwan, China, and Italy. Read More
Instruments: Piano
I like to emphasize learning technique through pieces, rather than practicing only technique on its own, as that can get boring very quickly! For beginning students, I like to start with the Piano Adventures series, which has pieces which are easy, teach basic techniques, but also are musically interesting. Once they have the fundamentals, we can begin working on solo repertoire that interests the student. For older students who are interested in 20th century music, I like to teach Bartok's Mikrokosmos. Read More
Instruments: Piano Guitar Bass Guitar Synthesizer Music Keyboard Electric Guitar Acoustic Guitar
I think of two things as being central to my teaching style: Fun, and Growth. I think too many music lessons dry out the material, and suck the fun out of something that should be inherently joyful! I try to make every music lesson interesting, and keep my students engaged by giving them material that gets them hyped. Second, I think music is a great chance for people to experience the joy in Growth. Read More
Instruments: Piano Voice Drums Music Keyboard
What musical accomplishments are you most proud of?
I have had the good fortune to play and sing in Carnegie Hall on three separate occasions.
I am also really proud of my work with my students. I totally love when a student becomes more like a colleague in conversation and performance and pedagogy.
Finally, I am proud of how I handled my work during the pandemia. I kept offering lessons, singing opportunities, and musical “events” throughout the lock down.
Did you have a teacher that inspired you to go into music? How did they inspire you?
I have been fortunate to have many music teachers invest their time and energy into teaching me, irrespective of my attitudes or levels of commitment to the work. Memories of their grace and patience is the anchor I use when I am teaching. Memories of their deadlines and expectations are the fuel I use when pushing students in their own development.
Why did you choose your primary instrument?
I started playing piano when I was five. I was born with three fingers on each hand. Diving into the world of piano repertoire was always and interesting exploration of feasibility and joy. I started playing percussion in late elementary school. This lead to playing multiple percussion parts for my very small community youth orchestra. I majored in music with an emphasis on piano and percussion in my undergrad career. I continued to play both as I perused a degree in opera conducting for my graduate studies. I was very fortunate to play a variety of musics in a multitude of styles and techniques, which are skills I try to pass forward to my students.
How do I know if my child is ready to start lessons?
I would encourage you to talk to your child about what they like and do not like in other “structured” times. Lessons can be modeled in a variety of ways, but they are mainly one-on-one attention on the student. Is your child comfortable with the length of time and the structure of time in that manner?
When will I start to see results?
How do you define “results” in the context of the learning? What I tend to find is that students go through cycles of absorbing and applying new information and then plateaus of developing specific skills. The periods of plateau can be both difficult and frustrating for students, and I work hard to acknowledge how students are still developing and gaining strong outcomes in their work.
What advice do you have about practicing effectively?
Practice a little bit every day rather than a lot in one go each week. The slow and steady method will garner long term effects. The cram method actually can make the learning more difficult.
24 Years
Since We Started
41,456+
Happy Customers
10,769
Cities with Students
3,123
Teachers in Network
Trusted as the industry leader, for over 21 years the teachers in our network have been providing Piano lessons in San Jose to students of all ages and abilities.
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