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Featured Music Teachers Near Baltimore, MD

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Here are just a few of the many teachers offering Music lessons in Baltimore . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Brittany M

Instruments: Voice

For beginning students I stress the importance of reading music, so I heavily work on their rhythmic and melodic vocabulary. I am not set on a particular methods book because I am a firm believer that all students learn differently and some methods work better for some than others. I like to be adaptive in my teaching and mold my lessons to fit the needs of each individual student. Read More

Robert L

Instruments: Drums Mallet Percussion Orchestral Percussion Conga Latin Percussion Djembe

Nothing is more important to me than seeing my students develop not only their skills as a player but also true passion for music. Whether I'm working with a youngster or an adult, I always employ a kind, encouraging and patient teaching style. First and foremost, I aim to create a fun and relaxed learning environment. When a student is hitting a wall with a particular skill, I will then move on to something else, to then return to the skill after giving the student a mental break. Read More

William W

Instruments: Piano Organ

Greetings! My name is Bill Wisnom, and I have been a musician for the vast majority of my life. I began studying piano at the age of 11, and was later accepted into the Peabody Preparatory at the age of 14. I spent my teenage years devoted to a life of practice and performance with the intention of entering university as a piano major. At the age of 17, I began studying organ, and was later accepted into the undergraduate program at the Eastman School of Music, Rochester, NY. Read More

Steven G

Instruments: Piano Trumpet Trombone Euphonium French Horn

My professional experience includes trumpet with the Annapolis Symphony Orchestra, the Baltimore Chamber Orchestra, and the Fabulous Fifties Big Band. My professional teaching experience started in 1986 with teaching students one-on-one. My students have achieved lifelong skills on piano, brass, woodwind, and guitar. I teach in my studio and I travel to family homes. I teach classical, jazz, and gospel music styles. Combining instruction with performance and additional auditions will compliment any student's music experience. Read More

Katrina K

Instruments: Flute

I typically start beginners with the Rubank method, as it contains a good balance of fundamentals, technical exercises, and fun, tuneful melodies. Particularly when working with children, I supplement this with my own devices, including flash cards and various learning games. I gradually incorporate solo material as appropriate. While I personally am primarily a classical musician, I make a point of including any style that is of special interest to the student in order to make music as enjoyable and relatable as possible. Read More

Daniel S

Instruments: Trombone

Dan tries to build a relationship with his students that fosters respect. His students know that he respects them and supports them, but also know and understand his expectations. His goal is to build a relationship that motivates the student to progress while still enjoying the learning process. Read More

Katie A

Instruments: Flute Piccolo

I have been teaching privately for over ten years. I have taught all levels and ages over the years, including a few adults. During my five years at Play On Philly, an after school music program, I taught small group flute lessons and coached/arranged music for small chamber groups. I have also worked for Symphony in C Youth Orchestra, coaching weekly sectionals and playing in the orchestra with students. Read More

Teacher In Spotlight

Roger F

Instruments: Guitar Bass Guitar Ukulele Electric Guitar Classical Guitar Acoustic Guitar

What advice do you have about practicing effectively?
First of all, practicing out of a sense of obligation is a dead end. The internet is filled with articles and interviews of some of the greatest musicians of our time and virtually all of them agree on this point. Practice needs to have a sense of excitement and freshness. Of course, there are aspects of practice that are challenging and sometimes repetitive and no musician can entirely avoid those. However, our main motivation for practicing music needs to flow out of inspiration and love for what we're doing. So, incorporating a sense of play is important in any practice session. It is paramount to allow periods of practice, particularly the beginnings of practice sessions, to contain free-form exploration of the instrument in the form of improvisation, exploring the sound possibilities of the instrument, and anything that sparks the curiosity and imagination of the musician.

How do I know if my child is ready to start lessons?
When your child is nagging you over a period of many months to buy them the instrument of their choice, that is generally the surest indicator that they are ready to start lessons. If they have already established musical interests, especially under the age of ten, that is a bonus. Usually, children under the age of ten experience obstacles to learning the guitar because of motor-skill development issues. This is not such a big deal, as the years before the child's hands and body catch up with their interest, can be used to explore music and develop their interests. This is a vastly underestimated and critically important part of the development of any musician. Making progress on an instrument becomes much easier when the interests of the student are already well established.

When will I start to see results?
There is no way to answer this question other than to say that it depends on the student. The factors are so varied, including age, musical interests, physical ability, personality type, and others, that the outcome is impossible to predict. Any other answer is misleading at best and disingenuous at worst. Also, I am uncomfortable with the implications of the questionl. After all, how do we define "results"? Is our idea of results being able to play certain pieces of music by certain points? Being performance ready after a certain period of time? If so, we are almost certainly setting ourselves up for frustration and disappointment, even if we achieve the goal we have set for ourselves. If our idea of seeing results involves enjoying ourselves from the very first lesson and taking pride in whatever we are able to accomplish, then results come immediately. Those are the kinds of results I strive for and I find that this kind of less goal-oriented approach paradoxically produces better results, in terms of practical outcomes.

Have any of your students won awards or been selected for special honors? How have they succeeded?
I have a number of former students who are now performing and teaching professionals. A former student of mine recently graduated from the University of Maryland at Baltimore County's jazz guitar program and has become an outstanding guitarist and musician. Another former student now tours regularly with his band and has been doing so for years. I have had students who went on to successful teaching and performing careers, at the School of Rock and at Music and Arts Center in particular. Beyond that, I've had students who developed themselves in ways they wouldn't have thought possible before they started.

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