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Featured Voice Teachers Near Philadelphia, PA

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Here are just a few of the many teachers offering Voice lessons in Philadelphia . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Daniel G

Instruments: Piano Guitar Voice Trumpet

Fun but tough. I can tell when a learner hasn't practiced, and it affects the lesson and growth. I always try to make sure that the learner ends the lesson feeling accomplished. Read More

Emma H

Instruments: Piano Voice

I am a performing instructor who loves teaching students of all ages piano and voice. I am also a recent graduate of Temple University and the Eastman School of Music in Voice Performance. My passion is German opera and art song, but my roots are in choral music. When I am not gigging or teaching, I am singing beautiful choral music at St. Paul's Episcopal Church. This summer, I will have the opportunity to sing choral music at St. Read More

Margaret Y

Instruments: Piano Voice

I am teaching by the method I was taught by my teachers in Kiev's Conservatory, combined with teaching method I took in American school, such as Temple University and always trying to find an Individual approach to a student depending on the age, personal goals and . My goal is to teach a student right breathing, clear intonation, clear diction and find the natural voice timbre as well as being a great performer on the stage. Read More

Dyanne L

Instruments: Piano Voice

Ensuring my students leave each lesson refreshed, revitalized, and energized is essential for me as an instructor. If the student is not fulfilled and having a great time, then I am not succeeding as an instructor. Likewise, creating realistic goals for each lesson as well as long-term goals is paramount to the success, continued growth, and progress of the students. Music lessons are a collaboration between the student and myself. Read More

Leon D

Instruments: Voice

My teaching style is fun, exciting, fresh, modern, educational, and accessible. My teaching philosophy is that music-making should be 50% fun and 50% productive. In my lessons, you can expect to learn how the voice works, what works best for your voice, how to use language as an avenue for healthy singing, and try new things you might need more clarification on at first. Voice lessons should be about how to utilize your voice in the way you want and that is precisely what students should expect from me. Read More

Samuel M

Instruments: Piano Voice

Im a very engaging and passionate teacher who comes from a long line of musicians and educators. In 2008 I received my undergraduate degree in music with a concentration in musical theater. I then took a year to work in the industry at several regional musical theater and opera houses domestically and internationally. I then went to Miami University for my graduate studies in classical voice. I have diverse performance career ranging in everything from professional one man cabaret shows to leading roles in opera. Read More

Andrea P

Instruments: Piano Voice Music Keyboard

As a teacher, I am an excellent communicator. I pay close attention to my students and am able to see their strengths and weaknesses. I go at the pace of my student. As a teacher, I work with consistent methods that cater to the students' individual needs. I also display a passion for the music that inspires my students. Not only do I teach the mechanics, but I love to spend a few minutes engaging in conversation analyzing the student's interpretation of the music. Read More

Teacher In Spotlight

Kathryn R

Instruments: Piano Voice Flute

If you have a Music Degree, what is it in (Performance, Education, Musicology, Theory, Composition, etc) and why did you choose that degree?
I have a Bachelor of Music in Vocal Performance, Bachelor of Arts in Music Theory & History, and Master of Music in Vocal Performance.

What is your dream piece to perform and why?
I would love to performance the role of Anne in "The Rake's Progress" by Stravinsky. It is one of the most beautiful 20th century operas I know.

Does music run in your family? Tell us a little about your musical family members.
I have a long lost uncle who is a renowned violist. I didn't discover him until a few years ago and was overjoyed to have him in my life as he is the only other professional musician in my family!

If you weren't a musician what do you think you'd be doing instead?
I would be a veterinarian. I love animals and, strangely, always planned on being a veterinarian in spite of my studying music as a child. It wasn't until my senior year of high school that I realized I could pursue music for a living and I haven't looked back.

Did you have a teacher that inspired you to go into music? How did they inspire you?
I've been playing music since I was a small child, but one teacher in particular that inspired me to pursue collegiate and graduate education in music was my high school band and choral director. He was so committed to his students and always gave 100% no matter what he did. It was so fun and beneficial working with him during those years and he really expanded my love for music.

