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Featured Voice Teachers Near Philadelphia, PA

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Here are just a few of the many teachers offering Voice lessons in Philadelphia . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Andrea S

Instruments: Voice

The first two things that I teach in my studio is posture and breathing. I analyze the posture of the singer and find several yoga postures that can help the student to relax some tension and to be more comfortable. I help students to be more aware of how the breath works in their bodies by using several repeating breath exercises and yoga posture. My vocal technique is based on YogaVoice, meaning that I used Yoga principles combined with Vocal Technique exeecises to sing more organic and to achieve an authentic relaxed voice. Read More

Amylia H

Instruments: Piano Guitar Voice

I first began teaching in high school at the suggestion of my own piano teacher. I loved the experience from the start - few things are more rewarding than watching a student develop their musical passion and skill from lesson to lesson. Aside from private lessons, I also interned with the Peabody Children's Chorus in MD. Under the instruction of the brilliant choirmaster Doreen Falby, I had the privilege of working with a group of motivated students aged 8-12 where we studied everything from conducting to vocal technique and put on concerts twice a year. Read More

Megan M

Instruments: Piano Guitar Voice Violin

My teaching style is defined by a combination of high standards, understanding, nurture and patience. I will set realistic goals for each student based on his/her abilities. I will encourage and try new ways to explain or demonstrate a skill that the student is having difficulty with and I will be extremely enthusiastic about their accomplishments. However, I will assertively make it known if the student shows that they have not been practicing in a supportive way. Read More

Nicholas H

Instruments: Voice

Before returning to PA in the summer of 2017, I taught Preschool-6th Grade general music in Richmond and Oakland, CA. Along with classroom teaching, I've taught voice, guitar, ukulele, piano and group music classes throughout the San Francisco Bay Area. I'm currently working towards a PA K-12 Education Certification. As a classically trained Tenor, I've performed numerous operatic roles ranging from “Rinuccio” in Puccini's Gianni Schicchi to “Apollo” in Monteverdi's L'orfeo. Read More

James S

Instruments: Guitar Voice Bass Guitar

At the start of the first lesson, I give each new student a questionniare to fill out that tells me their musical background, influences, goals for the instrument and what music they are interested in learning. If the new student is a younger child, I begin them with Hal Leonard's Guitar Method Book One. Once they have grasped the simple chords and melodies of the book, I begin to introduce simple songs that they are interested in learning. Read More

Nora B

Instruments: Piano Voice

I have been playing the keyboard since the age of 5. I have been teaching since I was 21 years old and completed my first college degree. Music is my life. I have been the Organist and Choir director of two churches and I have been fortunate to sing and work under the direction of Leonard Bernstein, Eugene Ormandy, and many other great conductors. I pass along my love and passion I have for music to my students. Read More

Rachel S

Instruments: Voice

In the Summer of 2013, I performed the role of Suor Osmina in their production of Suor Angelica, and covered the roles of Fortuna and Venere in their production of Lcoronazione di Poppea. Rachel made my operatic debut with Rice University in their fall of 2012 production of Volpone as Celia. With Rice University, I was also featured in their scenes programs as Mimi from La Bohme, Ilia from Idomeneo, Rosalba from Florencia en el Amazonas, and Mrs. Read More

Teacher In Spotlight

Kathryn R

Instruments: Piano Voice Flute

If you have a Music Degree, what is it in (Performance, Education, Musicology, Theory, Composition, etc) and why did you choose that degree?
I have a Bachelor of Music in Vocal Performance, Bachelor of Arts in Music Theory & History, and Master of Music in Vocal Performance.

What is your dream piece to perform and why?
I would love to performance the role of Anne in "The Rake's Progress" by Stravinsky. It is one of the most beautiful 20th century operas I know.

Does music run in your family? Tell us a little about your musical family members.
I have a long lost uncle who is a renowned violist. I didn't discover him until a few years ago and was overjoyed to have him in my life as he is the only other professional musician in my family!

If you weren't a musician what do you think you'd be doing instead?
I would be a veterinarian. I love animals and, strangely, always planned on being a veterinarian in spite of my studying music as a child. It wasn't until my senior year of high school that I realized I could pursue music for a living and I haven't looked back.

Did you have a teacher that inspired you to go into music? How did they inspire you?
I've been playing music since I was a small child, but one teacher in particular that inspired me to pursue collegiate and graduate education in music was my high school band and choral director. He was so committed to his students and always gave 100% no matter what he did. It was so fun and beneficial working with him during those years and he really expanded my love for music.

