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24 Years
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41,456+
Happy Customers
10,769
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Teachers in Network
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Here are just a few of the many teachers offering Piano lessons in Philadelphia . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!
Instruments: Piano
Music has to be fun and rewarding for the students. I find that associating music with nature and art and their social experiences allows the students to enjoy learning the piano from the very first lesson. I cannot use one method for all students. I identify the goals, experience and personality of the students and develop a method that is effective for each one. I use different methods to teach my students. Read More
Instruments: Piano
I began teaching piano at the age of 16, and my first student was a girl aged 4. She was a potential student of my own piano teacher, but this teacher chose to assign this girl to me to teach before taking her on. I successfully taught her the basics of piano playing and in 2 years, when we presented our progress to my piano teacher, this girl was able to play 8-10 pieces, after which she was immediately accepted by my teacher. Read More
Instruments: Piano Saxophone Flute Recorder Oboe English Horn
I am a professional oboe player and I love to teach! Inspiring others to make music and learn about music is the most fulfilling part of my career. I graduated with a Master of Music degree from the Peabody Conservatory in Baltimore, Maryland in 2009, and I am the Second Oboe and English Horn player in the Mid-Atlantic Symphony Orchestra as well as Co-Principal Oboe of the Endless Mountain Music Festival in Wellsboro, PA. Read More
Instruments: Piano Flute Recorder
I am enthusiastic about music and enjoy giving my students the tools they will need to achieve their dreams. I don't believe I've taught two students in exactly the same way. I like to tailor my teaching for each individual I teach. I do keep in mind that some of my learners are more Visual learners, others more kinesthetic, and others more auditory. I make use of their strengths to help them develop new musical skills. Read More
Instruments: Piano Bass Guitar Double Bass
A flexible teacher can establish a clear methodology for instructing their class room while being open to adjustments. In the case of music, this could be missing instrumentalists, inconsistent skill levels amongst the players, or disinterest amongst the students. A passionate teacher can draw out interest and work ethic from any student if they can convey that they are eager and excited to be in the classroom, sharing their craft. Read More
Instruments: Piano Violin Viola
My teaching philosophy is a product of the centuries tested methods of great violinists and violists and their descendent students. Those I have studied with and performed for include all four members of the Ying Quartet, C.J. Chang, Catherine Caroll, Nokothula Ngwenyama, and Roberto Diaz. Centering around the most simple and effortless playing techniques, my style of teaching is designed to facilitate the fastest route to excellence and the development of the student's own personal style and musical ideas. Read More
Instruments: Piano Organ Keyboard
Have any of your students won awards or been selected for special honors? How have they succeeded?
My students have won awards given by the New Jersey Music Teachers' Association, Arts 4 Teens, and the Haddonfield School of Performing Arts Students Competitions.
My students have received full music scholarships to Peabody Conservatory, Northwestern University, and NYU. Have been accepted to Princeton University as a music minor, and have received a grant for music study at Chicago University. Other students have been accepted as piano oerformance majors to Rowan University, Temple University, and the Berklee School of Music for jazz studies.
While not all my students entered the field of music, some have become teachers in their own right, a film score composer, and a well-known television performer as jazz pianist.
Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
John Thompson - it is comprehensive, address the basic issues of piano technique, and
helps greatly to instill a love of music in the student
Bastien - contains attractive music that students enjoy, teaches chords and theory as well
basic techniques
Hal Leonard - has a fine adult course that includes techniques, a sophisticated approach to
musicality, and progresses in simple but effective steps.
I will emphasize, however, that if a student has had some lessons and is already into a particular book, I generally encourage the student to continue in that particular method until it is finished. I then shift the student over to one of the above methods.
If you have a Music Degree, what is it in (Performance, Education, Musicology, Theory, Composition, etc) and why did you choose that degree?
My degrees, Bachelor of Music and Master of Science, are both in piano performance.
I chose the music degrees because piano performance was my strong suit. I was fascinated by the piano from an early age, and was playing piano be ear long before I took formal lessons. I also composed many small pieces for the piano before taking lessons.
My degrees included extensive study of music education practices, and a thorough groundwork in music theory.
I also have 40 credits toward a DMA in music composition from Temple University.
I also studied the organ at the Eastman School of Music and play professionally at a Roman Catholic church.
If you play more than one instrument, how did you decide to start playing the second? (Or 3rd, 4th, 5th, etc)!
Even while I was still starting piano I was always fascinated by the organ. I suppose I enjoyed the variety of sounds the organ could produce. When my parents took me to visit
a friend of theirs who owned an organ I would sit down at the instrument and stay there until the visit was over! Later, in high school, I taught myself the instrument, even landing
a job at our local church. I taught myself to use the pedals and learned Bach's Toccata and
Fugue in D minor on my own. It wasn't very good but later, at Eastman, I took formal lessons and within a short time was playing all the virtuoso pieces fluently. I still play the organ at a Catholic Church and enjoy it very much as my second instrument.
When did you decide to become a professional musician? Was it a gradual decision or was there a defining moment for you?
I decided to become a professional musician when I was a sophomore in High School. This was when I discovered that playing the piano could be a form of expression. I also realized the value of being able to hear a piece of music and then, with practice, be able to render it on the piano and enjoy the music as played by myself instead of someone else. I would ask my teacher if I could play, for example, Copland's El Salon Mexico, to which he replied I was not yet ready, yet, I went ahead and learned it on my own! I always enjoyed playing music that I already knew and I always try to afford my students the opportunity to play music that is familiar to them.
24 Years
Since We Started
41,456+
Happy Customers
10,769
Cities with Students
3,123
Teachers in Network
Trusted as the industry leader, for over 21 years the teachers in our network have been providing Piano lessons in Philadelphia to students of all ages and abilities.
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