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Featured Voice Teachers Near Washington, DC

4320   5 STAR Musika Reviews

Here are just a few of the many teachers offering Voice lessons in Washington . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Reginald C

Instruments: Guitar Voice Keyboard

For beginner that are children ... I use "Excellence in Theory" by Ryan Nowlin Bruce Pearson ... to cover music theory and ear training. After completion of this work I move the student to Bela Bartok's MikroCosmos Volume 1 or other available method books. I also come up with materials of my own from time to time ... each student is different ... so I take the approach of learning the student as I work with them ... with the idea that I will tailor the education to work best for the student! Read More

Grey S

Instruments: Piano Guitar Voice Cello Music Electric Guitar Acoustic Guitar

My teaching experience dates back to high school when I started teaching cello to students in my school district's orchestra program. Since then, I have continued to teach freelance through personal connections, Musika, and various non-profit organizations. Furthermore, I am currently in my internship to become a board certified music therapist, and have experience teaching music to individuals with intellectual disabilities, developmental disabilities, and dementia/Alzheimer's. I challenge my students to reach their potential while making sure they have the room to thrive in a safe and fun environment. Read More

Rebecca S

Instruments: Piano Voice

For beginners who are children, I typically use Faber and Faber's Piano Adventures. One of my biggest goals while teaching is to provide my students with a well-rounded music education. From my experience, the Piano Adventures series aligns well this goal while providing engaging, fun material for children. After completing a series of method books, I start to focus on classical repertoire. While I believe classical repertoire is the best way to build piano technique, musicianship, and musical knowledge, I love including other genres depending on the student's interest. Read More

Natalie E

Instruments: Voice Flute

What I want is to nurture a life long love and appreciation of music. Every student is going to be at a different level, and have their own strengths and weaknesses. I prefer to get to know my students and their taste in music, before imposing any sort of practice regimen. Whats important is that students enjoy and are fulfilled by their lessons, not overwhelmed (because then they dont practice!). Read More

Hannah L

Instruments: Piano Voice

I always ask students, both young and old, if they have goals they would like to work towards in lessons, and I then tailor lessons to help students achieve their goals. I listen to a students interests as well, and incorporate more into the lessons that will motivate and keep lessons fun, whether that is adding in time for composition/songwriting, learning how to play pop chords on the piano, or mixing in Disney/appropriate pop songs as well as classical and musical theater selections! Read More

Harry W

Instruments: Piano Voice

I use Bastien Piano Basics for young and older beginners, as well as supplemental books from Alfred Piano and Hal Leonard. For intermediate students, we begin building a repertoire together of pieces the student enjoys and plays well. I try to find a nice balance between classical, traditional, and popular music. For voice I use the Little Singers series for kids and supplemental books of songs from Hal Leonard. These songs include Disney favorites and other classic songs such as "Puff, the Magic Dragon". Read More

Colin J

Instruments: Voice

Auditions, and performing in general, are challenging not only physically, but also psychologically. I work with students on developing habits of mindfulness, or being aware of one’s presence in a moment, which can help alleviate performance anxiety and lead to a more thoughtful and inspired performance. By providing students with the tools to overcome psychological barriers, I believe students are better able to find their voice. Ultimately, every relationship between voice teacher and student is unique and incredibly rewarding. Read More

Teacher In Spotlight

Cailin S

Instruments: Voice

What advice do you have about practicing effectively?
Hold yourself to practicing regularly, even if you have to schedule it like you schedule class or work. Putting yourself in the mindset at an expected time each day to practice can go a long way in developing focus. When in the practice room, keep realistic goals for yourself, even if they seem small, and practice intentionally. Going to practice with the intent of getting better at a technique or a part of a piece helps students measure their progress more effectively and feel more proud of the work they put in!

Did you have a teacher that inspired you to go into music? How did they inspire you?
My elementary school music teacher and high school voice teacher helped foster my love of music, but the professional encouragement came from a college voice teacher and now dear friend and mentor. I was singing for the joy of taking lessons and being in choir, but this teacher believed in me on a deeper level and encouraged me to a declare a major. It turned out to be the best decision I've ever made! I believe encouraging students is more important than some think, and taking every chance available to inspire a student through encouragement and positive reinforcement is very important to me.

