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Featured Piano Teachers Near Marlboro, NJ

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Here are just a few of the many teachers offering Piano lessons in Marlboro . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Andy H

Instruments: Piano Violin Viola

With 16 years of experience performing and instructing, I am fully committed to provide a solid education and instill music appreciation in students of all age levels. Recognized for demonstrating a natural aptitude for teaching lessons in a variety of musical instruments, as well as for charting the development of lesson plans and curricula and motivating and encouraging students, I have a verifiable history of contributing directly to student growth and learning throughout my career. Read More

Danny M

Instruments: Piano Drums Keyboard

The books I recommend purchasing for piano students is much more dependent on their goals and level of playing. Older drum students can expect to study concepts such as The Rudimental Ritual by Alan Dawson. Older piano students can expect to study chart reading found in The Real Book. I have ideas regarding lesson plans for students but my most important goal is to understand what the student WANTS to study and help them achieve their short term and long term goals in music. Read More

Aaron S

Instruments: Piano Guitar Voice Bass Guitar Ukulele Double Bass Music Electric Guitar Acoustic Guitar

I often see that my students are able to find both enjoyment and enlightenment through music. This is accomplished by having a base in traditional style of music education, while also incorporating fun and relatable topics. I also see them develop a sense of confidence because of their ability to understand a subject that they may not have had much familiarity with before. On the performing side, I play those same instruments in a wide range of ensembles. Read More

Robert P

Instruments: Piano Guitar Violin Flute Clarinet Bass Guitar Harmonica Banjo Ukulele Mandolin

I studied guitar with international performing artist Anna Maria Rosado and composition with American composer Annette Le Siege.  I hold a Bachelor of Arts degree in Classical Guitar Performance from New Jersey City University.  I have performed extensively in small venues throughout Vermont, and was a house musician for several seasons at the Yosemite Theater in Yosemite National Park, California. I have been teaching for over 30 years. Most of my students describe me as fun and patient. Read More

June C

Instruments: Piano Voice

I am a jazz vocalist who is new to the New York area! I graduated from the Frost School of Music, Magna Cum Laude, with a degree in jazz voice in May 2023. I am currently working towards my master's degree at The Manhattan School of Music. I have been a private vocal and piano teacher for 6 years. I specialize in musical theater and jazz voice. I am an experienced beginner piano teacher, I do especially well with young beginners. Read More

Carlos M

Instruments: Piano Guitar Bass Guitar Synthesizer Double Bass

Teaching and watching my students grow and develop as musicians is truly a rewarding experience. I help them accomplish their goals by understanding where they are and by setting challenging, fun, and realistic goals for each lesson. I'm a patient teacher who believes in being positive and giving honest and consistent feedback to my students.  My goal is to create a disciplined but friendly environment for me and my students where respect and focus are the main pillars of every lesson allowing this way to enjoy the music learning process. Read More

Teacher In Spotlight

Alexis S

Instruments: Piano Voice

If you have a Music Degree, what is it in (Performance, Education, Musicology, Theory, Composition, etc) and why did you choose that degree?
I have 2 degrees. My first degree is a Bachelor of Arts from Oregon state university in Vocal performance. My second degree is a masters in music from Brooklyn college conservatory of music. I chose to pursue these degrees because I knew I wanted to be trained to the highest degree and be able to use that knowledge to continue to grow as a vocalist and help others grow in their own instrument. While a masters was not required for the jobs I perform now, it was extremely essential in securing my role as vocal captain in my casts.

What does a normal practice session look like for you?
Vocalizing is absolutely essential to the beginning of every session. Vocalizing is equally important in my own performing. I love vocalizing because it allows me to test drive my voice for the day. Our voices can fluctuate so much day to day, it’s important to feel in tune with your own instrument. My sessions start with plenty of vocalizing and eventually leads to work on solo pieces. I always allow plenty of space to communicate with my students and give them the opportunity to speak about what there experiencing while they’re singing.

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
I am very open to all techniques. I grew up playing violin with the Suzuki method, which had shaped my ear wonderfully, but required me to learn to read music supplementally. I also was exposed to Orff and Dalcroze methods from a very early age. As far as vocal technique, I have had teachers who used the Caruso method and Alexander technique. I am not married to any specific technique though I have experienced many different types. I believe in a tailored to the student method is best. My favorite teacher always asked me if what I was doing felt good. That was what was most important.

What do you think is the hardest thing to master on your instrument?
Singing is one of those things that is completely different than any other instrument. You are exposing your entire self and making yourself vulnerable to the listener and to the art itself. I think, as with most things, the more you master it, the more little things you find that you want to improve. Living in the imperfection can be incredibly exposing and frustrating, but mastering is not about perfecting. Sometimes putting down the paint brush is the most difficult part of mastering an instrument. Some days you’re going to be in amazing voice and sometimes you’re having an off day. Both situations are useful.

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