Drum Lessons in Clifton East End, MD

Instruments: Piano Guitar Drums Bass Guitar Synthesizer Mallet Percussion Orchestral Percussion Conga Music Keyboard Electric Guitar Acoustic Guitar

With my teaching style, I try to maintain open lines of communication as much as possible. This means learning about students, them learning about me, and feeling comfortable in communicating their roadblocks in music. Music is an expressive art form, and I believe that being able to effectively communicate with students will lead to a better instruction - students feel more comfortable performing and explaining issues, and teachers can cater to the learning styles of those students, which expedites the learning process and creativity. Read More

Instruments: Piano Guitar Voice Violin Trumpet Trombone Saxophone Flute Clarinet Drums Bass Guitar Recorder Euphonium French Horn Tuba Piccolo Mallet Percussion Orchestral Percussion Music Keyboard

To make the learning experience fun and engaging. I first introduce concepts; then connect to well known songs and music that allow you to understand and appreciate the vital concepts and themes being illustrated. Together we set realistic goals, learn from where we may have missed the mark, and celebrate our achievements. This allows me to tailor your lesson so that you may gain the absolute most at of each and everyone. Read More

Instruments: Piano Drums Mallet Percussion Orchestral Percussion Keyboard

I grew up playing both piano and drums. In addition to my Piano Masters at Peabody, I minored in percussion and performed with the Peabody Percussion ensemble in Carnegie Hall. In the Air Force I played piano with the Washington State Air National Guard Jazz band for two years. I then transferred to the Pennsylvania Air National Guard where I played Tympani and other percussion for the Air Force Symphonic Band in Harrisburg. Read More

Instruments: Drums Mallet Percussion Orchestral Percussion Music

My teaching methods are entirely based on the current abilities and individual learning style of each individual student.  I do reference a few standard and time-tested method books for various skill levels, however, every lesson will be customized to the goals and needs of the student. I strive to keep up with current MMEA audition repertoire for those students interested in pursuing those opportunities on the local and state level. Read More

Instruments: Drums Mallet Percussion Conga Latin Percussion Music Djembe

As my students progress, I will have them learn songs on the drum set by ear and by reading charts. I will also give them more difficult sight reading and limp independence exercises. Finally, I will show my students how to apply all of these methods to their own style of playing. At the end of the day, music is all about having fun and expressing yourself! And I am here to make sure my students do exactly that. Read More

Instruments: Drums Mallet Percussion Orchestral Percussion Conga Latin Percussion Djembe

From 1995-2008 I served as principal percussionist with the Gettysburg Symphony Orchestra. As a member of the American Federation of Musicians, I have performed with the Baltimore Symphony Orchestra, the Baltimore Opera Orchestra, the Baltimore Jazz Orchestra and, from 1997-2004, I was the drummer for the award-winning Peabody Ragtime Ensemble. I have performed with Grammy and Tony Award winning artists including pianist/composer Peter Nero, film and stage actor Richard Harris, Contemporary Christian vocalist Sandi Patty, Broadway choreographer/performer Tommy Tune and pop music vocalist Sheena Easton. Read More

Instruments: Guitar Drums Bass Guitar

On the first lesson, I like to help students create realistic, long-term goals for themselves. Then the student and I develop a plan to help them achieve them. Learning tools include method books, recordings of the lesson, and playing along with me. I also make solo pieces available, and encourage the student to participate in local recitals. My lessons generally follow the county public school's music curriculum and include rhythmic and melodic dictation, ear training, sightreading, theory and song form. Read More