What do you think is the hardest thing to master on your instrument?
I believe the hardest thing to master on any instrument is an awareness of how far one has come and allowing oneself to celebrate that! Sometimes, we get caught up in always trying to improve and we lose sight of how much we've already learned. I think it is so important to celebrate tiny victories and be kind to oneself at all stages of musicianship. We're never done learning so enjoy the process!

How do I know if my child is ready to start lessons?
Knowing whether a child is ready for lessons depends on many things, not least of all physical development (I.e. can they hold the flute upright?). Has your child expressed a desire to learn an instrument? Do they seem excited about it? Do they understand that practice is vital to learning new skills? If so, I encourage jumping in! Even if your child has some questions or hesitations, I recommend trying lessons out and keeping an open dialogue with them as lessons progress to make sure they are still invested emotionally and mentally and are not only continuing to learn but are having fun!

What advice do you have about practicing effectively?
When learning a new skill or a new song, I highly recommend approaching it in short and frequent sessions. Consistency has proven more valuable than, say, practicing once or twice for a long time and not reviewing the new skills for 4-5 days at a time. Most especially with younger students, I encourage parents to start with shorter times of 10-15 minute sessions, once or twice a day, and move up from there.

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Recent Articles from the Musika Blog

Easy Piano Songs: 5 Songs with Simple Chords

...are easy piano songs. “Oh Darling” is a terrific song that beginner piano students won’t have a difficult time learning. This song plays homage to American blues music, and the piano features a short staccato treatment with simple chord transitions played over a medium-paced 12/8 rhythm. The E+ chord you see at the beginning of the song is an E Augmented chord (E-G#-B#). Augmented chords tend to sound odd and even a bit jarring. This song is a blast to learn and will most likely get stuck in your head for the next few months. Enjoy!     [Verse] E+ A E Oh___... Read More

Principles of Basic Rock Drum Beats, Part 2

...a rhythm common to traditional Middle Eastern drumming, as well as to a lot of contemporary electronic dance music and hip hop, usually at a pretty fast clip in both cases: If we add a bass drum stroke under the delayed backbeat, it begins perhaps to take on a bit of a Latin feel:   In some (mostly older) funk music, we hear the fourth beat (or second backbeat) delayed instead.   And back to Latin feels, here is an interesting example of a derivation from a Brazilian beat, the bossa nova. The snare plays what is known as a ‘clave’ rhythm- more on that in a ... Read More

Easy Piano Rock Songs: Six Rock Classics You Should Play On Piano

...single, and then as the title track to their final album, Let It Be. The album was released shortly after the band’s breakup. Paul McCartney wrote the song and performed the vocals, and it rose to #6 on the Billboard Hot 100.   Many people think that the “Mother Mary” reference in the song refers to the Biblical Virgin Mary, but McCartney has clarified that the “Mary” refers to his own mother, who passed away from cancer when Paul was a teenager. The title words, “Let It Be,” are inspired by actual words from his mother as well, rather than ... Read More

Jazz Exercises for the Saxophone: Thinking in 12 Keys

...processes external information that fast. People that rely too heavily on logic can also be limited. I worked with a bass player once who stuck completely to reading the chart. If the singer came in after four bars of interlude when it was supposed to be eight, the bass player would be off for the rest of the chart. Remember, music is an aural art. Ideally, you should employ a healthy mix of using logic and using your ear so that you can succeed in both playing and thinking in 12 keys. The past couple of blogs have probably been pretty dry. The exercises in this blog will ... Read More

The Kodály Approach – More than Hand Signs

...the Kodály approach, and most elementary music pedagogical approaches. If you walk into a music classroom, there are times where it may seem chaotic or unfocused to the naked eye. So much learning takes place in ways that don’t feel like learning to students, which is the basis of their appeal. Take for example, a game many children play inside and outside of the music classroom, “Ring Around the Rosie.” There are so many reasons to play this game, and not always for inherently musical reasons. First and foremost, making a circle can be tricky. When it’s time to move ... Read More
Easy Piano Songs: 5 Songs with Simple Chords
Principles of Basic Rock Drum Beats, Part 2
Easy Piano Rock Songs: Six Rock Classics You Should Play On Piano
Jazz Exercises for the Saxophone: Thinking in 12 Keys
The Kodály Approach – More than Hand Signs

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