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Featured Saxophone Teachers Near San Francisco, CA

4320   5 STAR Musika Reviews

Here are just a few of the many teachers offering Saxophone lessons in San Francisco . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Noah R

Instruments: Saxophone

I am new to teaching, though I have had success dabbling in teaching in the past. When I was in high school I coached middle school saxophone students and successfully prepared them for their biannual jazz concert. My experience, however, is as an all-around musician. I have been studying music for 18 years and I have been trained in classical, jazz and many other genres. I have recorded on three studio albums and performed countless shows. Read More

Philip S

Instruments: Piano Saxophone Clarinet

I like to focus on the practical application and aural aspects of instrumental learning as well as the technical skills. I invest heavily in listening and understanding as opposed to the largely 'by rote' style I was subjected to growing up! Whilst I will follow a student/parents desired path regarding exams, I will provide a rounded musical learning and experience that will enable students to excel in all endeavours and be creative, as well as pass exams. Read More

Julie L

Instruments: Piano Guitar Violin Viola Saxophone Flute Clarinet

I tailor my lessons to the needs of the individual student. I use a combination of lesson books, solos and exercises to bring out the best performances my students can achieve at the time. I feel it is important for us to have fun while learning. I also use practice sheets as a motivational tool for children, so they can earn stickers and small prizes for putting the practice time in required to learn the skills needed to continue moving to the next level. Read More

Chris K

Instruments: Piano Guitar Saxophone Clarinet Drums Bass Guitar Organ Synthesizer Ukulele Mandolin Music Keyboard Electric Guitar Acoustic Guitar

I always say that rhythm is more important than the notes. Play the right rhythm and the notes will come instead of playing every right note while sacrificing rhythm. I encourage students to make their mistakes loud, proud, and in rhythm so everyone has a better idea of what needs to be worked on most. I also emphasize isolating parts to practice and working backwards. Example: play the last two bars of the song until comfortable with it, now play the last 4 bars, last 6, last 8...etc., whole song. Read More

Ric F

Instruments: Trumpet Trombone Saxophone Flute Clarinet

From 1981-1993, I was the music director for URCS, a private school in Long Island, NY. I developed pedagogy and taught the high school band and choir. Since 1985, I have taught private lessons. Many of my students have gone on to be professionals in the industry. I absolutely love seeing my students click with understanding on their faces when they get the next piece of the puzzle they may have been missing regarding their playing. Read More

Karen S

Instruments: Saxophone Clarinet

My teaching experience goes back to 1985 when I got my Masters of Music in Performance and Literature at the Eastman School of Music. As soon as I got back to California I started teaching privately. I have also been on the faculty of the Notre Dame college in Belmont, Santa Clara University and the Community School of Music and Arts in Mountain View. I also coach in the middle schools and high schools nearby. Read More

Evelio R

Instruments: Saxophone Clarinet

For beginners the first sound is the most important basic thing for a horn player (woodwind or brass). For children I use easy melodies they remember. This is helpful so they won'tget bored or tired easily. There are important transitional mechanisms in the clarinet especially that have to be overcome before starting with the scales studies. The books I use depend on the interest of the students. I have books for JAZZ, BRAZILIAN MUSIC, or CLASSICAL MUSIC (from Concert Solos to Opera overtures). Read More

Teacher In Spotlight

Faith U

Instruments: Violin Viola Electric Violin Fiddle Music

If you weren't a musician what do you think you'd be doing instead?
Writing and art for sure. I have pretty intense ADHD which led me to learn all kinds of arts and trades, seeing them as puzzles to play with and figureout.

What is your dream piece to perform and why?
I am actually currently working on Morpheus by Rebecca Clarke, which has been a dream of mine for a while now. The piece is very intimate in nature and represents the God of Dreams very well in a sort of floating dreamworld atmosphere with moments of intensity I haven't heard anywhere else. The story beats at play send me to a different world when I listen to them, and now I get to represent my own vision in this work. The other piece I dream of performing is the Kryukov Viola Sonata for very similar reasons in that the chromatic work of the piece creates intriguing sounds and moments of definitive character that shook my world and became my only music for a week straight upon first listening.

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
I mostly choose Suzuki for the introduction to the common repertoire. Hal Leonard is also an option I look to, but I'm not near as much of a fan. I also subscribe to teaching methods such as Orff and Kodaly, finding it absolutely vital to incorporate physical movement and play into my lessons. Games will be a common theme because gamefying skills make them easier to learn.

What does a normal practice session look like for you?
I like to start with some sort of technical warm up, be it scales, etutes, etc. From there, feeling warmed up, I utilize those for character building in my performance. I might decide to make a deeper character, and utilize dynamics and articulation to achieve that. After that, I look to my repertoire and develop a story with scenes and beats, and decide what styles are going to best represent the story I want to tell. Once that's decided, I set my metronome to make my notes as clear as possible while practicing my decided styles.

How do I know if my child is ready to start lessons?
Most likely your student will show a particular interest in their instrument over all the options they have in school. When they get home, and consistently all they want to do is hammer away at their instrument, it might be time to have a professional or experienced player guide their hammering away towards something that will make for a fulfilling career. Let's not also forget: if they ask you for lessons, they certainly are ready.

Why did you choose your primary instrument?
To be completely clear, I chose the viola in particular because of Jake the Dog from Adventure time, and I never looked back :) sometimes its just as simple as the media you consume that draws you to your instrument of choice.

What advice do you have about practicing effectively?
First, find multiple recordings of your music. Practice is not only picking up your instrument but also having a mental map of your music and what it conveys. People can produce a new outcome just by envisioning how it can be done without any movement. Secondly, finda. schedule that fits for you. Some people play 15 minutes 4 times a day, others play 2-3 6 hour days in a week. There's a lot of variety, just as long as its done and done with purpose, it works.

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