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Featured Piano Teachers Near Austin, TX

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Here are just a few of the many teachers offering Piano lessons in Austin . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Alicia V

Instruments: Piano Flute

My teaching experience dates back to 2005, as I began teaching private English as a Second Language in both my home and students’ homes in Beijing, China. Encouraging regular practice on a consistent schedule is one of the key points I like to emphasize for young students, as it tends to help the student progress and gain a passion for their studies. I’ve also found that a combination of different activity exercises can go a long way in helping students enjoy their studies and motivate them to practice and continue to learn. Read More

Jamie T

Instruments: Piano Voice

For Piano students: I teach from Faber and Faber (age appropriate volumes) and encourage a disciplined home practice routine that includes a practice log and weekly goals. Solo pieces added over time. Performances - even if only an in home recital for a few family members and friends - are encouraged about once a semester. For voice students: I teach very tailored lessons to suit individual goals, even if the goal is just to sing better in the shower. Read More

John M

Instruments: Piano Guitar Saxophone Ukulele Keyboard Electric Guitar Acoustic Guitar

I’ve been teaching people music ever since college. Tutoring was a way to help pay the bills. It also gave me the chance to digest my knowledge outside of the classroom. My teaching methods vary for each student. Not everyone learns the same way. I design my lessons to compliment my student’s learning habits! However, I always provide a blend of classical and modern theory for each student, because I think it helps students become well rounded. Read More

Dr. Zack V

Instruments: Piano Guitar Saxophone Flute Clarinet Keyboard Electric Guitar Acoustic Guitar

I usually balances the time by working first on fundamental/technical aspects of the instrument: intonation, articulation, rhythm, and tone; followed by study of the particular student's chosen repertoire, whether it be jazz standards, rock/pop/blues tunes, classical literature or etudes. I believe in teaching students to organize their practice time wisely, isolating specific issues on the instrument. Cultivating personal musical goals with each student is also very important, in order to maximize the student's enjoyment of the time they spend playing. Read More

Darrell V

Instruments: Piano Guitar Voice Violin Saxophone Clarinet Drums Bass Guitar Synthesizer Keyboard Electric Guitar Classical Guitar Acoustic Guitar

Curriculum:   Elements of rhythm>>> Elements of pitch>>> Elements of dynamics>>> Elements of articulation>>> Reading notation>>> Writing notation>>> Counterpoint>>> Harmony>>> Live performance>>> Duets>>> Ensemble performance>>> Studio performance>>> Advancing to the next level>>> Finding your range>>> Expanding your range>>> Tone development>>> Accuracy>>> Dexterity>>> Speed>>> Projecting>>> Improvisational techniques>>> Playing by ear>>> Finding your signature style>>> Expression>>> Lyricism>>> Composing>>> Arranging>>> Project management>>> Recording Read More

Onah K

Instruments: Piano Violin Music Keyboard

My teaching experience starts back to my beginning years of college days. I start began teaching as private lesson instructor at my previous college community music school. Encouraging regular practice on a consistent schedule is one of the key points I like to emphasize for younger students, as it tends to help the student progress and gain a passion for the instrument. I've also found that a combination of classical and modern music can go a long way in helping students enjoy the piano and motivate them to practice and continue to learn. Read More

Alyssa W

Instruments: Piano Violin Drums

Music has been one of my passions since I was a little girl! I took up piano at age 8, violin at 13, and drums at 15. I've been known to belt out a tune here and there, too! There is nothing better than having an afternoon to lose yourself to creating and playing music. In high school, I was Concert Master of the Philharmonic Orchestra. I've had the opportunity to perform on the drums at various venues and was invited by my drum instructor to return to the studio to become an instructor myself, where I taught for three years. Read More

Teacher In Spotlight

Neil D

Instruments: Piano Violin Trumpet Trombone Saxophone Flute Clarinet Drums Synthesizer Recorder Electric Violin Fiddle Orchestral Percussion Music Keyboard

Did you have a teacher that inspired you to go into music? How did they inspire you?
Well yes, it was my first band director. Granted that I had already chosen to be in band as an elective in middle school, I had never really played an instrument before and my musical knowledge was practically nonexistent. But his approach towards teaching was simple enough for me to make the connection between learning how to properly hold my instrument and obtain a decent tone from it all while learning to read music. But my first band teacher also provided time during lunch and after school in which to practice, and whenever available, he would help with my intonation, articulation, breathing skills, and even dynamics (volume) and this encouraged me to keep practicing which only results in an upward-spiral of skill building! towards continued musical progress!

When will I start to see results?
I focus on making goals--set an objective for each day! Instead of time being the measure of effort, set a goal for both skills and performance! For example, one needs to practice exercises just to maintain current skills...so include this in your regular practice repertoire and focus on HOW to play them properly. But focus on a song...break the piece down into sections (if it is a whole page or longer in length) and focus on individual measures at a time. With each attempt, determine what errors are occurring and WHY--then, by process of deduction, you will rule out mistakes and improve your odds of accuracy until you are so familiar with WHAT to do that you can play this properly 10 times out of 10! Thus, every practice session should yield results...each session is one small building block towards successful performance of a song and mastery of your instrument!

How do I know if my child is ready to start lessons?
I have students as young as 3 and some of my students have special needs. However, you certainly know your child better than I do: What is their temperament like? I have but one rule: You have to WANT this...if this musical interest is not made a desired priority ahead of perhaps other extra-curricular activities, then the student will not put outside practice into this and it will become a downward-spiral. Vice-versa, with my positive energy and enthusiasm, I can keep any willing student engaged for a 30-minute, 45-minute, or even 1 to 1.5 hour session.

What advice do you have about practicing effectively?
Find a place where you can focus and pick a routine time in order to develop the habit of regular practice. Instead of practicing for a designated amount of time, make a goal (e.g., Today I am going to work on this song, and I will finish when I can play it correctly 10 times out of 10 attempts!) If the song is multiple pages in length, then focus on just one section of it per day and break it down into measures. Various exercises such as scales and other rudiments need to be practiced in order to maintain skills. But always make time (even if it's just 5 minutes) for playing just for fun! I strongly encourage this!

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Recent Articles from the Musika Blog

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...to provide predictable and structured harmonic content. Listeners almost always remember riffs but rarely remember chord progressions. Riffs can be played on the electric and acoustic guitars as well as the bass guitar.   Like so many other things in popular music, writing guitar riffs is an aspect of songwriting in popular music that grew out of the blues music tradition in America at the turn of the 20th century. Early blues riffs were written to match the phrasing and character of the human voice. Simple guitar licks that repeated over and over again laid the foundation for heavier and more intricate guitar lines... Read More

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...height- some like to sit high, some low- so I’ll give my opinion based on my experience. I believe that the optimal height allows your knees to be directly over your ankles when placed on the pedals, with your thighs more or less parallel to the floor. This allows you to center your gravity on the throne, resulting in all your limbs being free to move independently. From this point, you may need to readjust your snare and floor tom heights based on the aforementioned rim-shot principle.   Hope this has helped you in setting up your drum set; here’s wishing you happy and safe ... Read More
Writing Guitar Riffs
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Setting Up a Drum Set

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