What do you think is the hardest thing to master on your instrument?
I believe the hardest thing to master on any instrument is an awareness of how far one has come and allowing oneself to celebrate that! Sometimes, we get caught up in always trying to improve and we lose sight of how much we've already learned. I think it is so important to celebrate tiny victories and be kind to oneself at all stages of musicianship. We're never done learning so enjoy the process!

How do I know if my child is ready to start lessons?
Knowing whether a child is ready for lessons depends on many things, not least of all physical development (I.e. can they hold the flute upright?). Has your child expressed a desire to learn an instrument? Do they seem excited about it? Do they understand that practice is vital to learning new skills? If so, I encourage jumping in! Even if your child has some questions or hesitations, I recommend trying lessons out and keeping an open dialogue with them as lessons progress to make sure they are still invested emotionally and mentally and are not only continuing to learn but are having fun!

What advice do you have about practicing effectively?
When learning a new skill or a new song, I highly recommend approaching it in short and frequent sessions. Consistency has proven more valuable than, say, practicing once or twice for a long time and not reviewing the new skills for 4-5 days at a time. Most especially with younger students, I encourage parents to start with shorter times of 10-15 minute sessions, once or twice a day, and move up from there.

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Recent Articles from the Musika Blog

Easy Piano Songs: 5 Songs with Simple Chords

...are easy piano songs. “Oh Darling” is a terrific song that beginner piano students won’t have a difficult time learning. This song plays homage to American blues music, and the piano features a short staccato treatment with simple chord transitions played over a medium-paced 12/8 rhythm. The E+ chord you see at the beginning of the song is an E Augmented chord (E-G#-B#). Augmented chords tend to sound odd and even a bit jarring. This song is a blast to learn and will most likely get stuck in your head for the next few months. Enjoy!     [Verse] E+ A E Oh___... Read More

Principles of Basic Rock Drum Beats, Part 2

...a rhythm common to traditional Middle Eastern drumming, as well as to a lot of contemporary electronic dance music and hip hop, usually at a pretty fast clip in both cases: If we add a bass drum stroke under the delayed backbeat, it begins perhaps to take on a bit of a Latin feel:   In some (mostly older) funk music, we hear the fourth beat (or second backbeat) delayed instead.   And back to Latin feels, here is an interesting example of a derivation from a Brazilian beat, the bossa nova. The snare plays what is known as a ‘clave’ rhythm- more on that in a ... Read More

Easy Piano Rock Songs: Six Rock Classics You Should Play On Piano

...single, and then as the title track to their final album, Let It Be. The album was released shortly after the band’s breakup. Paul McCartney wrote the song and performed the vocals, and it rose to #6 on the Billboard Hot 100.   Many people think that the “Mother Mary” reference in the song refers to the Biblical Virgin Mary, but McCartney has clarified that the “Mary” refers to his own mother, who passed away from cancer when Paul was a teenager. The title words, “Let It Be,” are inspired by actual words from his mother as well, rather than ... Read More

Jazz Exercises for the Saxophone: Thinking in 12 Keys

...processes external information that fast. People that rely too heavily on logic can also be limited. I worked with a bass player once who stuck completely to reading the chart. If the singer came in after four bars of interlude when it was supposed to be eight, the bass player would be off for the rest of the chart. Remember, music is an aural art. Ideally, you should employ a healthy mix of using logic and using your ear so that you can succeed in both playing and thinking in 12 keys. The past couple of blogs have probably been pretty dry. The exercises in this blog will ... Read More

The Kodály Approach – More than Hand Signs

...the Kodály approach, and most elementary music pedagogical approaches. If you walk into a music classroom, there are times where it may seem chaotic or unfocused to the naked eye. So much learning takes place in ways that don’t feel like learning to students, which is the basis of their appeal. Take for example, a game many children play inside and outside of the music classroom, “Ring Around the Rosie.” There are so many reasons to play this game, and not always for inherently musical reasons. First and foremost, making a circle can be tricky. When it’s time to move ... Read More
Easy Piano Songs: 5 Songs with Simple Chords
Principles of Basic Rock Drum Beats, Part 2
Easy Piano Rock Songs: Six Rock Classics You Should Play On Piano
Jazz Exercises for the Saxophone: Thinking in 12 Keys
The Kodály Approach – More than Hand Signs

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