Musika Quick Stats
25 Years
Since We Started
41,456+
Happy Customers
10,769
Cities with Students
3,123
Teachers in Network
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Here are just a few of the many teachers offering Music lessons in San Diego . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!
Instruments: Voice
I love sharing what I've learned about singing through my decades as a Professor at Berklee College of Music, Boston. Berklee is the #1 college that teaches Commercial Music (mostly Jazz and Pop). Currently I sing a combination of pop and classical in church as well as teach fitness in Encinitas. I have written books on singing and American diction as well as having recorded with symphonies and jazz bands. My studio includes a computer, printer, BOSE P.A. as well as capability for playing CD's or cassette tapes, and of course, my piano. Read More
Instruments: Drums Latin Percussion
Music has been my number one passion since childhood. I discovered the snare drum in my third grade music class, and I knew there was no turning back. It was around that same time I knew I wanted to be a teacher. I am currently obtaining my associates degree in music. I have been performing professionally and teaching around southern California for the last ten years. I am an active session musician and perform on national and international tours. Read More
Instruments: Piano Organ
We work together to learn how to practice, and how to play, whatever music you like. I can help you find music that you enjoy, and for some students I create new arrangements of songs they like, at their level. I also have composed pieces that sometimes help the learning. I try very hard to show you how to practice. Instead of focusing on whether a mistake was made (you will know that!), I like to focus on the proper form and technique of playing. Read More
Instruments: Piano Voice Violin
Although I began my musical career in the Suzuki method, I intentionally balance the ear-training approach of that method with music theory to create well-rounded musicians. My students will learn how to sight read music, improvize their own melodies, perform in an ensemble (chamber and/or orchestral) and master the art of performance with a solid foundation in music theory. I generally start off with Suzuki repertoire for beginning students, but supplement that with scales, positions exercises, dexterity exercises, and sight-reading material. Read More
Instruments: Guitar Bass Guitar Electric Guitar Acoustic Guitar
I've found that the most effective way to teach fundamentals is to do it within the context of my students' favorite songs. This provides instant gratification as the student is able to play something they know and like while at the same time they're learning the techniques they'll need for more complicated challenges in the future. For younger students who haven't developed their own taste in music yet I introduce them to songs of many different styles so that they can start to determine where they want to go musically in the future. Read More
Instruments: Drums
For younger students with no sight reading experience, I will typically start of with Ted Reed's book Syncopation. This book starts the student off with a very basic music notation vocabulary. This vocabulary is often quickly absorbed so that the student may proceed to more complicated musical words or phrases. Proficient sight reading skills are hugely important to the Drummer, as well as any other musician who will strive to succeed. Read More
Instruments: Guitar Voice Music Acoustic Guitar
I have been teaching and performing music for over 20 years. As a performer, I have sang Opera and recitals in many different cities inside the United States and in Colombia, Ecuador and Argentina. As a music teacher, I have taught in Los Angeles, Orange County and San Diego, California as well as Phoenix and Tucson, Arizona I have conducted several choirs, at school and church. I have also directed musicals and Operas such as Jesus Christ Superstar, La Boheme, Luisa Fernanda and segments of Don Gionanni. Read More
Instruments: Trombone
Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
I use specific methods such as etude books, and tuning drones. Arbans work well too, and just simple songs will always get the job done as well!
What do you think is the hardest thing to master on your instrument?
Musicality (Phrasing). You need a sense of maturity to understand what makes something sound vocal. Everyone can master the technique, but it's especially unique to find someone who mastered the music.
What musical accomplishments are you most proud of?
It's a tie between winning my audition as 2nd trombonist with the Fort Wayne Philharmonic, and my first time subbing with the Chicago Symphony Orchestra.
Have any of your students won awards or been selected for special honors? How have they succeeded?
Yes, one of my students won 1st place in a solo competition, and placed as the 1st (principal) trombonist in the Chicago Youth Symphony Orchestra.
Why did you choose your primary instrument?
I had an i-SPY book with a page of all the brass instruments, and I like all of them very much, but I was really drawn to the trombone because of the slide. I was sold.
Did you have a teacher that inspired you to go into music? How did they inspire you?
I was always inspired myself, and i've know since I was young that I wanted to play the trombone. I did have MANY great teachers along the way that I can't thank enough.
What advice do you have about practicing effectively?
Understand how you want to sound first, and then go as slowly as you need to, to achieve the sound you want. Remember to have fun as well!
How do I know if my child is ready to start lessons?
Anyone can start lessons at anytime. It's usually more helpful when a student has a fiery passion for playing a specific instrument and getting better at it.
When will I start to see results?
At the same rate you see your haircut. Patience is really needed to grow at your instrument, because you won't see growth immediately, but when you look back in time, you'll clearly see improvement.
What does a normal practice session look like for you?
Warm-up, and hitting all of the fundementals. It's always good to check high, low, loud, soft, fast, slow, phrasing, technique, intonation, sound, articulation, and to listen! I always consider listening to count towards your practice!
If you have a Music Degree, what is it in (Performance, Education, Musicology, Theory, Composition, etc) and why did you choose that degree?
I have two music degrees in performance. While I was in that degree, I took classes in education as well. I chose performing because that's what kept me going the whole time. I love performing and listening to others perform.
What is your dream piece to perform and why?
I love Respighi, he is my favorite composer, and I can't tell you exactly why I like his music, but I connect to it. I like pretty much all of his music, but I especially like his Pines of Rome, and Fountains of Rome.
If you weren't a musician what do you think you'd be doing instead?
I can't see myself doing anything else. If I had to do something else, it might be related to animals because I am a huge dog lover.
What is your favorite style/genre of music to play and why?
Classical, but not your standard Mozart/Beethoven. I like the "heavy metal" version of classical music: Shostakovich, Prokofiev, Bartok, Tchaikovsky. I Do really like Bach as well!
If you play more than one instrument, how did you decide to start playing the second? (Or 3rd, 4th, 5th, etc)!
I started playing the piano, but it never really was something I enjoyed studying. I then moved to guitar and quickly to bass guitar. Bass guitar was a lot of fun for me, and it wasn't until I started trombone where I knew that was the one that would stick.
Does music run in your family? Tell us a little about your musical family members.
Music barley runs in my family, although I do have a cello playing aunt who is a professional music teacher, and her uncle was a famous percussionist with the New York Philharmonic.
When did you decide to become a professional musician? Was it a gradual decision or was there a defining moment for you?
I didn't really decide. My band director mentioned that I should pursue performing professionally when I was in 9th grade, and my private trombone teacher really pushed me to be a trombone performer when I was in 10th grade.
25 Years
Since We Started
41,456+
Happy Customers
10,769
Cities with Students
3,123
Teachers in Network
Trusted as the industry leader, for over 21 years the teachers in our network have been providing Music lessons in San Diego to students of all ages and abilities.
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