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Featured Piano Teachers Near Compton, CA

4193   5 STAR Musika Reviews

Here are just a few of the many teachers offering Piano lessons in Compton . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Paul G

Instruments: Piano Guitar Bass Guitar Lap Steel Guitar Ukulele Music Electric Guitar Acoustic Guitar

For me seeing one of my students develop a passion for music is such areward! It is very important that each student progresses at his or her own pace. I am constantly encouraging students to practice as slow as they need to. This eables students to have realistic goals each week that can be attained. It is important to take the time to acknowledge students and their accomplishments. This helps keep the learning fun and energetic. Read More

Cliff D

Instruments: Piano Guitar Voice Drums Bass Guitar Mallet Percussion Orchestral Percussion Conga Latin Percussion

I have been teaching with Musika since 2005, and have been doing private instruction since 1987. I am on the active artist's roster for Cirque de Soleil. I have performed in just about every music venue and university in the Los Angeles area, done a variety of Ivy League tours with Bali and Beyond gamelan ensemble. Read More

Emily S

Instruments: Piano Voice

Music is my life! I'm currently finishing up my Bachelors of Music in Vocal Performance at Portland State, and teaching music in the Portland community. I am also very fortunate to be an active performer. I've sung lead and supporting roles in many musicals and operas, and am thrilled to be a part of the internationally renowned Portland State Chamber Choir. In all of my experience I have found that there is nothing as exciting or rewarding as watching the growth of a student in music. Read More

Amanda S

Instruments: Piano Cello

For younger cello students I love Suzuki book 1- for older students I use Lee. For my piano students I start with Bastien series. I always try to keep my students engaged and lessons positive. If for some reason a student get stuck on a piece of music or they're no longer progressing in a meaningful was I am not opposed to shelving it and moving on to something new. Read More

Adrian G

Instruments: Piano Keyboard

I started teaching at 11. People heard me play, and they wanted their children to learn. I found that I loved teaching and when I went to college I took the pedagogy course. I found it totally inadequate. It did not teach you how to deal with your student or their parents. I want my students to learn and although most will have music as a hobby I want everyone to play the best they possibly can. Read More

Orgena R

Instruments: Piano Voice

With her amazing success, Orgena has enjoyed sharing her knowledge with others and has been teaching voice, life, career and financial coaching successfully since 1993. Finding their voice, her students have gone on live full lives and start fabulous new businesses and careers, land leading roles, tour the world, sing on American Idol and The Voice, win competitions, host their own TV shows and even being recognized by Oprah to appear in O magazine Read More

Matthew S

Instruments: Piano Guitar Trombone Drums Synthesizer Ukulele Orchestral Percussion Latin Percussion Music Keyboard Acoustic Guitar

I approach teaching in layers. Step one leads to step two, we cant skip steps! I find it important that for beginners we follow this structure. More advanced students will be on a case by case basis in regards to where we start. I emphasize imprivisation in every lesson weather it be on drums, piano or trombone. Playing music right off the top of your head, and in the moment is something you can't learn out of a book! Read More

Teacher In Spotlight

Sinclair A

Instruments: Voice

What musical accomplishments are you most proud of?
I am most proud of my performances with the New York and Philadelphia Philharmonic Orchestras. My favorite performance of all was performing Leonard Bernstein's Mass in its entirety. We performed not only with the Philadelphia Philharmonic Orchestra, but also the Temple University Choir, the American Boy's Choir, a marching band, professional singers, and world-renowned conductor Yannick Nézet-Séguin. I am also proud of my college voice recitals in 2015 and 2016. Hearing the progression in my voice and learning the arias/song cycles was an experience I will always remember. These were huge accomplishments for me, as I had never performed a recital prior to these. It was amazing performing in front of friends, family, and teachers.

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
The way I teach comes from the methods first created by Cornelius Lawrence Reid. Reid was a specialist in the style of bel canto, a way of singing to create an open and rich sound. This technique was used in the operatic world for over 800 years, and came back in the beginning of the 1900s from Reid. He wrote two books that further explained the bel canto technique: "A Dictionary of Vocal Terminology" and "Bel Canto Principles and Practices." Reid's technique was further researched and developed by Manuel Garcia II. Garcia was the first person to invent the laryngoscope, which first x-rayed the vocal chords. I learned these techniques from my high school voice teacher, Mr. Lawrence Lohman. I use this technique for my students and immediately hear a change in the sound. The student will also notice an immediate change, due to how open they will feel in the voice and the body compared to prior.

What do you think is the hardest thing to master on your instrument?
One of the hardest things when it comes to singing is to not overthink. Students, usually who are younger, do not understand that how they hear their voice is different than how others around them hear their voice. Even on a recording, it is still not that students true voice. It is easy to overthink and feel that they did something wrong, they cracked on a high note, they did not have enough breath support, etc. Once the student can focus primarily on opening the sound, making sure it feels comfortable, and in singing the correct segment, the overthinking will stop. This will take time, but they will overcome it!

Why did you choose your primary instrument?
I have always loved to sing. I remember wanting to perform ever since I was a child. I would write my own songs and sing them in front of friends and family. As I grew older, I found singing was a way to relax me and provide me with great joy. I found that singing, along with playing guitar and piano, was a fun way to continue with song writing. I felt it was more than just a hobby for me. Once I started voice lessons, hearing my progress further thrilled me for performing. To this day, singing and teaching others to sing is the highlight of my life.

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