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Featured Voice Teachers Near Boston, MA

4288   5 STAR Musika Reviews

Here are just a few of the many teachers offering Voice lessons in Boston . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Danielle S

Instruments: Voice

I usually like to get to know a student at first and see how they learn. I ask questions and get them making sounds right away to see how they use their bodies and how they naturally use their voice for speaking and such. From there I develop a plan for the best way to help them. I also like to identify their vocal goals (pop singing, opera, etc.) so that I know what direction they want to head and what kinds of tools I can offer them. Read More

Sean P

Instruments: Piano Guitar Voice Trumpet

Teaching for me is the difference between passion and disaster. With the right push, anyone can feel the need to play music. Music isn't supposed to be intended for a chosen few. My first teachers really engrained that into my mind when I first started learning. Through this, I have learned to create an environment where there are no mistakes, only chances to learn. It if very hard to continue in something so subjective, like music, constantly berating ones self. Read More

Elif C

Instruments: Piano Voice Saxophone Oboe English Horn Keyboard

I teach piano, voice, oboe, saxophone and music theory. Teaching has been my passion since the day I realized that I can make a difference in one's life. We all can be part of the good chance. I am a Berklee College of Music & Istanbul University State Conservatory alumni. I studied classical oboe and piano at Istanbul University State Conservatory and jazz piano, oboe and voice at Berklee College of Music. Read More

Mingyeong S

Instruments: Piano Voice Music Keyboard

One of my strengths as a teacher is my ability to offer personalized piano lessons and music theory instruction, whether in a private or group setting. I have experience teaching students at all levels, from beginners to advanced learners. I truly enjoy connecting with students of all ages and nurturing their love of music. I like to incorporate both music theory and practical techniques when teaching piano, and I often share some of my secret techniques to help students play elegantly. Read More

Charity K

Instruments: Piano Guitar Voice Ukulele Mandolin Classical Guitar Acoustic Guitar

I began teaching private lessons in college and continued to teach one on one lessons and larger group lessons for the next several years. The key to success in lessons is to practice at home and come ready to learn and have fun! Anything worth doing will come with challenges and hard work, and there are few things and gratifying as learning to sing or playing an instrument! Music is "whole brain" learning that combines our intellect, our fine motor skills, our affections, and our ability to multitask. Read More

Evelyn C

Instruments: Piano Voice Music

My teaching style is me. I work one on one with each individual student as to their age, ability and how they learn. No one size fits all and each individual learns the same concept a bit differently. I make sure both piano and voice students understand fully what the lessons are about so they can practice at home and move forward, and understand. We have fun because I'm nuts...have a sense of humor. Read More

Julia R

Instruments: Piano Voice Flute Clarinet

For beginner piano students I generally work out the Faber Piano Adventures and for adults I use The Older Beginner Piano Course by Bastien. For Flute students I use the Trevor Wye Beginners Book for the Flute. Clarinet I use the Rubank Method books. Once the essentials are learned I will add in various solo pieces and other method books pending on each student and their music interests. Read More

Teacher In Spotlight

Jessica P

Instruments: Voice Saxophone Flute Clarinet Recorder

What do you think is the hardest thing to master on your instrument?
The sax and clarinet use a single reed mouth piece and when you are learning or haven't played for a while, your jaw can become very sore from gripping the mouthpiece. As for the flute, you need to learn how to blow air across the mouthpiece, not in it. This uses a lot of air and can make you light headed. It all takes time for your body to adjust.

Why did you choose your primary instrument?
I've been singing since I could talk, maybe before :) I knew that I wanted to play the flute in either the 2nd or 3rd grade when the high school band came to the elementary school and did a demonstration. I don't really know why, it just beckoned to me. I played recorder, fell in love, and jumped at the flute first chance I got in 5th grade.

What advice do you have about practicing effectively?
If you are a beginner, I suggest setting up 15-30 minute Daily practicing blocks. If you are a N intermediate to advanced performer, then use time management skills to work out longer daily blocks, or multiple short daily blocks. Find a comfortable and secluded place to practice so to not be distracted and /or not bother others.

How do I know if my child is ready to start lessons?
Children may express a desire to make music at a young age. You may be able to determine your child's commitment to their request by observing their desire to sing or tap along with music, if they pick up a toy instrument and actually get decent sound out of it. Young children can begin to be interested in more than Old Mac Donald's Farm, and want to sing or play an instrument. Be aware of their fine motor skill developlet, and not strains third voice when they singing.

