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25 Years
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Here are just a few of the many teachers offering Voice lessons in Portland . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!
Instruments: Voice Violin Viola Music
As a violist, I maintain an active performance career with orchestras such as Symphony Tacoma (Assistant Principal), the Sarasota Opera Orchestra, Oregon East Symphony, and others. My journey has taken me from early experiences with the Metropolitan Youth Symphony and Oregon All-State Orchestra to international stages in Austria and Canada, with a foundation in both classical and jazz traditions. For me, music and teaching are inseparable passions. Whether I’m performing or guiding a student, I aim to share the joy, connection, and lifelong curiosity that music inspires. Read More
Instruments: Piano Guitar Voice Ukulele
My teaching experience began in 2008 when I started tutoring and assisting a choir director at a school in Boston, MA. I worked there throughout my schooling and transitioned to private lessons after graduating in 2011. I also started a program called Sing Play Rise which offered free private tuition for students who joined the choir. I then moved back home to be with family and have been teaching in the PDX area at various schools since then. Read More
Instruments: Voice Saxophone Clarinet
I'm a musician first and foremost. This means that it is not my 'job', it is my life! The first concert that I produced was when I was 16 years old, and it featured the legendary jazz clarinetist Woody Herman and the Thundering Herd. Since that time, I have been performing, conducting, producing concerts, composing music and teaching students. I have performed with a wide variety of classical and jazz and pop musicians: from The Brubeck Brothers, Diane Schuur, Preservation Hall Jazz Band and Melissa Manchester; to the Oregon String Quartet and Dubrovnik Symphony Orchestra. Read More
Instruments: Piano Voice
My students describe me as patient, fun, understanding, and challenging. :) For the shy ones, I like to get to know them, and see what I can do to get through to them and get them to open up to music. For the adventurous one, I dare them to go on adventures with me. For the self-critical ones, I become their voice of encouragement and love. For the over-confident ones, I open their eyes to more challenges that will demand more of themselves. Read More
Instruments: Voice Flute
For beginning Flute students who are children, I typically start with Hal Leonard's Essential Elements. Once the student has progressed to have a grasp of the fundamentals, I will begin to introduce solo repertoire appropriate for their firset recital performance. For adults, I try to find out what the student is interested in, and guide my instruction accordingly to keep the lessons engaging and fun, no matter their ability level. Read More
Instruments: Voice
I studied classical music for eight years. I discovered world classical music in high school, fell in love with it, and continued my studies in the art along with exploring worship leadership. I always enjoyed RB and pop growing up, so adding classical was a great bonus to my repertoire. I started teaching modern music along with classical training methods to get the best of both worlds. This helps strengthen singers, and music expresses emotion and can be very therapeutic, which is exciting and transformative. Read More
Instruments: Piano Voice Trumpet Trombone Saxophone Flute Clarinet
My approach to all my students, children and adults alike, takes on a friendly, casual appearance while at the same time utilizing my classical and technical training. I believe music is the most joyous of all "subjects" to study and my greatest desire is for my students to learn a lot while feeling the joy that music provides. Having said that, studying with me will be fun, detailed, technical and productive. Read More
Instruments: Voice
What is your favorite style/genre of music to play and why?
My favorite genre of music to play is heavy metal. I enjoy this genre because it combines the showmanship and virtuosity of classical music with the modern instrumentation of many styles of music. Metal has the characteristic ability to absorb elements and stylistic choices of other genres to create new sub-genres, while still remaining heavy metal. Name another genre of music, and there is probably a form of heavy metal that has made use of it! There's viking metal, pirate metal, thrash, classical metal, progressive metal, black metal, death metal, the list goes on! There is a lot of fun to be had when a genre of music can have so many other things added to it, yet still clearly be that same genre!
What does a normal practice session look like for you?
A normal practice session to me lasts for about 20 minutes. I have three different structures that I use for setting up a lesson. First, 20 minutes of stretching/flexibility work with various types of shouting to create vocal freedom. Second, 20 minutes of vocal exercises to work on a specific vocal hurdle; this allows the weak point to be addressed without the added pressures of learning a song. Third, 20 minutes divided into 10 minutes of voice exercises and or stretching, followed by 10 minutes of working on music. Students can also work on learning the rhythms/words to songs independent of any singing/musical work; learning the elements of a song separately will assure greater memorization and confidence.
When will I start to see results?
Beginning lessons are much like beginning a workout routine; every individual progresses differently, and this can be dependent on a variety of factors: age of the student, previous musical experience(s), level of motivation, frequency of lessons, and level of consistency in practice. Results will likely happen quickly at first, and slow down as a student becomes more advanced. Should the teacher be okay with this, students may wish to record their lessons as a means to gauge their progress over time; this will also give them a way to remember and re-explore discoveries that happened during lesson. Additionally, making a performance recording (i.e. sing/play the whole way through a song without stopping) every 1-3 months can be an excellent way to measure results.
What advice do you have about practicing effectively?
Every student is different, and which instrument a student is learning will affect the amount of time they can practice in one sitting and in a day. For singing, I find that the most frequently successful method is to practice daily, multiple times a day, for 15-20 minutes each practice session. This balances practicing for long enough to accomplish goals, while being short enough to avoid vocal fatigue and diminishing returns. Practicing should be planned as a part of the daily routine, ideally written into a student's daily planner for specific time blocks. The student should have specific things to work on for each practice session (e.g. a specific set of vocal exercises, or a specific song/part of a song), but should be willing to change the practice routine if things are not working. Discussing how to set up practice sessions with the teacher will also be very helpful, as they are better able to guide the student with specifics.
25 Years
Since We Started
41,456+
Happy Customers
10,769
Cities with Students
3,123
Teachers in Network
Trusted as the industry leader, for over 21 years the teachers in our network have been providing Voice lessons in Portland to students of all ages and abilities.
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