Violin Lessons in Waterford, MI

Instruments: Violin Music

I am a newly graduated musician who is eager and motivated to pass on my knowledge and experience to others! My experience with music has extended back 17 years, beginning at the age of six. For the first twelve years, I was mentored under the tutelage of Janet Houston. I also have a combined 14 years of orchestral performance experience, beginning with the Dearborn Youth Symphony which lasted ten years. After that my experience increased further by spending four years performing with the Eastern Michigan University Symphony Orchestra. Read More

Instruments: Piano Guitar Voice Violin Viola Drums Electric Violin Fiddle Conga Latin Percussion Music Keyboard Djembe Acoustic Guitar

There is nothing more rewarding then to see a student achieve and accomplish a goal. I believe and always positively affirming and acknowledging there accomplishments. Positive reinforcement and encouragement always assist the student to strive and succeed. I always give my student the choice to decide between multiple pieces, but I always choose pieces with a new technique or concept, so the student is consistently learning. My job is to discovery the students desires then to formulate a lesson plan that will not only stimulate, educate and challenge but also make the learning experience enjoyable. Read More

Instruments: Violin

My lesson style consists of working on fingering and plucking first from Essential Method Book for Strings or the Suzuki book (for the beginning students who are children). While they (children) are practicing, I encourage/ recommend them to memorize the songs if they can. I encourage this by setting realistic goals for my students at each lesson. I also try to find out what inspires the student. That way, I know their wants and needs. Read More

Instruments: Violin Viola

For young children (3-9) I exclusively use the Suzuki method and require a lot of parental involvement. I am happy to start children ages 10+ as well as teenagers. Having been a product of a school orchestra myself, I will use a more traditional teaching approach. The adult beginner or adult returner presents unique challenges but I wholeheartedly believe its never too late to start playing an instrument. Scales and other technique builders are at the forefront of every players lesson. Read More

Instruments: Piano Guitar Violin Double Bass

I generally use Alfred for piano, both the children's and adult's versions. I use Hal Leonard for guitar. For both violin and double bass, I generally use either Belwin or Essential Elements. However, some students prefer to not use a method book at all and that is fine. Also, some have different method books they like, which is also fine. Read More

Instruments: Piano Violin Cello Viola Fiddle Music Keyboard

For beginning strings students (even young children) to advanced students, I use the Suzuki method along with the accompanying sight reading book, I Can Read Music. Advanced students who have reached Suzuki book 6 and beyond are invited to seek out other repertoire as a supplement to their Suzuki studies. Students who are involved in an orchestra are also invited to bring excerpts of their music to their lessons so that I can help them to feel confident and prepared at playing tests and auditions. Read More

Instruments: Piano Guitar Voice Violin Cello Viola Trumpet Trombone Saxophone Flute Clarinet Drums Bass Guitar Organ Synthesizer Harp Accordion Harmonica Lap Steel Guitar Banjo Ukulele Mandolin Recorder Lute Electric Violin Fiddle Double Bass Euphonium French Horn Tuba Piccolo Mallet Percussion Orchestral Percussion Shakuhachi Oboe Bassoon English Horn Conga Latin Percussion Music Keyboard Electric Guitar Djembe Classical Guitar Acoustic Guitar

There really is no limit to which methods work for people. Every person learns their own way, and it is true that a variety of methods work for an individuals learning process. I enjoy employing all ways of experiencing music including playing by ear, reading sheet music, learning music theory and its practical applications, as well as playing with others and truly feeling what the music is wanting to say. Read More