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Featured Piano Teachers Near Clearwater, FL

4155   5 STAR Musika Reviews

Here are just a few of the many teachers offering Piano lessons in Clearwater . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Marc P

Instruments: Piano

Im from Dayton Ohio and taught piano and theory lessons at University of Dayton/ Dayton Band Music Store and from my home for many years. Average 40 students per week for a very long period. I have been playing and performing professionally most of my adult life. I am now the music director at St Clement Catholic Church in Plant City Florida. Hope to see you soon. I am looking forward to meeting with you and your family so we can discuss my teaching and professional skills. Read More

Menjalah T

Instruments: Piano Violin Viola

I use multiples methods. One of them is the Susuki method. I consider that is a good method for beginners with a lot of techniques exercises and also includes pieces. For me it is essential that a student learn first all the techniques exercises and then start to create music. After that I started to teach how to respect the essential aspects in a piece: the fingering, the bowing, the dynamics, the tempo and others. Read More

Charlie C

Instruments: Piano Voice Music Keyboard

Since I am also a composer and arranger, I tend to be partial towards the use of my own "homemade" methods.... taking on the idea of composers like Mozart, Beethoven and Schumann (example would be Album of the Young) and writing simple pieces that reinforce specific technical challenges like double thirds, left hand arpeggios, consecutive octaves, pedalling and so on. Sometimes if I have a student that likes Pink Floyd or Eric Clapton, for instance, I will do my best to come up with a simplified version of a particular song using good ole staff paper. Read More

Mickey G

Instruments: Piano Guitar Voice Bass Guitar Double Bass

I started teaching private students for years when I graduated. When I moved to New York I moved to teaching in schools, namely Dr. Trogans School of Music and Bennette Music School over a period of at least 10 years. Now I continue to teach privately in Florida. Read More

Caitlin P

Instruments: Piano Keyboard

I am a passionate and motivated instructor who loves working with students and sharing my love of music. I graduated from King University in 2016 with a degree in Music Education as well as a focus in piano. Music has been my passion and focus since a very young age. I have had various piano performance opportunities. From playing in competition with my 4-H group, playing for my college theater department for their plays, accompanying an elementary choir, performing an hour long solo recital in college, to playing for a City Council event. Read More

Kathryn C

Instruments: Piano Voice Ukulele Recorder Keyboard

Im an educated and traveled musician with a love of teaching and a passion for music. Im a graduate of Anderson University, where I trained in Vocal Performance and Music Education. In my time as a student, I received multiple awards for excellence in Music Theory and Aural Comprehension, and the Univeristy hired me as a tutor for my fellow student musicians. I have performed throughout the US, as well as internationally, and in dozens of languages. Read More

Alison B

Instruments: Piano Voice

For beginning students that are children ages 4-10, I typically use Faber Piano Adventures, using Faber Piano Adventures for Older Beginners usually around 11 yo and up. I also provide outside supplemental technique exercises if I feel they are needed. Once they become proficient in reading music I will begin to add solo repertoire that implements the techniques learned up to that point. For intermediate level students I will assess them first lesson to decide on course direction. Read More

Teacher In Spotlight

Nicholas L

Instruments: Piano Violin Viola

How do I know if my child is ready to start lessons?
The great Suzuki taught through the mother-tongue method. He believed that learning music was similar to learning a language. My view aligns with his philosophy. I believe that students are ready to start learning music as soon as they are ready to begin learning how to speak. The process of learning music is very similar to the process of learning language: trial and error is essential, and mapping the meaning of musical tones is a lot like learning to map the meaning of words.

When will I start to see results?
Results are not about speed. The first thing to understand about music is that almost all of the difficulties are due to not understanding something. If you start from the standpoint that music should be easy, then the only task is learning how to make it easy. In this way, music is a series of exercises in self-exploration. I believe that results can be achieved every time you pick up your instrument. If you try to make it better each time you play, you are learning something. On the other hand, it can take more than a lifetime to master. It ultimately depends upon your goals and your level of determination.

Did you have a teacher that inspired you to go into music? How did they inspire you?
I was very lucky to have good teachers growing up. I started playing the violin before the first grade. My elementary school had a Suzuki program, so I learned how to play by ear for the first four or five years of my training. My elementary school teacher was my first major inspiration because he showed us how good it felt to achieve something. My private teachers, especially my theory teachers, really solidified my interest in music. In particular, my violin teacher in high school played with a major symphony orchestra, and he showed me what the highest level of musicianship looked like.

What advice do you have about practicing effectively?
Practicing effectively is a very subjective experience, but I have a few words of advice. The most important aspect of practicing is realizing that almost every musical issue happens above the shoulders, not below them. In other words, you should approach practicing from the perspective that all difficulties are due to a lack of understanding and not a lack of physical skill. If you start from the assumption that everything should be easy and it is only a matter of figuring out how to make it easy, it is a lot more effective than starting from the standpoint that it should be hard.

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