215-600-3556
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215-600-3556
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Here are just a few of the many teachers offering Piano lessons in Philadelphia . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!
Instruments: Piano Drums Bass Guitar Conga Latin Percussion Music Keyboard
I begin with building a strong foundation with the basics; -counting -internalizing the tempo with your feet -isolating limbs -basic grooves We then graduate to novice material; -performing songs with hits and breaks and form -reading lead sheets and counting -internalizing tempo with grooves -3/4 meter -blues/shuffle/swing patterns For intermediate; - we learn 4-way coordination -review reading skills from books such as stick control, syncopation and and 23 drum rudiment etudes -we will learn three camps -we will work on advance songs with hits and develop comping and soloing Advanced; -we will learn the rudiments ritual -we will learn to ready drum sheet music - we will learn jazz Melodies and common improvisation for jazz and Rb shows -we will learn odd time meters, metric modulation and imposition - we learn advanced grooves from different regions Read More
Instruments: Piano Drums Mallet Percussion Conga Djembe
Playing the Drum Set requires strength in a few key areas. Hand to Hand Coordination, 4 limb interdependence , rhythm vocabulary and Timing. No matter what your skill level is we'll always need to maintain it. The saying is, "if you don't use it you lose it". No matter your skill level I believe it's important to understand what it takes to maintain the physical performance on your instrument. That's why I encourage students to memorize songs and exercises. Read More
Instruments: Piano Organ Keyboard
I am a piano/music teacher with extensive experience of over 45 years. I have been teaching many students over the years in my studio, in their homes, at Temple University – 30 years, in many Music Schools and Conservatories. My students are children 8 years old and older and adults of every age. I am always tailoring my teaching according to the needs and potential of my students. I motivate my students and encourage them to practice consistently and play. I try to convey to my students my love and passion for music and the piano so that they can be inspired and love the music that they practice and play. I encourage my students to play in the recitals I organize and enter competitions to achieve results as well as enjoyment. Read More
Instruments: Piano
The lesson style is traditional and will provide homework opportunities to practice learned skills. Music is about fun and I provide a low-pressure environment to pursue the education of music. Music is process oriented and I tailor lessons to the individual student's learning style. Read More
Instruments: Piano Violin Cello Viola Fiddle Keyboard
Nothing is more rewarding than seeing one of my students develop a passion for music, in fact I have had several students pursue music education degrees as a result of my love and dedication to teaching! Therefore, it's important that each student progresses at his or her own pace. I encourage this by setting realistic goals for my students at each lesson. Acknowledging accomplishments helps fuel a students desire to progress, and makes students eager to learn more. Read More
Instruments: Piano Flute
I use the following method books, depending on the age and ability of the student: Alfred, Bastian and John Thompson. For younger students (under eight years old) I usually use the Alfred all in one book.. for older children, I use the Bastian set of four books: piano performance, technic and theory. For adults and teenagers, I use the Alfred all in one adult method book. For gifted students, I use the John Thompson book (the one I learned from). Read More
Instruments: Piano Guitar Saxophone Flute Clarinet Synthesizer Piccolo Mallet Percussion Orchestral Percussion Oboe Bassoon English Horn Acoustic Guitar
I began playing piano for church choirs in my hometown. During my college years, my private lessons experience began when I would give pointers to my fellow music majors who had to pass piano proficiency as part of their degree requirement. Furthermore, I am from the school of thought of concentrated practice. I help students identify the length of time they can concentrate without exhausting their attention. I always want students to have in mind the goals they want to accomplish in taking lessons such as recitals, competitions, showcasing and/or enrichment. Read More
Instruments: Piano Organ Keyboard
Have any of your students won awards or been selected for special honors? How have they succeeded?
My students have won awards given by the New Jersey Music Teachers' Association, Arts 4 Teens, and the Haddonfield School of Performing Arts Students Competitions.
My students have received full music scholarships to Peabody Conservatory, Northwestern University, and NYU. Have been accepted to Princeton University as a music minor, and have received a grant for music study at Chicago University. Other students have been accepted as piano oerformance majors to Rowan University, Temple University, and the Berklee School of Music for jazz studies.
While not all my students entered the field of music, some have become teachers in their own right, a film score composer, and a well-known television performer as jazz pianist.
Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
John Thompson - it is comprehensive, address the basic issues of piano technique, and
helps greatly to instill a love of music in the student
Bastien - contains attractive music that students enjoy, teaches chords and theory as well
basic techniques
Hal Leonard - has a fine adult course that includes techniques, a sophisticated approach to
musicality, and progresses in simple but effective steps.
I will emphasize, however, that if a student has had some lessons and is already into a particular book, I generally encourage the student to continue in that particular method until it is finished. I then shift the student over to one of the above methods.
If you have a Music Degree, what is it in (Performance, Education, Musicology, Theory, Composition, etc) and why did you choose that degree?
My degrees, Bachelor of Music and Master of Science, are both in piano performance.
I chose the music degrees because piano performance was my strong suit. I was fascinated by the piano from an early age, and was playing piano be ear long before I took formal lessons. I also composed many small pieces for the piano before taking lessons.
My degrees included extensive study of music education practices, and a thorough groundwork in music theory.
I also have 40 credits toward a DMA in music composition from Temple University.
I also studied the organ at the Eastman School of Music and play professionally at a Roman Catholic church.
If you play more than one instrument, how did you decide to start playing the second? (Or 3rd, 4th, 5th, etc)!
Even while I was still starting piano I was always fascinated by the organ. I suppose I enjoyed the variety of sounds the organ could produce. When my parents took me to visit
a friend of theirs who owned an organ I would sit down at the instrument and stay there until the visit was over! Later, in high school, I taught myself the instrument, even landing
a job at our local church. I taught myself to use the pedals and learned Bach's Toccata and
Fugue in D minor on my own. It wasn't very good but later, at Eastman, I took formal lessons and within a short time was playing all the virtuoso pieces fluently. I still play the organ at a Catholic Church and enjoy it very much as my second instrument.
When did you decide to become a professional musician? Was it a gradual decision or was there a defining moment for you?
I decided to become a professional musician when I was a sophomore in High School. This was when I discovered that playing the piano could be a form of expression. I also realized the value of being able to hear a piece of music and then, with practice, be able to render it on the piano and enjoy the music as played by myself instead of someone else. I would ask my teacher if I could play, for example, Copland's El Salon Mexico, to which he replied I was not yet ready, yet, I went ahead and learned it on my own! I always enjoyed playing music that I already knew and I always try to afford my students the opportunity to play music that is familiar to them.
25 Years
Since We Started
41,456+
Happy Customers
10,769
Cities with Students
3,123
Teachers in Network
Trusted as the industry leader, for over 21 years the teachers in our network have been providing Piano lessons in Philadelphia to students of all ages and abilities.
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