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Featured Music Teachers Near San Diego, CA

4316   5 STAR Musika Reviews

Here are just a few of the many teachers offering Music lessons in San Diego . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Adam B

Instruments: Guitar Bass Guitar Electric Guitar Acoustic Guitar

I've found that the most effective way to teach fundamentals is to do it within the context of my students' favorite songs. This provides instant gratification as the student is able to play something they know and like while at the same time they're learning the techniques they'll need for more complicated challenges in the future. For younger students who haven't developed their own taste in music yet I introduce them to songs of many different styles so that they can start to determine where they want to go musically in the future. Read More

William M

Instruments: Guitar Electric Guitar Classical Guitar Acoustic Guitar

Because of my diverse musical training, I excel in creating custom lesson-plans to help each student reach their goals. For younger students who have don't such specific goals, I can engage and fuel their passion for music by my experience-based methods that emphasize technique, familiar songs and theory. I am patient and encourage creativity and growth in lessons. Every-person has a different learning style and I am quick to discover how to identify that for my students. Read More

Britta K

Instruments: Piano

I'm an independent and hard working woman who loves music and working with students. I graduated from San Diego State University with a desire to work with children, and at some point my path led me a different way. I had the opportunity to meet Michael Cavanaugh and was shown how much music influenced my life. I kept in touch with him recently, which was the one thing that motivated me to get back into teaching. Read More

David R

Instruments: Piano Guitar Drums Bass Guitar

For beginning students, I usually like to start with figuring out their goals. This can be anything from wanting to learn a song, compose music, or simply just figure out some chords to play at a bonfire or social gatheirng. From there we'll look at the fundamentals (what it takes to play a song), and work one step at a time introducing music theory and technique to make it more enjoyable and less confusing. Read More

Mariantonia L

Instruments: Piano Voice Violin Cello Double Bass Keyboard

Ive been teaching for the last four years and absolutely love it. Every student is so different and I love working with each student to approach music in a unique way, whatever their learning style may be. Since I have a broad background of performance in various instruments and styles, I think it is very important to support whatever musical interests my students have or wish to develop. To me, it is very important to really listen to what my student wants and figure out a way to help reach those musical goals together. Read More

Hiroko Y

Instruments: Piano Voice Keyboard

When I teach, I try to make students learning simple and easy as possible. I will not make it more complicated. I am here to help/make it easier after all. I will also inspire and encourage student to learn and get better by demonstrating. I am the cheer leader for my students and we learn together. I am patient and supportive. Sometimes, I get very surprised how my students improved so fast. Read More

Joyce L

Instruments: Voice

There are two major philosophies I've uncovered when teaching lessons. 1. The use of descending lines to erase the "break" in ones voice. Early while studying, myself, I was taught to sing ascending, trying to maintain the same sound - this is defeating. Rather, bringing the top down is the "way to go." 2. Keeping the sound forward makes changing from one vowel to another quite easy and palpable. We generally begin by humming, getting vibrations away from the throat and into the front of the mouth. Read More

Teacher In Spotlight

Brian J

Instruments: Trombone

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
I use specific methods such as etude books, and tuning drones. Arbans work well too, and just simple songs will always get the job done as well!

What do you think is the hardest thing to master on your instrument?
Musicality (Phrasing). You need a sense of maturity to understand what makes something sound vocal. Everyone can master the technique, but it's especially unique to find someone who mastered the music.

What musical accomplishments are you most proud of?
It's a tie between winning my audition as 2nd trombonist with the Fort Wayne Philharmonic, and my first time subbing with the Chicago Symphony Orchestra.

Have any of your students won awards or been selected for special honors? How have they succeeded?
Yes, one of my students won 1st place in a solo competition, and placed as the 1st (principal) trombonist in the Chicago Youth Symphony Orchestra.

Why did you choose your primary instrument?
I had an i-SPY book with a page of all the brass instruments, and I like all of them very much, but I was really drawn to the trombone because of the slide. I was sold.

Did you have a teacher that inspired you to go into music? How did they inspire you?
I was always inspired myself, and i've know since I was young that I wanted to play the trombone. I did have MANY great teachers along the way that I can't thank enough.

What advice do you have about practicing effectively?
Understand how you want to sound first, and then go as slowly as you need to, to achieve the sound you want. Remember to have fun as well!

How do I know if my child is ready to start lessons?
Anyone can start lessons at anytime. It's usually more helpful when a student has a fiery passion for playing a specific instrument and getting better at it.

When will I start to see results?
At the same rate you see your haircut. Patience is really needed to grow at your instrument, because you won't see growth immediately, but when you look back in time, you'll clearly see improvement.

What does a normal practice session look like for you?
Warm-up, and hitting all of the fundementals. It's always good to check high, low, loud, soft, fast, slow, phrasing, technique, intonation, sound, articulation, and to listen! I always consider listening to count towards your practice!

If you have a Music Degree, what is it in (Performance, Education, Musicology, Theory, Composition, etc) and why did you choose that degree?
I have two music degrees in performance. While I was in that degree, I took classes in education as well. I chose performing because that's what kept me going the whole time. I love performing and listening to others perform.

What is your dream piece to perform and why?
I love Respighi, he is my favorite composer, and I can't tell you exactly why I like his music, but I connect to it. I like pretty much all of his music, but I especially like his Pines of Rome, and Fountains of Rome.

If you weren't a musician what do you think you'd be doing instead?
I can't see myself doing anything else. If I had to do something else, it might be related to animals because I am a huge dog lover.

What is your favorite style/genre of music to play and why?
Classical, but not your standard Mozart/Beethoven. I like the "heavy metal" version of classical music: Shostakovich, Prokofiev, Bartok, Tchaikovsky. I Do really like Bach as well!

If you play more than one instrument, how did you decide to start playing the second? (Or 3rd, 4th, 5th, etc)!
I started playing the piano, but it never really was something I enjoyed studying. I then moved to guitar and quickly to bass guitar. Bass guitar was a lot of fun for me, and it wasn't until I started trombone where I knew that was the one that would stick.

Does music run in your family? Tell us a little about your musical family members.
Music barley runs in my family, although I do have a cello playing aunt who is a professional music teacher, and her uncle was a famous percussionist with the New York Philharmonic.

When did you decide to become a professional musician? Was it a gradual decision or was there a defining moment for you?
I didn't really decide. My band director mentioned that I should pursue performing professionally when I was in 9th grade, and my private trombone teacher really pushed me to be a trombone performer when I was in 10th grade.

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