Drum Lessons in Forest Heights, MD

Instruments: Drums

I'm a passionate and motivated instructor who loves working with students and sharing my love of music. Since the age of 10 I've had an active life involving music. Growing up in Brasil, I began a band in school. Over the course of a few years we grew in popularity and in 2007 we were nominated best new talent from the south of Brasil. In 2008 I moved from Brasil to the United states and have been playing my drums since! Read More

Instruments: Drums Mallet Percussion Orchestral Percussion Music

For me, teaching is much more than showing each student everything I know as a musician.  My ultimate responsibility as an instructor is to understand the students' goals and recognize how they learn best.  While recognizing their musical and technical accomplishments, I encourage the students to maintain patience and discipline as they delve farther into the study of their instrument.  The greatest reward for me as a teacher is to inspire my students to want to work hard to develop their own sound, style, and passion for music! Read More

Instruments: Guitar Drums Bass Guitar

We will and can do any or all of the following: Drums : pad rudiments , playing position training , speed and technique Drumset : rock folk and blues style drumming, some swing/jazz and funk and such. Handdrums: ocasionally i may bring over handdrums for a 15 minute session on how to play them! Guitar: scales, chords, bar chords, "riffing/riffs", songwriting, arpeggios, fret hand technique, reading tabs/charts * I teach electric and acoustic styles on guitar , no classical unless u wanna just be learning steel-string techniques on a classical guitar ! i teach fingerstyle per-say, but not like the Classical guitarists are supposed to be doing it ... Read More

Instruments: Drums

I have always aspired to be a versatile drummer. Growing up I idolized drummers like Steve Gadd, Steve Jordan, Dennis Chambers, and many of the jazz and latin greats. I learned how to play many styles of music along the way including: jazz, soul, funk, rock, pop, blues, salsa, samba, candombe, afro-beat, reggae, symphonic percussion, and the avante garde. I am a strong believer in developing solid reading skills, learning and listening to many styles of music, and playing improvisationally. Read More

Instruments: Piano Cello Drums Conga Latin Percussion Djembe

I am all about the individualized approach! Whether the student is looking at their instrument for the very first time or they are a seasoned veteran performer looking to freshen their approach or hone one specific side of their craft, I'm here and thrilled to help. Everyone learns differently; I recognize some kids and adults alike find the idea of staring into a book and practicing rudiments or études for hours a day either intimidating, boring, or both. Read More

Instruments: Drums Conga

For beginning students I usually show them a simple song and teach them how it relates to standard notation and drum set coordination through Ted Reed's Syncopation. Once the student can understand how each of the limbs work and how I will communicate it on a page, we can go over more songs and include other books which detail various beats that are recognizable as well as functional. After fundamental coordination is grasped we can begin to focus on rudiments and the application of certain hand exercises to the drum set to explore possibilities. Read More

Instruments: Piano Guitar Saxophone Flute Clarinet Drums Bass Guitar Synthesizer Harmonica Music Keyboard Electric Guitar Acoustic Guitar

Even though the students often wanted to give up and many times gave up, I would not give up on the student, and would continue to not only try to make a valuable learning experience, but an enjoyable one that they would remember forever. Once I began to teach private lessons, I kept the same mindset. If the student is having a bad day and not soaking in as much information, I would make sure that there was something new they could perform to ensure they felt some sort of progress and enjoyed their time, whether is was a piece with a new note, or a new fingering or technique. Read More