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Featured Piano Teachers Near Sunnyvale, CA

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Here are just a few of the many teachers offering Piano lessons in Sunnyvale . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Gina P

Instruments: Piano Voice

I am honest with a student about their body, I think the best way to sing is to know how all the pieces of your instrument work together to create healthy sound. I encourage my students to eat well and take care of themselves physically and emotionally. I also want my students to have fun by singing music that enspires them to be sincere with their emotions, singing for an audience can be scary but in a private lesson I encourage trying things out even if they seem silly. Read More

Michael O

Instruments: Piano Guitar Voice Keyboard Acoustic Guitar

I am an Artist who loves to see his students succeed. I have a strong passion for music, and utilize that passion and the skills I've developed throughout my career to cultivate students into fellow Artists. My primary goal as a teacher is to tap into the potential artistry of the students. For that reason, I am not as focused on the technical skills, as I am about spotlighting the inspiration that will facilitate the student to embody the Artist with original expression and purpose in their art form. Read More

David C

Instruments: Piano

I like to emphasize learning technique through pieces, rather than practicing only technique on its own, as that can get boring very quickly! For beginning students, I like to start with the Piano Adventures series, which has pieces which are easy, teach basic techniques, but also are musically interesting. Once they have the fundamentals, we can begin working on solo repertoire that interests the student. For older students who are interested in 20th century music, I like to teach Bartok's Mikrokosmos. Read More

Camille H

Instruments: Piano Voice Drums Music Keyboard

My lessons are student driven. I typically assign some technique, repertoire, and theory assignments each week. I often try to include a “student challenge” most weeks in order to gauge how much a student is understanding during the lessons. I modify my styles based on what seems most effective for the student. Sometimes a student really needs 5 pieces to work on over a longer stretch of time. Other times, a student can only reasonably work on one piece for the week. Read More

Cortnee L

Instruments: Piano Guitar Voice Violin Viola Ukulele Keyboard Electric Guitar Acoustic Guitar

Music has always been a part of my life. I became involved in music, theater and dance at a young age, performing in countless professional productions. In my teens and early adulthood, I began writing and recording music and became involved in a number of recording projects that led me to teaching. I gave my first lesson over a decade ago and I continue to perform when I can. I graduated from Interlochen Arts Academy with concentrations in Theater and Music, and I worked for Women's Audio Mission in San Francisco. Read More

Toby M

Instruments: Piano Keyboard

I'm passionate about teaching others to love music. It is one of my greatest pleasures. I have been performing and teaching since I was a teen. I have performed both classical and original music and am currently working on a rock album writing piano and orchestra for about 12 songs. We have a Grammy-nominated producer in Denmark producing our album. Seeing new students experience learning to play is a great joy for me as well as helping an experienced student ace a RCM or other performance exam, place in a competition, or enter a music program in college. Read More

Teacher In Spotlight

Gretchen S

Instruments: Piano Organ

Did you have a teacher that inspired you to go into music? How did they inspire you?
Although I was already very much involved in music from childhood, a visiting conductor inspired me to pursue a specific path in college. Thomas Dunn, conductor of the Handel and Haydn Society in Boston, visited my school to adjudicate a small chorus competition. While in town, he attended a college Glee Club rehearsal as a courtesy the Southern Illinois University choral director who had hired him. As it happened, I was playing for the rehearsal. I'm quite sure that my 19-year-old self's interpretation of Schubert was not what caught his attention. However, I knew how to play voice parts and anticipate when a pitch was needed (and how to play it) without being asked. Following the rehearsal, Mr. Dunn took me aside and asked, "Have you ever considered a career in professional accompanying?" And here's the funny part: I asked him whether I would have to take piano lessons to do that! He didn't laugh or put me down. His response was, "Most people who do that play very well." Thank you, sir. You changed my life. Prior to that brief conversation, I had known that pianists did a lot of accompanying. But I didn't know people could have a career in the field.

Why did you choose your primary instrument?
Choosing the piano as my primary instrument took a long time. It involved a process of elimination. I played the flute beginning in 4th grade. Then, at 7th grade music camp at the University of Iowa, the flute section in the band included 50 players. Fifty! That provided a reality check about what would be required to have a career playing the instrument. During high school, there was a flutist who was two years older who was so accomplished. Her sound was gorgeous and her musicianship was great. I felt that I would not be able to reach that level by playing the flute. In college, I first majored in history, mostly because I had no idea what to do. When that didn't work out, I changed my major to organ, having had lessons and a church job since age 14. My teacher's plan was for me to start over from the beginning, something I felt was unnecessary. Next, I changed my major to voice. Juries came around at the end of the term. (In a jury, the student performs for faculty. The faculty then grades the jury, after which that grade is factored into the student's grade for the term.) At my jury, circumstances did me in! Someone had pulled the fire alarm in my dorm eight times the night before, requiring that everyone leave using the stairs. I lived on the 16th floor. Needless to say, I was exhausted the next day. So what happened? I was so shy at the time, I was unable to let the faculty know about the events of the previous night. A combination of fatigue and nerves meant that I forgot every word after the title of a slow song in English. After that, I sat myself down and asked whether I thought I would ever feel comfortable singing alone in front of people. The answer was "No." From that point on, my major was piano performance. I have never regretted my decision.

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Recent Articles from the Musika Blog

Understanding Time Signatures in Music

...tune is written so well that its unconventional meter is hardly detectable to listeners without a music background.   6/8 “We Are The Champions” by Queen     Not to be confused with 3/4, 6/8 is what we call in music a compound time signature. In compound meters, each beat in a bar is subdivided into three smaller units. Common time signatures like 4/4 are simply counted as 1,2,3, and 4, while compound time signatures like 6/8 are counted as 1-trip-let, 2-trip-let. “We Are The Champions” makes great use of this time signature with its buoyant and triumphant feel.   7/8 “Too Much” by Sufjan Stevens     This... Read More

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...create the best sound possible when making a recording or giving a performance. Training your ears is hard work, and it requires long periods of studying and remembering tones, but the payoff is one of the most rewarding practices a musician can do.   One of the greatest benefits of learning about audio engineering is recording. At some point, as a musician, it is necessary to record yourself playing. Whether it’s for a demo recording as a band seeking sponsorship or representation, or it’s a self-recording to listen to your own playing and further develop it, there is a lot involved ... Read More

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... It’s that time of year again and with 2016 just around the corner lots of people are making resolutions to make 2016 the year they learn how to play a new instrument or learn how to sing. If previous years have taught us anything though, it’s that New Year’s Resolutions are easier made than kept. Using these tips (along with a little hard work and determination) you can make 2016 the year you succeed in keeping your resolutions- at least the musical ones! Buy Your Instrument If you don’t already own the instrument you want to learn, it’s a good idea to outright purchase your instrument of choice. While ... Read More
Understanding Time Signatures in Music
Teaching Violin: Tips for New Teachers
Guitar Lessons For Adults: Taking Guitar Lessons as an Adult
The Benefits of Learning About Audio Engineering
Tips for Keeping Your New Year's Resolution to Learn an Instrument

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