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Featured Piano Teachers Near Cedar Park, TX

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Here are just a few of the many teachers offering Piano lessons in Cedar Park . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Yi-Chien L

Instruments: Piano Cello

I'm a professional and motivated instructor who just graduated from UT Austin and would love to share music with whoever wants to learn. It has been 16 years for playing cello and orchestra whether in school and outside of school, and also for teaching experience. I have been working with several Maestros, including Bion Tsang, Rapheal Bell, Peter Seidenberg, Peter Opie, and Jonathan Spitz, and I had an opportunity to perform in the Taiwan National Concert Hall with Haik Kazazyan, who was the third-place of International Tchaikovsky Violin Competition. Read More

Jamie T

Instruments: Piano Voice

I've been teaching voice and piano, both privately and in public schools, for 12 years in the Austin area. I have taught all ages and styles and am open to any kind of music. I believe in practice and routine as a foundation to learning, but also improvisation and experimentation. I learn best across multiple media and I LOVE using the internet and a variety of applications to supplement my student's studies. Read More

Timothy J

Instruments: Piano Music Keyboard

He has also been a prizewinner of various other competitions, including the Russell C. Wonderlic Competition. Over the years Timothy has spent his summer months at Bowdoin International Music Festival, Meadowmount International Music Festival, and the Aspen Music Festival. He has studied privately with Douglas Humphereys (Eastman) and Wei-Yi Yang (Yale) and has participated in masterclasses with some of the world's leading teachers and pianists, notably Robert McDonald, John Perry, Richard Goode, and Leon Fleisher. Read More

Gabriel L

Instruments: Piano Voice Drums Organ Music Keyboard

I have the ability to be sensitive to and match the learning pace of any student at any age, regardless of any learning challenges. I very much believe that anyone can learn any craft in music if they're willing to put in the work. Every lesson is engaging, fun, highly informative, inspiring, and musically advancing. Students can learn just about anything they'd want to learn from very innovative angles that are often tailor-made to the individual student's learning ability. Read More

Alicia V

Instruments: Piano Flute

For beginning students, I typically start with simple traditional songs that they know. Once the student has progressed to have a grasp of the fundamentals, I will begin to introduce solo repertoire appropriate for their first recital performance. For advanced beginners to intermediate-level students, I try to find out what interests the student may have, and guide my instruction accordingly to keep the lessons engaging and fun—no matter their ability level. Read More

Kathleen B

Instruments: Piano Guitar Voice Flute Clarinet Recorder French Horn Piccolo Oboe Keyboard Electric Guitar Acoustic Guitar

I never assume a student cannot succeed. Progress comes quickly with a variety of songs supported by successive exercises and methodology. Parental involvement is highly recommended and I try to work with parents to determine motivational techniques. I have found that students need a regular practice time 4 to 5 times a week, even if it is only a few minutes at a time; but, hopefully, we can find music that they like to sit down and play. Read More

Teacher In Spotlight

Matthew J

Instruments: Piano Voice

What advice do you have about practicing effectively?
Humans are creatures of habit and our physical abilities are dependent on muscle memory. In order to practice effectively it needs to be part of a regular routine, not an appointment, special occasion, or chore. If we can practice 5 hours a week, we see significant progress in the first year. My advice is to find a time when you won't be rushed or distracted. The end of the school/work day, when all of your obligations are fulfilled is best. Some days 60 minutes will be enough time to make significant progress, sometimes 60 minutes won't allow you much advancement, but 60 minutes, 5 days in a row, will yield noticeable improvement. Muscle memory is more deeply programmed when we sleep, so returning to a failed task the following day will recently yield success. As we experience this success we are more inclined to practice each day. I highly recommend playing 1 hour a day, when the day is done, Monday through Friday.

How do I know if my child is ready to start lessons?
If a child has an obvious attachment to music, like singing constantly and sounding out tunes on an instrument, then it may be time to consider lessons. Children can learn as early as 5 years old, but its hard to get a genuine commitment out of a child younger than 8. If a child is agreeable, has shown a sustained interest and is the sort of kid who completes homework or enjoys sports practice, then there is a good bet that they'll practice enough to see results. In many cases piano is a great way to create good habit like discipline, commitment and project completion.

When will I start to see results?
That depends on a great many variables. Talent and commitment are the most important factors to seeing results. With a commitment of 5 hours a week a child or young adult can see significant results in 6-12 weeks. If one begins lessons early enough one can see seriously impressive results within 6 months. If one practices 5+ hours a week with regular lessons at the end of 2 years one can feel so comfortable on their instrument that they won't be able to remember a time when they couldn't play proficiently.

Why did you choose your primary instrument?
I learned to play on the 1954 Wurlitzer spinet that my Mother's Mother bought and played. My mother learned to play on that piano and I began playing on that piano when I was 5 years old. Piano was a form of discipline in my household, but I had a healthy appetite for music for as long as I can remember. At 13 I took up saxophone and later bass. At 18 I realized the superior utility of the keyboards. A saxophone is monophonic, a bass requires not hands to create a limited amount of notes, but piano is the only instrument played in chromatic half-steps, left to right, low to high, with 88 note polyphony, and rhythmic independence for each hand. No brainer.

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