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Featured Piano Teachers Near Austin, TX

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Here are just a few of the many teachers offering Piano lessons in Austin . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Darrell V

Instruments: Piano Guitar Voice Violin Saxophone Clarinet Drums Bass Guitar Synthesizer Keyboard Electric Guitar Classical Guitar Acoustic Guitar

30+ years performing experience: baroque, classical, jazz, orchestral, march, gospel, blues, folk, bluegrass, big band, country, rock, metal, theater, pop, punk, Americana, avant-garde, grunge; Solo, small combo, large band, and orchestral experience. 30+ years teaching experience: guitar [Spanish, acoustic, electric], electric bass, voice, piano, keyboard, woodwinds [specializing in saxophones], percussion, violin, composing, arranging, songwriting, recording, management; A long roster of satisfied clients. Excellent professional and personal references available. Read More

Alan E

Instruments: Piano Guitar Voice Drums Mallet Percussion Orchestral Percussion Conga Latin Percussion

My teaching style is geared mainly towards going over fundamentals while finding the students interest in music. I encourage my students to listen to as much music as possible, to explore and find what they really enjoy. Playing along to music,or learning songs the student enjoys is a great way to apply the fundamentals, and make them more enjoyable to master. Read More

Matthew J

Instruments: Piano Voice

My name is Matt and I am a Music Industry Professional from Austin, TX. I'm a lifelong pianist, have performed in bands since I was 16, studied bass, saxophone, vocals, percussion, and have been a professional musician and Music Industry Professional since I was 22 years old. My father was also a local musician and knew many local keyboard players. I took advantage of his contacts by taking lessons from some of Austin's most successful pianists. Read More

Lance R

Instruments: Piano Voice Saxophone Music

It is important to me that I provide a warm, comfortable environment for all my students. I strive to meet the student where they are, set goals, and make plans to achieve them. Voice in particular is a difficult thing to learn, since the mechanisms are internal and difficult to see as well as hard to control directly. That is why many teachers speak through visualization and analogy. I make every effort to explain the science behind the singing process, but I also use a variety of teaching approaches that have proven to be effective. Read More

Travis S

Instruments: Piano Guitar Drums Bass Guitar

I began as a formal teacher during my senior year at The University of New Haven, teaching private instrumental lessons as well as tutoring existing students in theory and other music classes. I have taught students as young as 5 years old as well as adults much older than myself with incredible results. My primary instruments are guitar and drums/percussion. I have also taught numerous piano and bass guitar students all whom have recieved a great start to their musical journey. Read More

Kathleen B

Instruments: Piano Guitar Voice Flute Clarinet Recorder French Horn Piccolo Oboe Keyboard Electric Guitar Acoustic Guitar

For very young piano/keyboard students, lessons go more smoothly if they know right hand and left hand, count to 10 and know ABC's. They learn to read music almost immediately, and I give them the tools to be able to pick up any piece of music and play it independently. Regular performance opportunities are provided to show off acquired skills and progress of students and application of knowledge is encouraged through original composition. Read More

Andrew V

Instruments: Piano Guitar Bass Guitar Keyboard Electric Guitar Acoustic Guitar

I continue to develop my skills as a musician in a very goal-oriented manner so I like to utilize that aspect of learning with my teaching. Learning an instrument can take a lot of practice and at times can seem like you don't even see a flicker of light at the end of a tunnel. Because of this, I find it very effective to keep focusing on daily, weekly and monthly goals. Read More

Teacher In Spotlight

Neil D

Instruments: Piano Violin Trumpet Trombone Saxophone Flute Clarinet Drums Synthesizer Recorder Electric Violin Fiddle Orchestral Percussion Music Keyboard

Did you have a teacher that inspired you to go into music? How did they inspire you?
Well yes, it was my first band director. Granted that I had already chosen to be in band as an elective in middle school, I had never really played an instrument before and my musical knowledge was practically nonexistent. But his approach towards teaching was simple enough for me to make the connection between learning how to properly hold my instrument and obtain a decent tone from it all while learning to read music. But my first band teacher also provided time during lunch and after school in which to practice, and whenever available, he would help with my intonation, articulation, breathing skills, and even dynamics (volume) and this encouraged me to keep practicing which only results in an upward-spiral of skill building! towards continued musical progress!