If you play more than one instrument, how did you decide to start playing the second? (Or 3rd, 4th, 5th, etc)!
I wasn't allowed to play the flute in jazz band (ya, I know- just silly) so the only available free instrument to pick up was an old tenor sax used in marching band that everyone called "The Swingy-Neck" because the screw to hold the neck was rusted, so the neck could go in, but not tighten into place. Half the time it swung away when you went to put the mouth piece in your mouth. So, I learned to play tenor and how to let go of being stuck to the notes on the page and improvise. Now I really know what it means to "play it by ear". I picked up the clarinet in order to broaden my music lessons. It's a lot easier to teach clarinet with a clarinet than transposing to flute. That is a nightmare!!!

Does music run in your family? Tell us a little about your musical family members.
My father plays the accordion and can sing. My mother was a good singer. Most of my love of music comes from them. I am blessed to have had parents who liked such a wide range of music.

When did you decide to become a professional musician? Was it a gradual decision or was there a defining moment for you?
I've always loved to perform and have had some interesting experiences along the way. I have a friend and former neighbor who would hire me to play the flute at her art gallery openings back when I was in high school. I also performed on stage at gala events along side famous actors and musicians back in the early 90's as a teen. Since then I've played a variety of gigs from playing classical flute music, singing in choirs, playing in concert bands, and accompanying and singing in church, Christian and rock n' roll gigs. The journey is hardly done.

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Recent Articles from the Musika Blog

Warner Bros. and Classical Music: The Anti-Fantasia Movement

...are stepping stones across the river, until you don’t mind getting wet in the music. When all’s said and done, I think Bugs (and Chuck!) has been great for opera.” Even if Chuck Jones initially used classical music as a method to mock Disney, his love for the genre eventually broke through.   Modern Americans often equate “The Barber of Seville” with Bugs Bunny; for better or for worse, Chuck Jones is the gateway between cartoon enthusiasts and opera.     *Silly Symphonies didn’t use classical music, as the scores were created by Curt Stalling. However, the instrumentation and “symphonic” aspects of the series led... Read More

Parts of an Opera: A Quick Beginner's Guide

...and mood of the opera–the audience should be prepared by the orchestra for what would follow later. His opera Alceste offers an early example of this mindset.   Mozart’s Don Giovanni picked up on this methodology, and composers have followed to a certain extent ever since. By the late 18th century, composers like Verdi and Wagner began using a through-composed prelude rather than a strict A-B-A form overture, but the thought process remained the same; the audience should be prepared by the introduction for what was coming next.   Parts of an Opera: History of the Aria   In 1602, ... Read More

Guitar Gear: A Beginner's Guide

...A musician is ever dependent on their gear. This is particularly true of guitarists, as the popularity of the instrument has resulted in an immense amount of guitar gear that musicians must be aware of. Innovations for the electric guitar over the past few decades are numerous and impact everything from the playability of the instrument to the sound that it creates.     There are many pieces of gear that musicians don’t even consider when they begin playing the instrument. Some of these are requisite while others, such as straps, simply make the guitar easier to play. Because every player has a different playing style ... Read More

Suzuki Practice: A Daily Event

...you to play all the “Twinkle” variations in fifth position. You take something you can do well, and try it in a new way to create a new learned technique.   Nuts and Bolts of Technique Refinement Many teachers – especially at institutes – will have dice that children toss, to figure out how many times they work a technique every day. Other teachers will just say, “How old are you? Okay, you need to practice this (eight) times perfectly every day.” Maybe it sounds daunting – or perhaps it’s easy. But it is important. Doing a technique eight times in a row – perfectly ... Read More

Types of Flutes: The Modern Flute Family

...C flute. The alto flute’s sound can create mysterious, picturesque effects.   The alto flute is popular among recitalists. It has been used to accompany singers, and since the 19th century, it has been used in solo and chamber music, as well as orchestral works. The Bass Flute The least known and least played of the flute family, the bass flute has an obscure reputation, but certainly isn’t a type of flute to overlook. The bass flute sounds a full octave lower than the C flute and has a full, round sound.   The bass flute has always been a novelty. Partially this is ... Read More
Warner Bros. and Classical Music: The Anti-Fantasia Movement
Parts of an Opera: A Quick Beginner's Guide
Guitar Gear: A Beginner's Guide
Suzuki Practice: A Daily Event
Types of Flutes: The Modern Flute Family

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