What musical accomplishments are you most proud of?
My most recent vocal coach told me after a setback, "Keep trying, and soon you will strike gold." Soon after that, I was cast in Dickinson College's production of Next to Normal as Natalie, and it was the most profound performing experience I've ever had! Putting such an intense and important story on stage was incredibly challenging, both from a performance and personal standpoint, but it was incredibly rewarding. In addition, I made my opera debut in Florence, Italy, where opera was born! Finally, my most recent recital was a program of all women composers, which I was proud to choose and highlight stories that are not always often told.

If you weren't a musician what do you think you'd be doing instead?
I would probably be an elementary school teacher! I love working with kids, which intensified in my four years as a camp counselor through high school and college. I love kids' imaginations and helping them to bring out their creativity, especially in subjects they otherwise find boring or difficult. Seeing the light bulb go off is a great feeling! If I wasn't teaching music, I think I would be finding teaching positions in elementary schools in the US, or potentially serving in the Peace Corps overseas.

What is your favorite style/genre of music to play and why?
I love singing classical music of any kind, but especially contemporary classical pieces. Sometimes they are a little jarring to listen to, or even confusing, but that's what I love about it! Bringing out a new interpretation can be so rewarding, and I think it's fun to work on learning seemingly hard melodies and mastering the difficult harmonies against them. I think there's a beauty in some of the more dissonant contemporary pieces that are so unfamiliar compared to the great works of composers like Mozart, and exploring them is a wonderful challenge!

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Recent Articles from the Musika Blog

Jazz Scales: The Pentatonic Scale

...something along the lines of, “Man, I don’t have any bebop language anymore. All I can play are pentatonic scales.” What he was getting at was that, playing professionally, he got much better at pentatonic scales at the expense of his jazz language.   The moral of the story is: the pentatonic is a great, useful, versatile scale. It’s easy to learn and pretty easy to make sound great. It can be easily applied to a variety of musical genres. It’s a scale you’ll use very often if you play music outside of the jazz idiom. But, if you wanna keep your jazz chops... Read More

Basic Music Theory: A Guide to Keys, Chords, Progressions, and More!

...able to gain an incredibly powerful new perspective on the art form of music, and you’ll be able to apply what you learn to whatever role you play in music.   If you have a piano or keyboard around, use it as a guide to help you understand music theory. If you don’t have access to one, I recommend printing out a picture of the keys on the keyboard to help serve as a visual of how to understand basic music theory concepts.   Notes and Intervals   To fully understand something, you usually need to zoom in as far as you ... Read More

Saxophone Brands: Finding Your Perfect Horn

...saxophones were popular among many of the best jazz musicians around the 1940s and 1950s. They have a big sound and good ergonomics.   Buescher: Buescher was a band instrument manufacturer based in Indiana. They have a good quality sound with slightly uncomfortable ergonomics.   Martin: Martin was a band instrument manufacturer based in Indiana. They are one of the most overlooked vintage saxophone brands. They have a nice sound and slightly uncomfortable ergonomics.   Other Vintage Brands: There are a few other relatively well-known vintage brands, such as Buffet, H. Couf, SML, etc. There are also a bunch of “stencil” saxophones (produced by a major ... Read More

How To Find The Motivation To Practice

...missed practice derail your intention of getting better with your instrument.   Play For Fun   I can’t stress enough how important it is to play for fun. Yes, dedicated practice is vital if you want to enhance your skills, learn to read music, or prepare for a performance, but playing without any plan or intention makes room for creativity and musical growth at the same time. Something I always do with my piano students is to dedicate the first 10 minutes of a lesson to improvisation, no matter what the student’s age or background is. Music is amazing because of its ability empower ... Read More

The Morningside Lights Parade: Bringing Communities Together Through Merry Music-Making

...intermittently by the honk of red plastic vuvuzelas that Davis had supplied. Betty Modlow, an elderly woman from Morningside Heights, who marched with both a mini-xylophone and a tambourine, drew parallels to the West Village’s annual Halloween parade, which she participates in annually. “It was started by one person as a small community event,” she said “and now it’s huge.” Consequently, the Halloween parade also features illuminated puppets made with the help of Processional Arts Workshop. The giant lanterns this evening, which ranged from Trojan horses to Gothic churches, were created by parents and children during a week of well-attended drop-in lantern making sessions at Miller Theater. Amanda Yee ... Read More
Jazz Scales: The Pentatonic Scale
Basic Music Theory: A Guide to Keys, Chords, Progressions, and More!
Saxophone Brands: Finding Your Perfect Horn
How To Find The Motivation To Practice
The Morningside Lights Parade: Bringing Communities Together Through Merry Music-Making

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