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Featured Piano Teachers Near Toledo, OH

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Here are just a few of the many teachers offering Piano lessons in Toledo . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Zoe L

Instruments: Piano Organ Music

My teaching experience dates back to my college days, as I began teaching private lessons part-time 10 years ago, and have been consistently teaching students in my home studio for the last 5 years. Encouraging regular practice on a consistent schedule is one of the key points I like to emphasize for younger students, as it tends to help the student progress and gain a passion for the instrument. I've also found that a combination of classical and modern music can go a long way in helping students enjoy the piano and motivate them to practice and continue to learn. Read More

Andrew S

Instruments: Piano Guitar Violin Viola Bass Guitar Synthesizer Banjo Ukulele Mandolin Lute Electric Violin Fiddle Electric Guitar Classical Guitar Acoustic Guitar

I have a passion for music, and I play a lot of gigs, and I can see that it inspires students. I work on student's strengths first, to give them a sense of accomplishment. I use audio recording during lessons to make an actual creation that students can share with friends and family. This also helps the student hear what they sound like, and to track their progress from week to week. Read More

Morris B

Instruments: Piano Guitar

I took several college Piano courses, and I have been playing guitar for 12 years. I am pursuing a career as a musician. I know how to play many pop and rock songs on acoustic and electric guitar. I also use the fundamentals of music theory to rock the piano. I have 5 years of electronic and traditional music production experience. I would love to record your songs too! I will encourage you to find the fun from the power of music. Read More

Kate P

Instruments: Piano Voice

Being a teacher is by far one of the most rewarding choices that I have ever made. Seeing a students growth and development is absolutely astounding. I believe that each student is very individualized, and no student learns exactly the same as another. As a teacher, I believe that I need to constantly be adaptable and adjustable to each student's needs. I also want the student to enjoy the learning process; it is important that the student knows that he or she is making achievements and enjoys the rewards of his or her hard work. Read More

Stephen M

Instruments: Piano Violin Cello Viola Fiddle Music Keyboard

I am an accomplished music educator and composer skilled in and enthusiastic about teaching music students of all ages. I have a Bachelor's degree in cello performance from Utah State University, where I studied with Anne Francis Bayless of the world-renowned Fry Street Quartet. I also have a Master's degree in composition from Arizona State University, and am currently working toward my Doctorate in composition at the University of Michigan. Read More

Ellen C

Instruments: Piano Oboe Bassoon

I have always had an eclectic love for all things music, and enthusiastically share it with anyone who will have me! There was a piano in my house growing up and I couldn't stay away. In school, I studied oboe and bassoon. Eventually I just explored any instrument that caught my interest- guitar, trumpet, ocarinas, panflutes, etc. I spent a lot of time doing musical theatre, and studied voice for a time as well. Read More

Scott B

Instruments: Piano Guitar Voice Bass Guitar Keyboard Electric Guitar Acoustic Guitar

I have been passionate instructor and have been playing multi instruments for 15+ years. I graduated with a degree in Psychology and work as an ABA Therapist for autistic children. I have been in multiple bands and recorded a lot of songs. I have toured Michigan and the outer areas. I have had the opportunity to play at the Majestic Theater in Detroit, as well as St. Andrew's. Those were some of the most nerve wracking shows. Read More

Teacher In Spotlight

Elijah S

Instruments: Piano Voice Keyboard

Why did you choose your primary instrument?
Well, my story is a little different. My church wanted a pianist so they sent me to lessons. I began lessons a little late in the 7th grade at age 10. Once I started music lessons I loved music so much that I practiced every chance I got even during break and lunch times which contributed to my advancement in music. I started with a wonderful teacher who was warm, friendly and like a mother. She made everyone feel like they were part of a big family and she did it very naturally. Her family was a musical family so it came natural for her to cultivate the love and passion for music in her students.

