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Featured Piano Teachers Near Antioch, CA

4221   5 STAR Musika Reviews

Here are just a few of the many teachers offering Piano lessons in Antioch . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Jorge S

Instruments: Piano Guitar Violin Cello Viola Bass Guitar Organ Ukulele Electric Violin Music Keyboard Electric Guitar

I always start a lesson with a new student by assessing their current skill level. If the student already has a certain curriculum they are working on, I usually have them pick up from where they left off so I can see where we're at. Taking things into consideration like intonation, posture, dynamics, form etc., I either assign a new curriculum or continue on. My lessons usually consist of 3 books: a scale book, an etude book, and a leveled song book like the Suzuki method. Read More

Lauren G

Instruments: Piano Voice Clarinet

When I was ten, I made the decision that whatever career I chose, I needed it to allow me to help people. As I got older and discovered that music was the thing I most wanted to do in this life, teaching voice and piano became the vehicle I needed to keep doing music as well as help people, like I wanted. In training my voice classically, I had the very best instructor who taught me how to sing the healthy way. Read More

Richard Max H

Instruments: Piano Clarinet

I am a passionate and motivated music instructor who loves working with students and sharing my love of music. My greatest happines is seeing students learn, grow and develop a deep love of music and learning. Music Director at 1st Trinity Lutheran Church and Instuctor with Musika. Lessons in piano, performance, technique, theory, music arranging and composition. Prepared young teenager for successful career in composition for National Geographic and Hollywood Films. Read More

Jack C

Instruments: Piano Saxophone Flute

Various styles: Big Band Jazz, R B/Gospel, Salsa, pop rock, ska circus pit band. Also extensive session work in Los Angeles; soundtrack and album projects. Read More

Jacob P

Instruments: Piano Guitar

I'm a multi-instrumentalist, improvisor, composer and educator who takes great joy in teaching and sharing music with people of all ages. I've been deeply fortunate to have studied closely with multiple master musicians of various traditions. Perhaps the teacher who has had the deepest impact on my teaching methods is W.A. Mathieu, former arranger and bandmember of the Duke Ellington and Stan Kenton orchestras. I studied with Mathieu for three years. Read More

Yehoshua J

Instruments: Piano Guitar Voice Drums Bass Guitar Organ

For beginner students who are pursing music on the tonal instruments, I typically start with learning the names of the notes on the instrument and the major scale in every key as it relates to the piano. For the bass guitar I start of with basic finger strength techniques and exercises while incorporating the major scale fingering form and Nashville numbering system for all tonal instruments. For voice, I start off by finding the range of the individual and then teaching warmup techniques while building the individuals technique through finding a song and learning how to sing along.  Read More

Christian M

Instruments: Piano Trombone Euphonium Tuba Keyboard

For all students my primary focus is tone and sound production and going from there I usually have beginning students start on the standard of excellence books, these books usually go hand in hand all the way up to the end of junior high school For more advanced students I have them use the Arban's Method for Trombone/Euphonium, Melodius Etudes by Rochut, and any solo or ensemble piece which fits their current level. Read More

Teacher In Spotlight

Michael T

Instruments: Drums

What is your dream piece to perform and why?
Just about any Pink Floyd song!

If you weren't a musician what do you think you'd be doing instead?
I would likely be teaching another subject. I absolutely love teaching.

What does a normal practice session look like for you?
I typically would warm up and start by locking into a metronome. I then usually loosen up with stick control and rudiment based exercises. Next, I work on new concepts, songs, and styles; with a great deal of repetition.

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
For very young students, I typically start with the Hal Leonard Book, Drums for Kids. For older or slightly more experienced students, I start with exercises that cover: Fundamental drum patterns, phrasing, and fills. When the student can show that they have a grasp of the fundamentals, we then typically move on to more challenging concepts, including: Sound source (voicing) exercises, note subdivision exercises, more challenging books, and (last but not least) songs. All of the above is supplemented and reinforced by two great books called: Stick Control for the Snare Drummer, and Syncopation for the Modern Drummer. Those two books are great for developing control, proper articulation (stick rebound), coordination, and sight reading skills. For more advanced students, I would typically jump directly into songs and styles; along with concepts that are generally more advanced (i.e. polyrhythms, strange time signatures, and independent coordination).

What do you think is the hardest thing to master on your instrument?
On the drum set, orchestration is often the trickiest to master. Orchestration could be seen as how a drummer can make each part of the drum set speak, in a relative way.

Have any of your students won awards or been selected for special honors? How have they succeeded?
I am very proud of a student who recently was selected to join, Camp Chase Drum and Fifes. This is an extremely selective group of Civil War reenacting musicians.

Why did you choose your primary instrument?
I showed a sense of rhythm from a young age. My ears naturally hone in on the percussion instruments.

What musical accomplishments are you most proud of?
I am very proud to have performed at many of the major venues, in the Detroit metropolitan area. Most notably one of my groups opened for the legendary Jazz-Funk group, The Headhunters. This group was formed by the amazing Herbie Hancock!

How do I know if my child is ready to start lessons?
In my humble opinion, if the child shows genuine enthusiasm for the instrument.

When will I start to see results?
In my experience, that is largely dependent on the students willingness to practice, in a structured and routine way. Usually, the more practice and repetition, the quicker the progress.

Did you have a teacher that inspired you to go into music? How did they inspire you?
Absolutely! I studied under two outstanding teachers, Donnie Gruendler and Darryl Pierce. I learned a GREAT deal through private instruction, and therefore teach through direct experience; by practically applying subjects that improved my playing (i.e. techniques, concepts, and books).

What advice do you have about practicing effectively?
In my experience, structured practice, is most effective. For example, practicing specific concepts and exercises will generally result in quicker progress. While there is something to be said for creative practice, when the student plays any old thing, progress can be much slower; if that unstructured and non-specific route is taken with a practice routine.

What is your favorite style/genre of music to play and why?
I like groove oriented music a great deal. There is nothing like having people dance to your music.

When did you decide to become a professional musician? Was it a gradual decision or was there a defining moment for you?
I decided to begin working as a professional musician, when I was about 20 years of age. It was a gradual process, that represents years of hard work and dedication.

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