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Featured Piano Teachers Near Orland Park, IL

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Here are just a few of the many teachers offering Piano lessons in Orland Park . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Pei-Yun L

Instruments: Piano Violin

I believe music is unique because of individuality. I make lesson plans depending on each student's interests and learning progress. For young beginners, I encourage lots of participation from parents because it helps children feel supportive and it is always nice to see how much they grow. I like advanced students to express their ideas about the needs and wants as well as musical ideas. Different opinions would make lessons more interesting and inspiring. Read More

Nick J

Instruments: Piano Guitar Voice Drums

I love seeing my students excited about music. I like students to bring in music they feel passionate about so we can break it down and start to understand what makes it work. I find it important to set goals, adjust goals when things arent working and celebrate them when they are. Because of the great instruction I have had in my life, I understand the importance of being a teacher. Read More

Willis M

Instruments: Piano Guitar Saxophone Flute

I began teaching while I was in High School and I would teach the younger students who were freshman and sophomores the tenor saxophone. Once I went to Eastman, I taught several people throughout the course of the four years there. I beleive that, particulalry when teaching the saxophone and flute, a mix of classical fundamental technique is very important as well as incorporating the jazz or rock repertoire. I feel that my skills as a music therapist can be very unique particularly because I can really attend to the needs of the student and adapt the music and lesson accordingly. Read More

Brandon S

Instruments: Piano Voice Drums Keyboard

I teach both by rote and by reading. When it comes to music theory, notation and reading music, I am also methodical in wanting my students to fully understand what they're reading so that it becomes so natural to them, it's as natural as reading a newspaper or understanding a conversation. Once the foundation is laid, a musical conversation can be had with the sound of their instrument. At the end of the process, students will find their love of music enhanced now that they know what they are doing and are doing it on purpose. Read More

Steve S

Instruments: Piano Saxophone Flute Clarinet

I set realistic goals for each lesson so that each student will be able to progress and show improvement on a quicker level and not get frustrated with too much work. Read More

Michael V

Instruments: Piano Trumpet Music Keyboard

Balancing the radically different musical backgrounds of each student was difficult at first, but I have realized that the core struggles are universal. The solution for each roadblock typically revolved around the students attitude, rather than their approach. Once the student figured out what they truly wanted to learn and feel from music, they were able to set their mind to it and drastically improve. I sincerely enjoy helping the student find their voice and interests, rather than enforcing my own upon them. Read More

Miya H

Instruments: Piano Voice Music

I teach all ages (4-75), all backgrounds, and all sorts of wants/needs. Some students just want to learn how to sing in choir more freely. Others are pursuing music degrees. Some want to learn how to play a song or two on the piano. Others want to take RCM exams. I love meeting students where they're at and helping them out along the way! I believe everyone can and should make music! Read More

Teacher In Spotlight

Matthew J

Instruments: Piano Voice

What musical accomplishments are you most proud of?
Music has taken me to Canada, Mexico, Holland, France, Ireland, Costa Rica and every state in America except Hawaii. I've toured with Reggae legends, Culture and The Itals, have played with The Slackers and Frankie Paul. I've recorded at Daptone Records in Brooklyn, where Amy Winehouse and Sharon Jones made their mark, and at Westlake studios in Hollywood where Thriller and Off The Wall and many other hit records were recorded, as well as at Arlyn Studios in Austin. It has also been my distinct pleasure to be a founding member of The Man Man Chaplains, an Austin institution in which many great local musicians have performed. We have held the longest standing residency in Austin as the house band at Flamingo Cantina since 2007.

What do you think is the hardest thing to master on your instrument?
Rhythmic independence is probably the most difficult skill to master on piano. The best feeling and greatest sign of mastery on a keyboard, at least for me, is the ability to play 2 rhythmically independent parts while singing. The piano is the greatest instrument for expressing a complete composition without accompaniment. It takes clarity of mind, familiarity with the instrument, a natural feel for time in order to accomplish it, but the feeling is remarkably rewarding. Only the piano allows this sort of rhythmic independence. All other instruments are either monophonic or require both hands to play a single rhythm part.

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
For very young children I recommend The Yamaha method. Its the method I used to learn at age 5 and it inspired me to play each day from the age of 5 until I was 13 years old, at which point The Yamaha method facilitated my easily moving from piano to saxophone. For teaching adults and working professionals I prefer less strict, more fluid methodology. I would be more inclined to skip the strict teachings of theory and focus more on the verbal and written shorthand more commonly employed by working musicians today.

What is your favorite style/genre of music to play and why?
While I'm grateful for my classical music education, I am a student of contemporary American music and the building blocks of American music are The Blues. The blues inform our chord progressions, melodies, scales, solos and improvisational themes. Jazz, Pop, Swing, Soul, R&B, Rock n' Roll, Country and even Roots Reggae are made up entirely of the music brought from the rural American Southeast to New Orleans and Chicago by Lightnin' Hopkins, Sonny Terry and Brownie Mcghee, Woody Guthrie, Jimmie Rogers and others. The most useful tools with which one can equip an American musician today are the tools taught to us by the blues.

Does music run in your family? Tell us a little about your musical family members.
My mother played piano and taught ballet when I was a child. She made sure I took up piano and practice daily. My Father played clarinet as a child, then became a guitarist. In college he and his lifelong musical collaborator performed as a blues and folk duo in New York and Massachusetts before returning to Texas. After moving to Austin in the 70s, hehad the House Band at The Armadillos, Balcones Fault. They performed each night that there was no touring headliner and opened for headliners of all kinds, including Jerry Garcia Band, Jimmy Cliff, Frank Zappa and many more.

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