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Featured Piano Teachers Near Tempe, AZ

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Here are just a few of the many teachers offering Piano lessons in Tempe . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Michael G

Instruments: Piano Voice Trumpet Trombone Saxophone Flute Clarinet Drums Recorder Euphonium French Horn Tuba Mallet Percussion Oboe English Horn Keyboard

I am dedicated, persistent, and reliable. I am willing to learn and keep learning for the advancement of myself and my students. A well-rounded appreciation for music as well as critical listening and ear-training skills will be taught.  I also maintain a pretty fast paced lesson, enabling the student to have plenty of practice material, technique studies, and goals to meet. I will record the student's progress electronically so that the student may better understand and learn from their lessons. I will inspire my student’s, positively influencing and encouraging them along our journey of musical discovery. Read More

Tori R

Instruments: Piano Violin Viola

I began teaching private lesson while in high school. It was during that time that I developed a love and passion for teaching music. Over the years, I have learned that each student is unique in how they learn and what they need. So I like to help each student learn in ways that are meaningful for them. Usually that means I take slightly different approach to teaching concepts to each student. Read More

Shirley H

Instruments: Piano

Teaching experience: Shirley has taught lessons for the Institute of Music Education in Scottsdale and Milano's in Mesa. She is willing to teach children at a minimum age of 5 years old, teens, and adults of all ages. In addition, to learning songs, she initiates exercises to improve her students technical skills and chord / scale knowledge which will give each student a solid foundation for growth potential. She can also help with performance suggestions, songwriting, music theory, sight-reading etc. Read More

Rich E

Instruments: Piano Saxophone Flute Clarinet

I have been playing music for as long as I can remember and teaching it since high school. In 2012, I graduated from Temple University in Philadelphia, PA with a Bachelors degree in Music Education with a dual focus in Jazz Studies. During that time, I had the chance to perform with artist like Branford Marsalis, Benny Golson, Nicolas Peyton and the renowned Village Vanguard Jazz Orchestra. After graduating, I moved to Arizona to begin working as a band and general music teacher in the Phoenix area. Read More

Megan G

Instruments: Piano Voice Saxophone Flute Clarinet

I began teaching private lessons during my summers off from college, just a few students at a time.  Since beginning my teaching career, my focus has shifted slightly to group piano classes, while still teaching privately after school.  I have been a student of private instruction since the age of three, and my experiences in my private lessons have shaped the way I structure my own lessons for students.  I firmly believe that my students need to not only study solo repertoire, but also that they spend some time every week focusing on technical exercises to solidify their musical foundation. Read More

Christian R

Instruments: Piano Guitar Drums Bass Guitar Electric Guitar Acoustic Guitar

Hey there! So my name is Christian, I am a 23 year old musician from Anchorage, Alaska! Music has been life since I was 9 years old. I wanted to be in a band so badly that I decided to learn all the instruments I could as well as produce my own music. I have been playing shows in the Phoenix area since I was 14 including Warped Tour, The Marquee Theatre and so many more venues around the area. Read More

Teacher In Spotlight

Elizabeth R

Instruments: Trumpet

What do you think is the hardest thing to master on your instrument?
On trumpet, the hardest thing to master is blowing through a phrase. What I mean by this is keeping a steady air flow and not changing your air flow up and down due to the notes you are playing in what range. Flexibility studies and Stamp as well as Hood warmups in particular help with this. The next thing that is most difficult is playing quietly with a good tone. A great way to practice for this is by playing Clarke 1,2,3,4,5 at a very low volume. Pair this with flow studies, and mastering Small and Arbans etudes will certainly help sustain a steady air flow.

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
Of coarse! A trumpet player’s best friend are their method books. The most well-known trumpet method books include Arbans and Clarke studies. These are great for fingering exercises, etudes, and a really great way to work up towards the trumpet player you want to be. Irons is great for flexibility, Small for etudes, Caruso for kinestetics, Schlossberg for etudes which are wonderful for beginners; and you can’t go wrong with Chicowitz for long tones - which of coarse improve your tone. These books belong in every trumpet players’ collection.

What does a normal practice session look like for you?
I begin with breathing exercises and move to mouthpiece buzzing. I use the Boyd Hood mouthpiece drills corresponding on piano then with my mouthpiece; resting the same amount as playing. I move onto Chicowitz long tones and then Stamp warmups. I make sure to not overplay and rest just as much as I play. I move onto technical studies - including Irons flexibilities, Clarke technical studies and etudes, and etudes from either Schlossberg, small, or Arbans - depending on what I’m working on that week. After than I normally take about a 30 minute break then I work on my literature. Last, I warm down by playing low long tones included in the Stamp warmups.

If you have a Music Degree, what is it in (Performance, Education, Musicology, Theory, Composition, etc) and why did you choose that degree?
I have a Bacholer of Arts in Music - concentration trumpet. I chose this degree to teach private lessons as well as perform gigs and I will eventually obtain my masters degree in either Musicology, Theory, Performance, or Composition. I like to keep my options open so that is why I have chosen some wiggle room for what I’m going to graduate school for. For now in this transition between undergrad and grad school, I want to teach lessons full time and continue practicing and playing gigs. I plan on attending UNT or UTA for graduate school.

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