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Featured Guitar Teachers Near Worcester, MA

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Here are just a few of the many teachers offering Guitar lessons in Worcester . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Jeff O

Instruments: Guitar

I'm a passionate and laid-back instructor who loves sharing my knowledge with others and seeing students progress. In 2004, I graduated from Berklee College of Music as a guitar principal with Bachelor of Music degree in Jazz Composition. Since then, I have been playing and teaching music full-time. I have played in various rock bands including my own original band, Kave Kraft, and as a sideman in various jazz combos, RB groups, and wedding/GB bands in the Boston area. Read More

Ben S

Instruments: Guitar Saxophone Bass Guitar Ukulele Music Electric Guitar Djembe Classical Guitar Acoustic Guitar

I began teaching 11 years ago during my senior year of high school. At the time I had been playing for many years. During this time I had five students. One of my students was a friend who had been envious of my playing for a while when he decided to ask for lessons. It was truly amazing and rewarding to see him advance to a level where he could play along with other people and write songs. Read More

Aaron B

Instruments: Piano Guitar Drums Bass Guitar French Horn

I began learning piano at the age of three. My dad is a band and chorus teacher and didn't consider it an "optional" skill. I actually learned to read music before english! (I was confused in kindergarten when I found that the alphabet went past G!) Music has been an integral part of my life since then with my elementary and high school years filled with festivals, concerts, auditions and competitions. Read More

Juan D

Instruments: Guitar

I have found that the basics are the most important part of music. Even issues in more advanced players can be addressed by filling the gaps in a students knowledge of the fundamentals. I also strongly emphasise a student's ear training as that really opens up the instrument to them, allowing for more intuitive playing and improved creativity. I tend to cater to the students needs, and can also create simple backing tracks for students to practice the concepts that have been covered in the lesson. Read More

Lisa R

Instruments: Guitar Bass Guitar Ukulele Electric Guitar Classical Guitar Acoustic Guitar

With the Suzuki Method the students learn to play the instrument first, and to read music second, removing the obstacle of reading notation until the students learns some technique on the guitar. I have also taught students of varying ages using traditional teaching methods. I like to pace the lessons based on each individual student. I understand that students have other obligations and I do not believe music lessons should add stress to the students. Read More

Lynne B

Instruments: Piano Guitar Voice Saxophone Flute Clarinet Organ Synthesizer Recorder Piccolo Keyboard

If you wish to educate, you must inspire first. Each student is encouraged to proceed at a pace that is suited to their aptitude, goals, schedule and drive. Positive acknowlegement of achievements, clear communication and demonstration of techniques, opportunities to play with others at a similar level of growth and an atmosphere of musical community are key to the progress of my students. To inspire, instruct, and enjoy music is the mesaage the teacher should be imparting to the student. Read More

Jarron V

Instruments: Guitar Electric Guitar Classical Guitar Acoustic Guitar

Every student works at their own pace and I allow for a lot of flexibility in my lessons. However, once the student has communicated their long term goals for the guitar, realistic goals are set between each lesson. I assign projects to work on between each lessons usually a mix of technical practice, such as left hand and right hand techniques, and musical works the student is interested in. I find that students work well when they are working on things that interest them. Read More

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Recent Articles from the Musika Blog

Jazz Scales: The Pentatonic Scale

...3 5 b7. If you play this scale starting on the fifth, you get the G-6 pentatonic scale, which consists of chord tones 1 b3 4 5 6.   The C7(b9) pentatonic scale takes the C7 pentatonic and flats the second (same as the ninth). The chord tones are 1 b2 3 5 b7.   The C major (b6) pentatonic scale takes the major pentatonic scale and lowers the sixth scale degree. The chord tones are 1 2 3 5 b6.   There are many other pentatonic scales. The few I’ve laid out above are the ones I personally happen to use the most.... Read More

Violin Accessories: Essentials for All Violinists

...velvet interiors and satin ribbons behind the bow holders. The cloth-covered case should have either a bag in which to put your violin before strapping it into its place, or a velveteen and satin cloth to drape over the instrument before you shut the lid. Between the plastic shell case and the cloth-covered case are a wide variety of wooden cases, some with a black, tar paper like exterior. These are good for everyday school use. The black covering is dignified, but not as prone to picking up stains as a cloth cover. Every case should have room for shoulder straps. These violin ... Read More

Types of Basses

...Bass guitars have pickups, come with fretted or fret-less necks, and have a bit more modern sound. Your genre preference comes into play with this choice. No orchestra conductor will allow a bass guitar player in the orchestra and there are some purists out there who frown on bass guitars in jazz or traditional country music. If you like effects pedals, it is much easier to run a bass guitar through pedals than an upright bass with a pickup installed (with acoustic pickups there tends to be more possibility for feedback).   However, you can also find electric upright basses on the market today. These basses are much ... Read More

Saxophone Reed Strength

...If you have ever struggled with a difficult reed, then I’m sure you understand how crucial reeds are when playing the saxophone, and how the slightest variations in reed strength can make a huge difference. If you’ve ever found yourself using too much energy, blowing a ton of air, while hearing or feeling a bunch of that air escaping out the sides of the mouthpiece, then your reed is probably too hard. If you’ve ever found yourself having trouble trying to pinch out high notes, while producing a very thin sound, and squeaking frequently, then your reed is probably too soft. The goal is to ... Read More

Suzuki Practice: A Daily Event

...– is really the best way to iron a skill into your mind. And, it’s just good life experience. There’s nothing like reaching the second to last repetition, and bombing it, and starting over. Life lesson – if you can survive repeating this exercise over at age six, then you can probably survive other disappointments that happen later in life.   Scheduling… and Breaks… and Dangers Getting back to the daily practice theme, it is a good idea to have a set schedule for your practice time. For some families, practicing first thing in the morning is the best way to fit it all in. ... Read More
Jazz Scales: The Pentatonic Scale
Violin Accessories: Essentials for All Violinists
Types of Basses
Saxophone Reed Strength
Suzuki Practice: A Daily Event

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