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25 Years
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Here are just a few of the many teachers offering Voice lessons in Philadelphia . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!
Instruments: Voice
Some of the highlights included Ado Annie in Oklahoma and the soloist for “Get all Excited” in Godspell. I also participated in local theater groups in Pennsylvania such as Civil Theater in Allentown, Pennsylvania Playhouse in Bethlehem and The Barn Playhouse in Norristown, Pa.. This experience prepared me for my next adventure; auditioning for Wagner College in New York as a theater major. I was accepted into the Wagner program and began an intensive year of study and performance working with Broadway professionals. Read More
Instruments: Voice
The focus of my studio is as follows: breath support vocal health and safety tonation style For beginning students who are children, I start with basic songs that can build upon the fundamentals listed above. I begin to introduce solo repertore when appropriate but I do not rush this process. Additionally; i take into consideration what kind of music the student is interested in, and guide my instruction accordingly keeping lessons engaging and fun no matter the student's ability level. Read More
Instruments: Voice
My teaching style is very student-oriented. So it varies from lesson to lesson and student to student. The goal is for my students to become more confident singers and musicians. In order for that to happen lessons need to be focused on them. I could spout teaching philosophies and strategies all day but in reality every student is different. Everyone learns differently and I make sure my teaching style stays flexible to accommodate that. Read More
Instruments: Piano Guitar Voice Bass Guitar Ukulele Music Keyboard Electric Guitar Acoustic Guitar
My method varies depending on the student. If the student wants a traditional musical approach, and is interested in learning notation and theory, then we will usually start with the Hal Leonard Book Series. If the student doesn’t want to learn notes or the more advanced musical concepts, I usually just start by teaching them simple songs that they know from the radio, TV Shows or movies. Something to get them really excited about learning and practicing, and songs that they recognize and can show others. Read More
Instruments: Piano Guitar Voice Trumpet
I am a fun but tough teacher that holds high expectations for the learner as well as myself. My goal is to make sure the learner is exceeding his/her goals as a musician. I graduated from Westminster Choir College with a BM in Music Education, a minor in Musical Theater, and a Masters of Arts in Teaching. I am in my 4th year teaching, and currently work as a middle school band director. Read More
Instruments: Voice
However, I tended to play everyones mom and grandmother because my voice sounded too mature and operatic. In my Freshman year of high school, I began voice lessons with my teacher and mentor, Paula Brown, who happened to be an Operatic Lyric Coloratura. Slowly, she began to introduce me to the fascinating, challenging and rewarding world of Classical Music and Opera and I washooked. Through high school, I studied with Paula until I was ready to continue my music in higher education. Read More
Instruments: Piano Voice Flute
If you have a Music Degree, what is it in (Performance, Education, Musicology, Theory, Composition, etc) and why did you choose that degree?
I have a Bachelor of Music in Vocal Performance, Bachelor of Arts in Music Theory & History, and Master of Music in Vocal Performance.
What is your dream piece to perform and why?
I would love to performance the role of Anne in "The Rake's Progress" by Stravinsky. It is one of the most beautiful 20th century operas I know.
Does music run in your family? Tell us a little about your musical family members.
I have a long lost uncle who is a renowned violist. I didn't discover him until a few years ago and was overjoyed to have him in my life as he is the only other professional musician in my family!
If you weren't a musician what do you think you'd be doing instead?
I would be a veterinarian. I love animals and, strangely, always planned on being a veterinarian in spite of my studying music as a child. It wasn't until my senior year of high school that I realized I could pursue music for a living and I haven't looked back.
Did you have a teacher that inspired you to go into music? How did they inspire you?
I've been playing music since I was a small child, but one teacher in particular that inspired me to pursue collegiate and graduate education in music was my high school band and choral director. He was so committed to his students and always gave 100% no matter what he did. It was so fun and beneficial working with him during those years and he really expanded my love for music.
What do you think is the hardest thing to master on your instrument?
I believe the hardest thing to master on any instrument is an awareness of how far one has come and allowing oneself to celebrate that! Sometimes, we get caught up in always trying to improve and we lose sight of how much we've already learned. I think it is so important to celebrate tiny victories and be kind to oneself at all stages of musicianship. We're never done learning so enjoy the process!
How do I know if my child is ready to start lessons?
Knowing whether a child is ready for lessons depends on many things, not least of all physical development (I.e. can they hold the flute upright?). Has your child expressed a desire to learn an instrument? Do they seem excited about it? Do they understand that practice is vital to learning new skills? If so, I encourage jumping in! Even if your child has some questions or hesitations, I recommend trying lessons out and keeping an open dialogue with them as lessons progress to make sure they are still invested emotionally and mentally and are not only continuing to learn but are having fun!
What advice do you have about practicing effectively?
When learning a new skill or a new song, I highly recommend approaching it in short and frequent sessions. Consistency has proven more valuable than, say, practicing once or twice for a long time and not reviewing the new skills for 4-5 days at a time. Most especially with younger students, I encourage parents to start with shorter times of 10-15 minute sessions, once or twice a day, and move up from there.
25 Years
Since We Started
41,456+
Happy Customers
10,769
Cities with Students
3,123
Teachers in Network
Trusted as the industry leader, for over 21 years the teachers in our network have been providing Voice lessons in Philadelphia to students of all ages and abilities.
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