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Featured Piano Teachers Near Philadelphia, PA

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Here are just a few of the many teachers offering Piano lessons in Philadelphia . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Marsha H

Instruments: Piano Saxophone Flute Clarinet Recorder

I love to watch a student fall in love with music. It is very exciting to see the excitement of being able to accomplish a piece of music that they have worked on. I encourage students to find music that they want to learn and to open them up to different styles and history of where the music came from. I come from a classical / jazz background so i am very happy to teach any style that would excite a student. Read More

Nora B

Instruments: Piano Voice

I have been playing the keyboard since the age of 5. I have been teaching since I was 21 years old and completed my first college degree. Music is my life. I have been the Organist and Choir director of two churches and I have been fortunate to sing and work under the direction of Leonard Bernstein, Eugene Ormandy, and many other great conductors. I pass along my love and passion I have for music to my students. Read More

Dan P

Instruments: Piano Drums Latin Percussion

When teaching a novice student the drums it is extremely important to note that learning the drums is not an overnight affair. The amount of practice needed for thorough syncopation is not to be slept on. HOWEVER, I genuinely believe once a student hits that learning curve where their arms and legs have "minds of their own" there is an infinite amount of progress that can be made after. I always say music is fun and it should always be whether the student is practicing rudiments, or legitimately playing to pieces from Glen Miller's Orchestra all the way up to Michael Jackson. Read More

Erin C

Instruments: Piano Voice Music

For young beginning piano students, I typically start with John Thompson's Modern Course for the Piano: The First Grade Book and move up throughout the series from there. For young beginning voice students, I start with lessons on proper breath support, sight-singing, intonation exercises, and warm-ups to shape their voice. For both my piano and voice students, I establish a strong, classical foundation that is built on fundamentals to get their instrument working properly and then branch out to other genres from there. Read More

Alexander P

Instruments: Piano Organ Keyboard

I am a piano/music teacher with extensive experience of over 45 years. I have been trained as a concert pianist and teacher in Europe and the USA, and graduated with a Bachelor of Music, Master of Music, and Doctor of Musical Arts from Temple University in Philadelphia.  I have over 40 years’ experience as a concert pianist with orchestras, solo recitals, chamber music, and accompaniment, and my extensive training both as a pianist and teacher enables me to teach my students the piano music from Bach to the present.  In my teaching, I focus on the student's needs, ability, talent, and personality and strive to develop his/her potential for excellence.  Also, I emphasize the enjoyment of music and share the beautiful richness of the great music composed in different periods. Read More

Jason S

Instruments: Piano Guitar Synthesizer

I began teaching almost 4 years ago during my last years in Boston before moving to the Philadelphia area.  Stylistically, I focus on practice, patience and passion with my students and have seen great results thus far.  I believe in using both contemporary references as well as references from former decades or eras in music.  When a student is able to hear the music coupled with seeing the music; amazing things can happen! Read More

Alan K

Instruments: Piano Flute Clarinet Drums Mallet Percussion Orchestral Percussion Conga Latin Percussion Music

I have over 40 years of teaching experience, both privately, (one on one) and in classroom settings, both at the public school and college level. I also am available to teach in the homes of students OR in my teaching studio in Williamstown NJ. All my students are encouraged to perform in various community groups, and in honors bands throughout the area, as well as encouraged to giving recitals when or where appropriate. Read More

Teacher In Spotlight

Karl T

Instruments: Piano Organ Keyboard

Have any of your students won awards or been selected for special honors? How have they succeeded?
My students have won awards given by the New Jersey Music Teachers' Association, Arts 4 Teens, and the Haddonfield School of Performing Arts Students Competitions. My students have received full music scholarships to Peabody Conservatory, Northwestern University, and NYU. Have been accepted to Princeton University as a music minor, and have received a grant for music study at Chicago University. Other students have been accepted as piano oerformance majors to Rowan University, Temple University, and the Berklee School of Music for jazz studies. While not all my students entered the field of music, some have become teachers in their own right, a film score composer, and a well-known television performer as jazz pianist.

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
John Thompson - it is comprehensive, address the basic issues of piano technique, and helps greatly to instill a love of music in the student Bastien - contains attractive music that students enjoy, teaches chords and theory as well basic techniques Hal Leonard - has a fine adult course that includes techniques, a sophisticated approach to musicality, and progresses in simple but effective steps. I will emphasize, however, that if a student has had some lessons and is already into a particular book, I generally encourage the student to continue in that particular method until it is finished. I then shift the student over to one of the above methods.