How do I know if my child is ready to start lessons?
I have students as young as 3 and some of my students have special needs. However, you certainly know your child better than I do: What is their temperament like? I have but one rule: You have to WANT this...if this musical interest is not made a desired priority ahead of perhaps other extra-curricular activities, then the student will not put outside practice into this and it will become a downward-spiral. Vice-versa, with my positive energy and enthusiasm, I can keep any willing student engaged for a 30-minute, 45-minute, or even 1 to 1.5 hour session.

When will I start to see results?
I focus on making goals--set an objective for each day! Instead of time being the measure of effort, set a goal for both skills and performance! For example, one needs to practice exercises just to maintain current skills...so include this in your regular practice repertoire and focus on HOW to play them properly. But focus on a song...break the piece down into sections (if it is a whole page or longer in length) and focus on individual measures at a time. With each attempt, determine what errors are occurring and WHY--then, by process of deduction, you will rule out mistakes and improve your odds of accuracy until you are so familiar with WHAT to do that you can play this properly 10 times out of 10! Thus, every practice session should yield results...each session is one small building block towards successful performance of a song and mastery of your instrument!

What advice do you have about practicing effectively?
Find a place where you can focus and pick a routine time in order to develop the habit of regular practice. Instead of practicing for a designated amount of time, make a goal (e.g., Today I am going to work on this song, and I will finish when I can play it correctly 10 times out of 10 attempts!) If the song is multiple pages in length, then focus on just one section of it per day and break it down into measures. Various exercises such as scales and other rudiments need to be practiced in order to maintain skills. But always make time (even if it's just 5 minutes) for playing just for fun! I strongly encourage this!

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Recent Articles from the Musika Blog

Writing Guitar Riffs

...to provide predictable and structured harmonic content. Listeners almost always remember riffs but rarely remember chord progressions. Riffs can be played on the electric and acoustic guitars as well as the bass guitar.   Like so many other things in popular music, writing guitar riffs is an aspect of songwriting in popular music that grew out of the blues music tradition in America at the turn of the 20th century. Early blues riffs were written to match the phrasing and character of the human voice. Simple guitar licks that repeated over and over again laid the foundation for heavier and more intricate guitar lines... Read More

Principles of Basic Rock Drum Beats, Part 2

...later post- while the bass drum simply plays ‘four on the floor’ (unlike a true bossa nova, which has a more complicated pattern in the bass). Note that while the other beats presented here have been single measure ones, this is a two measure pattern. Leave a comment if you recognize what famous song this one is from! (hint: it’s an ode to a star of early horror film, a pretty unlikely place for a Brazilian beat)   So as you can see, there is a lot still to work with, even within the limited framework of basic rock drum beats we’ve been using so far. And ... Read More

Beginners Guide to Recording Studio Equipment

...signal chain. Microphones and Preamplifiers Microphones produce very small electrical impulses which need to be amplified in order to process, hear, and record. This is done with the use of microphone pre-amps. Pre-amplifiers can be analog or digital, and they can be individual units or integrated into a recording device or mixing soundboard.   Once the signal is large enough to work with, it will typically travel through some effects processing units. There are many different types of effects that are used for all different instruments, styles, and situations, but many of the most popular and simple ones are applied ... Read More

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...sense of good, natural posture in the body. In order to achieve the best results when you are singing, your body should feel as free and uninhibited as possible.   Set up your breath—take a few large, slow inhales and exhales (keeping the shoulders and neck relaxed!) to get the breath going. A little trick I like to use when setting up my breath is to imagine the origin of my inhale in the bottoms of my feet, and then I inhale up through my legs, torso, spine, and out the top of my head before exhaling completely. Breaths that start low in the body and helps ground ... Read More

Setting Up a Drum Set

...height- some like to sit high, some low- so I’ll give my opinion based on my experience. I believe that the optimal height allows your knees to be directly over your ankles when placed on the pedals, with your thighs more or less parallel to the floor. This allows you to center your gravity on the throne, resulting in all your limbs being free to move independently. From this point, you may need to readjust your snare and floor tom heights based on the aforementioned rim-shot principle.   Hope this has helped you in setting up your drum set; here’s wishing you happy and safe ... Read More
Writing Guitar Riffs
Principles of Basic Rock Drum Beats, Part 2
Beginners Guide to Recording Studio Equipment
Belt Mix Untangled: A 5-Step Guide
Setting Up a Drum Set

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