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Featured Piano Teachers Near Fairfield, CT

4048   5 STAR Musika Reviews

Here are just a few of the many teachers offering Piano lessons in Fairfield . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Evan S

Instruments: Piano Saxophone Flute Clarinet

I would best describe my teaching style as "Learn how to have fun playing music, simply." I am thankful for being blessed with an ability to hear how my student plays and quickly and accurately prescribe a simple fix to get over hurdles. Sometimes all it takes is looking at things a different way to realize something and clear up confusion. Just like in life, sometimes with music all it takes is your teacher saying something a different way or helping you look at the music from a different angle. Read More

Junko S

Instruments: Piano Music Keyboard

I am comfortable teaching with many piano methods. Some of my favorites include Alfred, Faber and A Dozen a Day Series. For more advanced students, I often recommend the Music for Millions Series or Bastien Piano Literature. For jazz, I often use Hal Leonard's "Your First Fake Book" and the "Joy of Jazz". All my students also get a strong foundation in scales and theory. I also stress learning all the notes on the grand staff and there are many good apps for this on tablets and smart phones. Read More

Elaine A

Instruments: Piano Guitar Voice Synthesizer Harmonica Ukulele Recorder Music Keyboard Electric Guitar Acoustic Guitar

I have also found that a combination of classical and modern music can go a long way in helping students to enjoy his or her instrument and to motivate them to practice and continue to learn. I do my best to have fun with the students. I also encourage my students to enter competitions and recitals, as well as work on composing their own original material, so they can feel good about their accomplishments and stay motivated to learn. Read More

Brian M

Instruments: Piano Voice French Horn Music Keyboard

My teaching style is a something I consider to be a hybrid: I combine the academic knowledge I have gained since I started my first piano lesson at four years old, along with the real life experience I obtained as a full-time traveling musician. I take this unique style of teaching and apply it in a very engaging and stimulating learning environment. I like to apply techniques from both the Orff and Kodaly teaching philosophies with younger students. Read More

Leonardo F

Instruments: Piano Drums

I tailor my lessons around the student's interests while balancing this with basic general technical foundations. Dividing the lesson between hand technique and performance, this allows for a balanced and inclusive teaching experience for both the teacher and student. Read More

Matthew R

Instruments: Piano

I match the individual method that I use to the student. I try to incorporate all the fields of musical study; performance, technic, and as mentioned above, improvisation, reading, and composition to give the student a well rounded approach to musical study, all the while keeping it at a level that is both fun and challenging for the student. Read More

William G

Instruments: Piano Guitar Bass Guitar Lap Steel Guitar Banjo Ukulele Music Keyboard Electric Guitar Classical Guitar Acoustic Guitar

I began teaching during my time at College. I encourage younger students to practice every day, even if it's just for 15-20 minutes. Practicing at the same time every day is essential for young students; this builds a habit within the student's routine. Younger students need a stronger routine to thrive and without the structure of practicing every day, there is less progress each week. I currently work at two music schools in Westchester county; Read More

Teacher In Spotlight

Gregg D

Instruments: Piano Guitar Organ Electric Guitar Classical Guitar Acoustic Guitar

Why did you choose your primary instrument?
Its hard to say between piano and guitar; I started about the same time, but I would have to choose the piano. I would take it because of the balanced layout of the keyboard, the large dynamic range, and the beautiful cabinet. With the lid open you can receive the full power of the instrument. And now we see three pedals with three functions: soft pedal, sostenuto pedal. sustain pedal. The pedals are the soul of the piano. The piano, along with its massive library, has a marked presence in popular music. it will not change.

What musical accomplishments are you most proud of?
Youngest member in the playing of Rutgers University orchestra. A competition from vocal parts for a score which was then performed at Mason Gross School of the Arts. My biggest theater accomplishment with the composition "A funny thing happened on the way to the forum" which was performed in a large auditorium with myself as conductor that day. In another concert series I conducted a chamber version for people because some of the orchestra had prior engagements. After this period, I started to play guitar again and was teaching at C.E.I.G. both guitar and piano, both tasks (Electric and Acoustic).

Have any of your students won awards or been selected for special honors? How have they succeeded?
Brett Washington: a tenor entered a "Barber Shop Quartet" competition , won best vocalist east region. Daphne Rustowich: was named head of the "Delbarton Band", and performed in the best mod-baroque-style. James Frankenberg: Leader of "Rutgers Jazz Ensemble". reconstructed the school as the new Jazz center. I appreciate the three leaders in their field lending your name to this music school. I sure they will bring their own students to work with and maybe use our materials as a starting point.

What do you think is the hardest thing to master on your instrument?
Piano: Keep it in tune. Even distribution of the legs and hands so that one is balanced. Use of the three pedals to create special effects. Rapid tremolo on single notes followed by ascending scales. Hand-over-hand to get rapid linear patterns. Play from memory. Guitar: Keep it in tune. Uur left hand thumb in proper position behind the neck. as the right hand will tap notes on the fretboard to get overtones ringing out (switch hands if left handed.) Play arpeggios both up and down the next. Play from memory.

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
No, I never used those courses, I feel they were too (Alfred, etc.) simple even for beginning students.. I use Sibelius to generate graded course material for young children, and then increase the sections as I wrote more into the machine., My library was growing and I was able to publicly show my methods at lessons and concerts. I recently decided that I would make own course workbook. And I then use that to start the cycle again with new students as they hopefully compose their own.

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