If you have a Music Degree, what is it in (Performance, Education, Musicology, Theory, Composition, etc) and why did you choose that degree?
My degrees, Bachelor of Music and Master of Science, are both in piano performance. I chose the music degrees because piano performance was my strong suit. I was fascinated by the piano from an early age, and was playing piano be ear long before I took formal lessons. I also composed many small pieces for the piano before taking lessons. My degrees included extensive study of music education practices, and a thorough groundwork in music theory. I also have 40 credits toward a DMA in music composition from Temple University. I also studied the organ at the Eastman School of Music and play professionally at a Roman Catholic church.

If you play more than one instrument, how did you decide to start playing the second? (Or 3rd, 4th, 5th, etc)!
Even while I was still starting piano I was always fascinated by the organ. I suppose I enjoyed the variety of sounds the organ could produce. When my parents took me to visit a friend of theirs who owned an organ I would sit down at the instrument and stay there until the visit was over! Later, in high school, I taught myself the instrument, even landing a job at our local church. I taught myself to use the pedals and learned Bach's Toccata and Fugue in D minor on my own. It wasn't very good but later, at Eastman, I took formal lessons and within a short time was playing all the virtuoso pieces fluently. I still play the organ at a Catholic Church and enjoy it very much as my second instrument.

When did you decide to become a professional musician? Was it a gradual decision or was there a defining moment for you?
I decided to become a professional musician when I was a sophomore in High School. This was when I discovered that playing the piano could be a form of expression. I also realized the value of being able to hear a piece of music and then, with practice, be able to render it on the piano and enjoy the music as played by myself instead of someone else. I would ask my teacher if I could play, for example, Copland's El Salon Mexico, to which he replied I was not yet ready, yet, I went ahead and learned it on my own! I always enjoyed playing music that I already knew and I always try to afford my students the opportunity to play music that is familiar to them.

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Recent Articles from the Musika Blog

Soloing Over Blues Changes

...presented in this article, and then thoroughly practice the material, you should be able to play a convincing and interesting solo over the blues progression. The blues progression is usually the first “jazz progression” that a young musician learns. A couple of months ago, I accompanied a student recital for an area teacher’s studio. The recital had a bunch of young musicians ranging from age 5 or so to high school seniors. A bunch of the very young pianists were playing the blues and they didn’t even know it. It’s a popular and easy progression, making it a common tool for teaching and learning.... Read More

Belt Mix Untangled: A 5-Step Guide

...sing the exercise from Step 3 and Step 4 from A3 through your break one more time on an “Ee” vowel. As you sing each phrase, imagine someone squeezing your sides down near your hipbones (low in the torso) like someone would squeeze a plastic ketchup bottle. Using this engagement in the torso, your voice will have the support it needs to carry it through the break without causing any tightness or feeling of pushing in the throat. The sensation in the body while singing the exercise at this point will feel more similar to singing in head voice than in chest voice—this is exactly what you want ... Read More

Easy Ear Training: Tips for singing Harmony

...unsure of the lead part. Simply make sure the lead singer knows what his or her line is and that way you’ll know where to begin. The second thing you need to know is what chord you’re starting on. This is vital for obvious reasons. Thirdly, you’ll need to know the I, III, V notes of the chord. Now, here is where it may get a little tricky. Lets take the song Amazing Grace. For this example we’ll be in the key of G. The I, III, V notes are G, B, D. They make a triad or a chord. It is very helpful to have all your major triads memorized ... Read More

Tips for Beginning Flute Players

...the flute is less intuitive and therefore it is not an instrument that can easily be self-taught. I would recommend taking flute lessons. A good teacher should be able to teach you: Correct embouchure formation Proper breathing and posture How to develop a solid tone How to hold the flute How to clean your flute Fingerings for notes Different articulation Vibrato How to read music Music theory Musicianship skills How Much you Should Practice the Flute As with any instrument, the flute takes years to master. But consistent and constructive practicing will allow you to advance significantly. For beginning students, try to practice ... Read More

The Morningside Lights Parade: Bringing Communities Together Through Merry Music-Making

...By Sarah Hucal A growing number of children and adults gathered on a grassy clearing at the northern end of Morningside Park, the thirty-acre stretch of green between 123rd and 110th Streets in Northwestern Manhattan. It was dusk on a Saturday evening, and residents of both neighborhoods could be seen chatting and laughing while holding either curious-looking musical instruments, or one of many oversized papier-mâché lanterns that appeared to have come straight out of the mythical world of Dr. Seuss. This was the Morningside Lights parade—the culmination a week of puppet-making workshops open to the community, organized by Columbia University’s Miller Theater and Processional Arts Workshop. With the theme ... Read More
Soloing Over Blues Changes
Belt Mix Untangled: A 5-Step Guide
Easy Ear Training: Tips for singing Harmony
Tips for Beginning Flute Players
The Morningside Lights Parade: Bringing Communities Together Through Merry Music-Making

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