What musical accomplishments are you most proud of?
In 2016, I was chosen to be the Principal Accompanist for the World Premiere Grady-Rayam Gala of the Negro Spiritual Scholarship Foundation. This opportunity allowed me to perform with world-class opera Singer Stephanie Washington. In April 2017, I traveled to Nashville Tennessee, to compete in the James A. Hefner HBCU Piano Competition at Tennessee State University. I won the top two prizes of the competition. The first prize was 500 dollars for best overall performance and the second was 250 dollars for the best performance of a piece played by an African American composer. You can find a performance of the piece on my profile and here: https://www.youtube.com/watch?v=h-ydW8BgSVA

What do you think is the hardest thing to master on your instrument?
Well, virtuosity is hardest thing to master on the instrument. Virtuosity covers mastery of the instrument in all ways both technically and musically. Obtaining control, finger strength and dexterity, mastery of tension release, mastery of physical gestures, mastery of genres/styles, mastery of energized and active fingers and knuckles, mastery of finger placement/lower-upper arm movement, mastery of musical depth and understanding, interpretation, mastery of technique and practicing effectively are all contributors to obtaining virtuosity which in my opinion, is the hardest thing to master on the instrument.

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
Alfred, Bastion, Suzuki, Hal Leonard, Faber, John Thompson are method books that I use within my lessons because I believe they best represent the quality of music instruction I like my students to experience. More importantly, I used several of the method books in my own musical upbringing which helped to cultivate me into the pianist I am today. Also, an important feature of these method books is that they provide gradual, step by step instruction which lessons, especially for beginner should follow.

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Recent Articles from the Musika Blog

Beginner Guitar Solos: Getting Started with Improvisation

...once said, “Music is the space between notes.” Good guitar soloists don’t just barrage listeners with a constant stream of notes. They learn to give passages of music plenty of time to breathe and sink in. They realize that the notes they’re playing will have far more potency if they’re played at just the right time. You can liken this to other artistic mediums like painting or photography where too much of something often begins to take away from the original idea.   Now that you know a little bit more about guitar solos, we’re going to show you how to get started with improvising and writing... Read More

2 Chord Songs: Easy Songs for Guitar

...As you first start out playing guitar, one of the greatest difficulties that new players have is changing between many different chords. It takes a long time and a great deal of practice to get your fingers to the point where they can move quickly and smoothly between any variety of guitar chords. As you develop the required muscle memory, a great source of frustration is not knowing how to play a song all the way through, from start to finish. Most songs have multiple sections with many different chord changes that can make it difficult for new players to get beyond the introduction. Fortunately, ... Read More

Opera Voice Types

...Fricka from Wagner’s Die Walküre.   The Contralto Voice   First off, listen to “Erda’s Warning” from Das Rheingold by Wagner. Enough said. Contralto opera voice parts come as more of a commodity, and you won’t hear them every day. In fact, it’s so rare to find a legitimate operatic contralto that dramatic mezzo sopranos often have to sing contralto roles (much to their chagrin, we can imagine). Contralto voices are characterized by an exceptionally deep, rich, and powerful timbre–Marian Anderson is arguably the best example. Contralto is the lowest of the female opera voice types.   Male Opera Voice Types   ... Read More

Types of Clarinets

...You can hear the clarinet in many different types of clarinets in all sorts of music, from classical to jazz, marching band to rock, Broadway to klezmer. The first iteration of the modern day clarinet was invented around the year 1700. Its predecessor was the chalumeau.   When people talk about the clarinet, the word “clarinet” by itself always refers to the Bb clarinet. However, there are several different types of clarinets. The number and types of clarinets a typical clarinet player owns depends on the types of music he or she plays. A jazz player may own a Bb clarinet and a ... Read More

How To Write a Pop Song

...song as a whole.   Other Sections   Verses and choruses are a Pop song’s staple sections, but they’re by no means the only sections. When learning how to write a pop song, intros, endings, bridges, and instrumental sections should be studied as well. They are powerful songwriting tools that can add valuable character, momentum, and direction to the music you’re writing. A thoughtfully-constructed intro is your way to set the tone of your song by introducing instruments, suggesting a tonality, and constructing a mood. The intro is your chance to define a mood that will carry through your song or hint at ... Read More
Beginner Guitar Solos: Getting Started with Improvisation
2 Chord Songs: Easy Songs for Guitar
Opera Voice Types
Types of Clarinets
How To Write a Pop Song

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