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Featured Piano Teachers Near Ontario, CA

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Here are just a few of the many teachers offering Piano lessons in Ontario . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Kandra S

Instruments: Piano Voice Organ

For beginning piano students I always like to start lessons with keyboard familiarity, vocabulary and recognition. we play games and use rhythm sticks and learn patterns and placement on the piano. I also start with finger placement and strengthening skills with repetitive Finger Phrases and John Thompson basic levels 1 through 3 songs. I also teach students how to "FEEL" the key signatures with scales and drills that help them become familiar with the keyboard. Read More

Jens B

Instruments: Piano Guitar Saxophone Flute Bass Guitar Music Keyboard

It is important for me that the student is motivated and enjoys the lesson since they have to keep loving playing and practicing at home everyday to be able to progress properly. Learning music as learning anything is about exploration and repetition. Once you understand something you have to be able to do it correctly a few times before moving on. This can only be achieved if there is a certain amount of practicing involved. Read More

Samara R

Instruments: Piano Voice Violin

I love helping my students develop their music talents and skills! At each weekly lesson, students learn new concepts, materials, and songs. Goals are set with the student at these lessons. I make sure each student is excited about and engaged by finding songs that they want to learn. Read More

Ani C

Instruments: Piano

For more than 20 years, I have successfully directed the Young Virtuoso Music Academy in Diamond Bar, California. My students consistently excel in competitive music programs such as MTAC’s Certificate of Merit, ABRSM, and Advanced Placement (AP) Music Theory. Many achieve near-perfect scores in theory exams, and they regularly earn “Excellent” ratings in technique, performance, and sight-reading. My teaching approach includes personalized strategies that ensure students achieve their highest potential, often skipping levels and receiving Honor Certificates. Read More

Mark S

Instruments: Piano Trumpet Trombone Bass Guitar Synthesizer Euphonium French Horn Tuba Music

I strongly believe that a well-rounded music education helps a player to become a more confident, musical, and an emotionallyyaware musician. As such, I like to give my students small assignments focused on topics besides just performance, such as Music Theory and Aural Skills exercises. Of course, I will always move at the pace the student needs but I also know (from personal experience) that a nudge in the right direction can be priceless. Read More

Merve T

Instruments: Piano Violin Music

I began teaching piano and violin lessons 15 years ago and have been consistently teaching ever since. Encouraging daily practice, and helping the student progress and gain a passion for the instrument is one of the key points. While enjoyment is the number one rule, following their development and progress with certain method books are really important. I encourage my students to compose their own original material as well as participate in certification exams and recitals. Read More

Teacher In Spotlight

Gust T

Instruments: Piano Guitar Trumpet Saxophone Drums Mallet Percussion

What musical accomplishments are you most proud of?
Recording my own music and receiving fine reviews is nice, but having a person come up to you and tell you how much a piece of your music helped them get through a tough time is more important. The award of healing others and myself with music is something that has happened to me on many occasions. it is by far the best award one will ever feel by doing music. I developed an internationally acclaimed Jazz club from 1988 to 1997 in NYC. I still have musicians thanking me for providing a forum for them. That was a great experience as well.

Have any of your students won awards or been selected for special honors? How have they succeeded?
My students are musicians that have gone on to teach in major universities and record and tour themselves. Teaching music has not always been a one on one experience for me. Producing recording sessions and discussing musical ideas during these times was my best teaching ever. Many of these artists, Kevin Mahagany, Dave Stryker, Joe Lovano, Arthur Blythe, Anthony Cox, Teri Lynn Carrington, John Abercrombie, and more. These were my teachers and students simultaneously. we worked together side by side on tours and in recording studious. The process was always like getting a degree.

Why did you choose your primary instrument?
I first played the baritone horn, because I had an overbite and the teachers in those days always used one's physical make up to determine the instrument you should play. A silly idea at best. I went to drums and then in college I was forced to learn either piano or melodica or vibraphone, I chose the vibes. I recorded several CD's on this instrument. I then studied piano then studied trumpet and tenor sax. Along the way I have learned enough guitar and flute and hand percussion to use in my recordings. Choosing an instrument is not something I'm good at. I want to play all of them. I can say that each instrument has taught me more about the other instruments that I play, than I ever expected.

Did you have a teacher that inspired you to go into music? How did they inspire you?
Yes I had the distinct honor of performing with the great alto saxophonist Arthur Blythe. He was a self taught musician. he performed throughout the world for more that 30 years. His ability to sing a melody on his horn was applauded throughout the globe. He said little about music, He taught me how to be musical by example. he had an innate gift one that few possess. And standing next to him was the best musical lesson one can have. Because through osmosis we learn from our fellow human beings. This is where music is more powerful than most things in this universe. You can communicate so much by saying so little and let the music do all the talking.

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Recent Articles from the Musika Blog

Motivating Students

...thing to forget when you get caught in the routine of teaching student after student year after year. Motivating students is sometimes as simple as playing them a piece of music they’ve never heard before. Music is quite possibly the world’s most beloved and influential art forms. There’s songs and compositions about death, falling in love, going to war and the contemplation of what it means to exist in the universe. If your lessons aren’t revolved around the powerful ideas of music being accessible, important and meaningful, it will be a miserable time for you and everyone you teach.   As a music educator,... Read More

Piano Technique: The Importance of Good Playing Habits

...and sore shoulders and/or neck. Musicians often sacrifice their bodies by playing in an incorrect way, and this is foolish. A smart technique and approach to playing the piano won’t leave your arms, shoulders, neck, and hands in pain. Playing the piano in a smart way can keep your body healthy and able to play for decades.     Hand Position   The first and most important piece of playing technique piano teachers should teach their students is hand position. Young students often struggle with hand position because they might not have had the chance to develop motor skills, hand ... Read More

Suzuki Performance: An Approach to Playing for an Audience

...page turn or someone in the audience who has a coughing fit. To help encourage students to keep concentrating on their own playing instead of the playing of others, some Suzuki students are instructed to ‘watch your highway.’ This means that you’re looking at the general area of the violin strings between the bridge and the fingerboard, right where the bow connects with the string. Sometimes called the “Kreisler Highway,” it means that you watch the ‘highway’ of your violin, to keep your bow straight. (Fritz Kreisler, the virtuoso violinist, was the inspiration of the name, by the way. Kreisler sounds like Chrysler, which ... Read More

Cello Technique Exercises

...well and in tune – playing scales every practice session promotes and reinforces “hearing” the smallest intervals. Just as playing darts requires seeing the target in order to hit the bulls eye, a musician must “hear” the target notes in order to play them well. Arpeggios (root, 3rd, and, 5th) are the notes in a simple chord or triad. Playing arpeggios gives the cellist the practice of shifting major and minor 3rds (C – E – G and C – Eb – G). Intonation is more difficult when shifting 3rds due to the natural tuning of that interval and must be ... Read More

Renting vs. Buying: Weighing the Pros and Cons

...practicing as well as motivation in learning the instrument. Like all things, purchasing an instrument can have drawbacks. Selecting the best instrument for you can be overwhelming, especially as a beginner who may be unsure what characteristics to look for. This may result in owning a lower quality instrument or one that is a poor fit. It’s best to take note of the store’s return policy. Similar to owning your own home as opposed to renting, any repair costs would be covered solely by you unless you have purchased separate insurance to cover these kind of issues. While the costs for ... Read More
Motivating Students
Piano Technique: The Importance of Good Playing Habits
Suzuki Performance: An Approach to Playing for an Audience
Cello Technique Exercises
Renting vs. Buying: Weighing the Pros and Cons

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