617-307-7729
Musika Quick Stats
25 Years
Since We Started
41,456+
Happy Customers
10,769
Cities with Students
3,123
Teachers in Network
- Have questions? Check out our
- FAQ
- CONTACT US
-
![call-icon]()
617-307-7729
Lesson Special - Up to 20% OFF! Get Started Now with a Risk-Free Trial!
Here are just a few of the many teachers offering Voice lessons in Boston . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!
Instruments: Piano Guitar Voice Bass Guitar Euphonium Tuba
My greatest quality as a teacher is being flexible and listening to my students' needs. Not everyone learns the same way and to try to teach everyone the same way, you won't always get the results you want. That's why during my first lesson with each student, I try to figure out what the student wants to learn and how they learn best so we can come up with a plan that would work best for them, knowing that there's always room to amend that plan. Read More
Instruments: Piano Voice Music Keyboard
I have been coaching singers and teaching piano since my college days. I have been teaching private lessons for more than 15 years now. I specialize in classical singing, particularly the soprano voice. I have a wealth of knowledge in repertoire and technique. I have a strong background in musical theater as well. I enjoy inspiring singers to learn about their instruments and I encourage my students to ask questions and explore new things. Read More
Instruments: Voice
When it comes to feedback, I believe in specific feedback that brings certain things to students' attention and praises good technique. I ask that you always try your best in lessons, as I will always put my best foot forward to help you advance. I am a very positive and fun individual, and I will always try my best to make your voice lessons not only productive, but a great time! Read More
Instruments: Piano Voice Keyboard
If, however, a student does not practice, I try to work with them in a positive manner to see if we can get to the root of the issue. I do not take a 'lecture style' approach as I find a lack of practice often has more to do with their fear than anything else. If I can help a student address their fears and help work them through it, more often than that this is what helps them move forward with their practice habits. Read More
Instruments: Voice Music
My mom was a Carnatic music teacher. I had once subbed for her when she was late coming from work. It was fun teaching her students. My mom also worked with children with special needs. I have watched her work and I got inspired by her. I wanted to go into Music Therapy after seeing her work, as well as the experiencing of assisting her. I have had a troubled childhood, and music helped me. Read More
Instruments: Piano Voice
Nothing is more rewarding than seeing one of my students develop a passion for music! Therefore, it's important that each student progresses at his or her own pace. I like to go slow at first and see how things go lesson by lesson. I never like to challenge my students too much in the beginning because it can be rather frustrating to continue learning music. I also believe theory is very important and will ALWAYS include this in my teaching. Read More
Instruments: Voice
Education University Of Arizona (Tucson AZ) (Selected Courses) ----- 1984-1985 Pima Community college (Tucson AZ) Advanced Music Theory & Voice Studies ------1985-1987 * Student Assistant to Choir Director (Benjamin Hanky) * Pima College Singers * Pima College Choir Berklee College of Music (Boston MA) Bachelors of Music (B.M.) --- 1988 -1990 Emphasis Area VOCAL PERFORMANCE * Studio Singer (Greg Kalember) * Singers Showcase * Berklee Gospel Choir (Orval Wright) * Berklee Singers (Ann Pecham) * Songwriters Showcase (Richard Grudinski) Field Experiences PROFESSIONAL SINGER The Marsels 1988-Present "The Marsels" called "one of Boston's best party bands in the city" by Dana Bisbee Boston Hearld Tours in Europe Hannover, Germany, Frankfurt, Munich, Denmark, Amsterdam, Switzerland, Buenos Aires Argentina, Sylt Germany... Read More
Instruments: Voice Saxophone Flute Clarinet Recorder
What do you think is the hardest thing to master on your instrument?
The sax and clarinet use a single reed mouth piece and when you are learning or haven't played for a while, your jaw can become very sore from gripping the mouthpiece. As for the flute, you need to learn how to blow air across the mouthpiece, not in it. This uses a lot of air and can make you light headed. It all takes time for your body to adjust.
Why did you choose your primary instrument?
I've been singing since I could talk, maybe before :) I knew that I wanted to play the flute in either the 2nd or 3rd grade when the high school band came to the elementary school and did a demonstration. I don't really know why, it just beckoned to me. I played recorder, fell in love, and jumped at the flute first chance I got in 5th grade.
What advice do you have about practicing effectively?
If you are a beginner, I suggest setting up 15-30 minute Daily practicing blocks. If you are a
N intermediate to advanced performer, then use time management skills to work out longer daily blocks, or multiple short daily blocks. Find a comfortable and secluded place to practice so to not be distracted and /or not bother others.
How do I know if my child is ready to start lessons?
Children may express a desire to make music at a young age. You may be able to determine your child's commitment to their request by observing their desire to sing or tap along with music, if they pick up a toy instrument and actually get decent sound out of it. Young children can begin to be interested in more than Old Mac Donald's Farm, and want to sing or play an instrument. Be aware of their fine motor skill developlet, and not strains third voice when they singing.
If you play more than one instrument, how did you decide to start playing the second? (Or 3rd, 4th, 5th, etc)!
I wasn't allowed to play the flute in jazz band (ya, I know- just silly) so the only available free instrument to pick up was an old tenor sax used in marching band that everyone called "The Swingy-Neck" because the screw to hold the neck was rusted, so the neck could go in, but not tighten into place. Half the time it swung away when you went to put the mouth piece in your mouth. So, I learned to play tenor and how to let go of being stuck to the notes on the page and improvise. Now I really know what it means to "play it by ear". I picked up the clarinet in order to broaden my music lessons. It's a lot easier to teach clarinet with a clarinet than transposing to flute. That is a nightmare!!!
Does music run in your family? Tell us a little about your musical family members.
My father plays the accordion and can sing. My mother was a good singer. Most of my love of music comes from them. I am blessed to have had parents who liked such a wide range of music.
When did you decide to become a professional musician? Was it a gradual decision or was there a defining moment for you?
I've always loved to perform and have had some interesting experiences along the way. I have a friend and former neighbor who would hire me to play the flute at her art gallery openings back when I was in high school. I also performed on stage at gala events along side famous actors and musicians back in the early 90's as a teen. Since then I've played a variety of gigs from playing classical flute music, singing in choirs, playing in concert bands, and accompanying and singing in church, Christian and rock n' roll gigs. The journey is hardly done.
25 Years
Since We Started
41,456+
Happy Customers
10,769
Cities with Students
3,123
Teachers in Network
Trusted as the industry leader, for over 21 years the teachers in our network have been providing Voice lessons in Boston to students of all ages and abilities.
We'll then reach out to the teachers for you.
Schedule the risk-free trial lesson directly with the teacher.
Continue with that teacher or try someone else.
