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Here are just a few of the many teachers offering Saxophone lessons in San Francisco . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!
Instruments: Saxophone Clarinet
I am an enthusiastic instructor who likes to share the joy and dedication that is required to play music with students of differents ages and levels. I am a native from Cuba but have been living in San Francisco Bay Area for more than 10 years, which has given me the opportunity to participate in artistic events from diverse cultures. I had participated in several events and festivals not only related to music but also to dance, such as the San Francsico Carnaval with the Brazilian Ensemble BATALA, the CUBA CARIBE Festival, and this year I will participate in the Ethnic Dance Festival with the Afro- Peruvian "PROYECTO LANDO". Read More
Instruments: Saxophone Flute Clarinet
My teaching experience goes back to college, i taught private lessons as well as large ensembles and small ensembles at local high schools. I have traveled with a non for profit around the world working in poorer communities giving children a chance to experience playing and learning about music. My students have received top honors in middle school, and high school as well as some of them receiving scholarships from Universities. Read More
Instruments: Saxophone
I have been teaching regularly since I have graduated from Sacramento State University and although I'am currently studying in New England Conservatory, I can fit some students in my schedule. In some cases, I would give tips and advises to friends and help improve their skills while honing my ear training. That being said, after years of training, I am confident in my ability to not only to bring your strengths to your fullest potential, but to also take attention to your weaknesses as well! Read More
Instruments: Piano Guitar Saxophone Clarinet Drums Bass Guitar Organ Synthesizer Ukulele Mandolin Music Keyboard Electric Guitar Acoustic Guitar
I always say that rhythm is more important than the notes. Play the right rhythm and the notes will come instead of playing every right note while sacrificing rhythm. I encourage students to make their mistakes loud, proud, and in rhythm so everyone has a better idea of what needs to be worked on most. I also emphasize isolating parts to practice and working backwards. Example: play the last two bars of the song until comfortable with it, now play the last 4 bars, last 6, last 8...etc., whole song. Read More
Instruments: Trumpet Trombone Saxophone Flute Clarinet
From 1981-1993, I was the music director for URCS, a private school in Long Island, NY. I developed pedagogy and taught the high school band and choir. Since 1985, I have taught private lessons. Many of my students have gone on to be professionals in the industry. I absolutely love seeing my students click with understanding on their faces when they get the next piece of the puzzle they may have been missing regarding their playing. Read More
Instruments: Violin Viola Electric Violin Fiddle Music
If you weren't a musician what do you think you'd be doing instead?
Writing and art for sure. I have pretty intense ADHD which led me to learn all kinds of arts and trades, seeing them as puzzles to play with and figureout.
What is your dream piece to perform and why?
I am actually currently working on Morpheus by Rebecca Clarke, which has been a dream of mine for a while now. The piece is very intimate in nature and represents the God of Dreams very well in a sort of floating dreamworld atmosphere with moments of intensity I haven't heard anywhere else. The story beats at play send me to a different world when I listen to them, and now I get to represent my own vision in this work. The other piece I dream of performing is the Kryukov Viola Sonata for very similar reasons in that the chromatic work of the piece creates intriguing sounds and moments of definitive character that shook my world and became my only music for a week straight upon first listening.
Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
I mostly choose Suzuki for the introduction to the common repertoire. Hal Leonard is also an option I look to, but I'm not near as much of a fan. I also subscribe to teaching methods such as Orff and Kodaly, finding it absolutely vital to incorporate physical movement and play into my lessons. Games will be a common theme because gamefying skills make them easier to learn.
What does a normal practice session look like for you?
I like to start with some sort of technical warm up, be it scales, etutes, etc. From there, feeling warmed up, I utilize those for character building in my performance. I might decide to make a deeper character, and utilize dynamics and articulation to achieve that. After that, I look to my repertoire and develop a story with scenes and beats, and decide what styles are going to best represent the story I want to tell. Once that's decided, I set my metronome to make my notes as clear as possible while practicing my decided styles.
How do I know if my child is ready to start lessons?
Most likely your student will show a particular interest in their instrument over all the options they have in school. When they get home, and consistently all they want to do is hammer away at their instrument, it might be time to have a professional or experienced player guide their hammering away towards something that will make for a fulfilling career. Let's not also forget: if they ask you for lessons, they certainly are ready.
Why did you choose your primary instrument?
To be completely clear, I chose the viola in particular because of Jake the Dog from Adventure time, and I never looked back :) sometimes its just as simple as the media you consume that draws you to your instrument of choice.
What advice do you have about practicing effectively?
First, find multiple recordings of your music. Practice is not only picking up your instrument but also having a mental map of your music and what it conveys. People can produce a new outcome just by envisioning how it can be done without any movement. Secondly, finda. schedule that fits for you. Some people play 15 minutes 4 times a day, others play 2-3 6 hour days in a week. There's a lot of variety, just as long as its done and done with purpose, it works.
25 Years
Since We Started
41,456+
Happy Customers
10,769
Cities with Students
3,123
Teachers in Network
Trusted as the industry leader, for over 21 years the teachers in our network have been providing Saxophone lessons in San Francisco to students of all ages and abilities.
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