Music Lessons in Philadelphia, PA

Instruments: Piano Voice

Ever since I can remember, I've been singing and learning everything I can about music. I studied composition at Haverford College, where I led a number of vocal ensembles and music directed several musical theater productions. While at Haverford, I toured colleges on the East Coast with my male-voiced a cappella group, and I also toured both Mexico and Germany with the Chamber singers of Haverford and Bryn Mawr Colleges. Read More

Instruments: Trumpet Trombone

My approach to teaching varies with every student a come across. I try to get a good grasp of their strengths and weaknesses while also identifying their nature gifts. All musicians have unique abilities and ways of expressing their talents. I am very much open to artistic freedoms and catering to different approaches for each individual student. I strive to facilite resources to allow my students to set realistic goals for themselves. Read More

Instruments: Flute Piccolo

This is where I was encouraged to experiment with the merging of music with other artforms. During her time here is where Maya was able to commission and collaborate with composer Christina George where they combined my two passions, flute and dance, to create and still and still, a work for flute, electronics, and dance, which was premiered at The Longy School of Music in April 2022. I have studied flute privately with Georgie Graybill, Robin Kani, Dr. Read More

Instruments: Voice

When I first start working with students, I strictly work on warmups for a few lessons. The first lesson is usually when students get their jitters out about singing in front of someone and learn that I'm really not a scary person. I also get to know where their voice sits, what is beautiful about their voice and what we could work on. Once there is comfort between myself and the student, I will start teaching them technique to create more comfort and ease in their production of tone. Read More

Instruments: Piano

My style is encouraging, easy-going, patient and understanding.  I explain things as many times as necessary in a calm friendly manner since I know students (and all the rest of us) don't remember stuff the first time it is heard—or played—or read. I encourage questions and discussions about practicing, repertoire, performing, and careers. To be sure time is well spent, I'll sometimes say, "Practice this piece just as you would if I were not here."  This way I can offer suggestions for learning pieces and methods more quickly.   Practice time should be a joyful time, full of a sense of accomplishment, and I am especially keen to help make this so for all students. Read More