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Featured Piano Teachers Near Orland Park, IL

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Here are just a few of the many teachers offering Piano lessons in Orland Park . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

George F

Instruments: Piano Organ

For a lesson, George generally plays along with the student where the student plays a solo part with the teacher adding a second part. He also uses CD recordings with an instrumental part added having the student follow the recording.When teaching a piece, I will often ask the student to sight read notes and break down a composition into sections. Sometimes, I will have the student play just the treble notes, then bass, before adding the parts together. Read More

Matthew P

Instruments: Piano

I have been teaching piano lessons for over a decade. I have held private studios in Seattle, WA, Wheaton, IL, Bloomington, IN, and now in the Torrance, CA area as well as taught group lessons, taught at the YaGe Community Arts School in Kunming, China, and taught at the Joe Ferrante Music Academy in Monrovia. I have extensive experience teaching the full gamut of the classical repertoire, traditional and contemporary jazz, pop, RB, and rock. Read More

Adam M

Instruments: Piano Guitar Voice Bass Guitar

Included in these experiences was Chicagoland regular rotation play on XRT's local music showcase and an interview on the Flabby Hoffman Show. While attending UIC I even dabbled in theatre, and though I I had little to no experiece as an actor, I achieved a lead role in three out of the four productions I was cast in. Of these four, two were rock musicals, including the Who's "Tommy." As you can see, my whole life is music.I love to teach, perform and compose music.Although I love all these elements of music, I would have to say that my greatest joy comes from seeing my students progress towards becoming accomplished musicians.Whatever your goals may be, I take great pride in helping you attain them. Read More

Mary L

Instruments: Piano Voice Organ Synthesizer Keyboard

I combine the technique, expression, and performance practices from my teaching line of musical masters with more modern teaching methods to give students a well-rounded music education. I cater each lesson to the individual needs and interests of the student, while giving them a strong technical foundation and fostering their love of music. I use scales, arpeggios, and other methods to help build technique. I also want the student to enjoy what they are performing, so I often ask the student if there are pieces they would like to learn and do my best to find an arrangement suitable to their level of difficulty. Read More

Jesse C

Instruments: Piano Violin Cello Viola Electric Violin Fiddle

I first began teaching as an undergraduate college student in 2002. One of my childhood piano teachers invited me to teach violin, viola, and cello in her studio of primarily piano students. A short time later, after being hired as an accompanist at a local string studio, I was hired as a string teacher within the studio, where I taught for several years. Over the next fifteen years, my teaching continued in these two settings: studio teaching, as well as private lessons given in my home or the home of my students. Read More

Michael V

Instruments: Piano Trumpet Music Keyboard

While a consistent practice schedule is ideal but the same principle applies here: focused practice is ideal, practicing just to get in the hours will not progress a students ability (I know from personal experience). Some students enjoy learning exercises from a book while others enjoy learning pop songs by ear, forcing book exercises on a student who may want to learn Ariana Grande songs will result in inefficient practice. Read More

Natalie A

Instruments: Piano Guitar Violin Saxophone Clarinet Recorder Keyboard Acoustic Guitar

Because I accept children as young as 3, my methods vary quite drastically. I also work with children who have learning disabilities, so I like to cater my lessons to the needs of the student. We play a LOT of games and when I feel they are ready, they can progress to books. I use everything from Hal Leonard and Bastien to Alfred and Faber Faber. Being a Special Education Aide, I understand that no book is a one size fits all". Read More

Teacher In Spotlight

Graham G

Instruments: Guitar Bass Guitar Ukulele Mandolin Lute Music Electric Guitar Classical Guitar Acoustic Guitar

What does a normal practice session look like for you?
Normally I practice anywhere from 4-6 hours per day, depending on the day. Prior to practicing I do a few stretches to help relax my entire body. Then I look over the music before even touching my instrument and count the rhythms of each voice aloud. Then I sing the voices in my head or aloud. After that I take a note of how I expect the phrasing of the passage to be and identify areas where the technique might be difficult. Then I begin working out fingerings for each measure and practice it very slowly to train my muscle memory for the passage. Then I turn on the metronome and begin working with it to ensure that I am playing everything rhythmically accurate. Once all that is done for the entire piece I begin working sections of the piece slowly and with the metronome until it's committed to memory. Then I play the piece slowly without the metronome and speed it up to rhythm. After each "performance" I look back to the music and figure out where I stumbled, or what I want to be clearer, or anything of that like.

What do you think is the hardest thing to master on your instrument?
There is a myriad of techniques that are very difficult to master, things like tremolo, cross string trills, artificial harmonics, tambora, tremolo rasgueado, and etc. But the largest hurdle I see most guitarists struggle with is the "Barre" a technique in which the performer holds many strings down with the index finger. I've seen many fail to learn it, and I've seen many play it incorrectly. Personally it took me a long time to get used to the technique, but I have a surefire way of teaching it so that the student will master it in no time!

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
I recommend two of them: Scott Tennant's "Pumping Nylon" and Pepe Romero's "La Guitarra". These are not necessary at all to begin lessons at any level. I can supply free resources that are great for learning. Mauro Giuliani's Right Hand Studies, and etudes by Matteo Carcassi and Fernando Sor.

What musical accomplishments are you most proud of?
Aside from my many performances with Pepe Romero, my big accomplishments personally are having performed many of my arrangements of famous piano pieces for guitar. I've arranged something like 300 pages of music for guitar ensembles, solo guitar, guitar and piano, guitar and violin and etc.

Have any of your students won awards or been selected for special honors? How have they succeeded?
To be completely honest, I have not had many students. The one student I did have for a few months moved on to play in several church bands and continues to play and love the guitar to this day.

Why did you choose your primary instrument?
Before I made the switch to classical guitar, I played a lot of acoustic guitar -- mostly folk. Then I heard a music video by a guitarist named Michael Lucarelli on youtube, and decided that I needed to learn how to play that kind of guitar. I searched all over Louisiana looking for a teacher that could help me in learning this gorgeous music, but very few had any inkling of how to play. That's when I discovered Mr.Patrick Kerber, who is a true master of the instrument and he helped me immensely.

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