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Featured Music Teachers Near San Diego, CA

4347   5 STAR Musika Reviews

Here are just a few of the many teachers offering Music lessons in San Diego . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Phoebe Z

Instruments: Piano Keyboard

I like to first get a sense of what the student is hoping to achieve, whether it be learning how read music, having the skills to impress family and friends, or gaining advanced technical and musical skills. Then, I'll ask about the student's previous experience, learning style, and how much time they're willing to dedicate to learning piano. Afterwards, I'll come up with a plan and discuss it with the student and/or parent and go from there. Read More

Portia B

Instruments: Piano

I would teach my lesson on top of my lesson plans. As a teacher, writing lesson plans is an important factor of keeping the lesson organized. The lesson also depends a lot on the students' learning pace and hard work. I will take time to get to know the students and to find out their different learning style(visual, aural or kinetic. )I will set a detailed goal and plan for my students and keep track of their progress and measure our weekly target accordingly. Read More

Rebecca L

Instruments: Piano Voice Ukulele

I have been singing in choirs since I was in the sixth grade. My high school and college choirs, under the direction of Robert Istad and John Tebay, have given me the opportunities to sing for performances at the Hollywood Bowl, Greek Theater, Staples Center, Nokia Theater, and the Honda Center. I have had the privilege to perform with a variety of artists such as Andrea Boccelli, Beck, John Williams, Grizzly Bear, and Eric Whitacre, as well as perform with the LA Philharmonic and the Pacific Symphony. Read More

Betsy F

Instruments: Voice Violin Viola

Vocal students are encouraged to pick songs from whatever genre sparks their interest.  With violin and viola I use the suzuki method of training and follow the books and lessons, and I use other books to supplement scales/technique.  If a student already has musical literature I am very open to using that to build a specific curriculum for that student. Read More

Phoebe S

Instruments: Voice Violin Viola Ukulele Mandolin Electric Violin Fiddle

I am extremely enthusiastic! Nothing is more rewarding to me than to see my students embrace their love of music, on their own terms. I am a flexible, versatile teacher and am always thinking on my feet. I like to encourage students to set their own goals with my guidance and strive to empower my students with their own sense of musical autonomy. I believe that the more a student is encouraged and empowered to follow their own musical interests, the deeper their commitment to practicing and growing will be! Read More

Matthew G

Instruments: Drums

For younger students with no sight reading experience, I will typically start of with Ted Reed's book Syncopation. This book starts the student off with a very basic music notation vocabulary. This vocabulary is often quickly absorbed so that the student may proceed to more complicated musical words or phrases. Proficient sight reading skills are hugely important to the Drummer, as well as any other musician who will strive to succeed. Read More

Olivier M

Instruments: Piano Guitar Bass Guitar

i am a passionate and motivated instructor who loves working with students and sharing my love of music. in 2018, I garduated from California State University San Marcos with a Bachelor of art in arts Performing arts and Minor in Music Technology. Performing in France and San diego has been one of the greater experiences of my life as a musician, and i've had the oppotunity to play gigs as a guitarist and bass player in multiple Local Band. Read More

Teacher In Spotlight

Brian J

Instruments: Trombone

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
I use specific methods such as etude books, and tuning drones. Arbans work well too, and just simple songs will always get the job done as well!

What do you think is the hardest thing to master on your instrument?
Musicality (Phrasing). You need a sense of maturity to understand what makes something sound vocal. Everyone can master the technique, but it's especially unique to find someone who mastered the music.

What musical accomplishments are you most proud of?
It's a tie between winning my audition as 2nd trombonist with the Fort Wayne Philharmonic, and my first time subbing with the Chicago Symphony Orchestra.

Have any of your students won awards or been selected for special honors? How have they succeeded?
Yes, one of my students won 1st place in a solo competition, and placed as the 1st (principal) trombonist in the Chicago Youth Symphony Orchestra.

Why did you choose your primary instrument?
I had an i-SPY book with a page of all the brass instruments, and I like all of them very much, but I was really drawn to the trombone because of the slide. I was sold.

Did you have a teacher that inspired you to go into music? How did they inspire you?
I was always inspired myself, and i've know since I was young that I wanted to play the trombone. I did have MANY great teachers along the way that I can't thank enough.

What advice do you have about practicing effectively?
Understand how you want to sound first, and then go as slowly as you need to, to achieve the sound you want. Remember to have fun as well!

How do I know if my child is ready to start lessons?
Anyone can start lessons at anytime. It's usually more helpful when a student has a fiery passion for playing a specific instrument and getting better at it.

When will I start to see results?
At the same rate you see your haircut. Patience is really needed to grow at your instrument, because you won't see growth immediately, but when you look back in time, you'll clearly see improvement.

What does a normal practice session look like for you?
Warm-up, and hitting all of the fundementals. It's always good to check high, low, loud, soft, fast, slow, phrasing, technique, intonation, sound, articulation, and to listen! I always consider listening to count towards your practice!

If you have a Music Degree, what is it in (Performance, Education, Musicology, Theory, Composition, etc) and why did you choose that degree?
I have two music degrees in performance. While I was in that degree, I took classes in education as well. I chose performing because that's what kept me going the whole time. I love performing and listening to others perform.

What is your dream piece to perform and why?
I love Respighi, he is my favorite composer, and I can't tell you exactly why I like his music, but I connect to it. I like pretty much all of his music, but I especially like his Pines of Rome, and Fountains of Rome.

If you weren't a musician what do you think you'd be doing instead?
I can't see myself doing anything else. If I had to do something else, it might be related to animals because I am a huge dog lover.

What is your favorite style/genre of music to play and why?
Classical, but not your standard Mozart/Beethoven. I like the "heavy metal" version of classical music: Shostakovich, Prokofiev, Bartok, Tchaikovsky. I Do really like Bach as well!

If you play more than one instrument, how did you decide to start playing the second? (Or 3rd, 4th, 5th, etc)!
I started playing the piano, but it never really was something I enjoyed studying. I then moved to guitar and quickly to bass guitar. Bass guitar was a lot of fun for me, and it wasn't until I started trombone where I knew that was the one that would stick.

Does music run in your family? Tell us a little about your musical family members.
Music barley runs in my family, although I do have a cello playing aunt who is a professional music teacher, and her uncle was a famous percussionist with the New York Philharmonic.

When did you decide to become a professional musician? Was it a gradual decision or was there a defining moment for you?
I didn't really decide. My band director mentioned that I should pursue performing professionally when I was in 9th grade, and my private trombone teacher really pushed me to be a trombone performer when I was in 10th grade.

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