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Featured Piano Teachers Near Toledo, OH

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Here are just a few of the many teachers offering Piano lessons in Toledo . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Scott B

Instruments: Piano Guitar Voice Bass Guitar Keyboard Electric Guitar Acoustic Guitar

I have been passionate instructor and have been playing multi instruments for 15+ years. I graduated with a degree in Psychology and work as an ABA Therapist for autistic children. I have been in multiple bands and recorded a lot of songs. I have toured Michigan and the outer areas. I have had the opportunity to play at the Majestic Theater in Detroit, as well as St. Andrew's. Those were some of the most nerve wracking shows. Read More

Kate P

Instruments: Piano Voice

During my undergraduate career, I taught lessons to vocal and piano students in the Chicago area. I truly loved working with those students, and I am looking forward to getting back into teaching now that I have settled in Bowling Green. The students that I had in the past immensely inspired me, and I always left lessons feeling positive and hopeful. I am sure that I will be able to find students in this area who can provide me with a similar positive experience. Read More

Evan H

Instruments: Piano Guitar Bass Guitar Synthesizer Keyboard Electric Guitar

My lessons will be pretty focused on music theory so that, in time, the student will be able to make their own music with ease. For new beginners, I'd likely ask which song they wanted to learn. And then I'd teach it to them, while also explaining scales, how to build chords, and the theory used in the song. Because my favorite part of playing music is improvisation, that's my go-to goal for the student, but I'm always willing to adjust my teaching methods accordingly. Read More

Benjamin M

Instruments: Piano Guitar Saxophone Drums Bass Guitar Recorder Keyboard Electric Guitar Acoustic Guitar

I began teaching as a teenager when I was in Ann Arbor's psychedelic rock band SPROTON LAYER. I have taught friends and family off and on for many years. During the economic crash in 2009, I took a course on Teaching to understand different age groups and varied approaches in learning. Since then, I have taught steadily and found it very rewarding. One of the hardest things to get across to the Student is that the single most important thing to do is Play. Read More

Zoe L

Instruments: Piano Organ Music

I placed the highest priority on the teacher-student relationship. I believe that maintaining a good teacher-student relationship can foster a students music learning. A student will be motivated to learn and practice if they like their teacher. Also, they will be eager to share their own ideas and interpretations of the music. Therefore, I will remain a not-too-close relationship with my student. If having a too close relationship with students, teachers may not become an authority to their students anymore, and receive less respect from them. Read More

Stephen M

Instruments: Piano Violin Cello Viola Fiddle Music Keyboard

For beginning strings students (even young children) to advanced students, I use the Suzuki method along with the accompanying sight reading book, I Can Read Music. Advanced students who have reached Suzuki book 6 and beyond are invited to seek out other repertoire as a supplement to their Suzuki studies. Students who are involved in an orchestra are also invited to bring excerpts of their music to their lessons so that I can help them to feel confident and prepared at playing tests and auditions. Read More

Valeri W

Instruments: Piano

My favorite thing about teaching is that no two students are the same; and no two lessons with the same student are either! It is so important to establish a goal for a student to work towards, so that they know what they're practicing for. Not huge goals either that are months away, but goals that can be accomplished between each lesson. The best part of the job is seeing students get excited for music, and being able to grow in such a way that they're able to put their personality into their performances. Read More

Teacher In Spotlight

Elijah S

Instruments: Piano Voice Keyboard

Why did you choose your primary instrument?
Well, my story is a little different. My church wanted a pianist so they sent me to lessons. I began lessons a little late in the 7th grade at age 10. Once I started music lessons I loved music so much that I practiced every chance I got even during break and lunch times which contributed to my advancement in music. I started with a wonderful teacher who was warm, friendly and like a mother. She made everyone feel like they were part of a big family and she did it very naturally. Her family was a musical family so it came natural for her to cultivate the love and passion for music in her students.

What musical accomplishments are you most proud of?
In 2016, I was chosen to be the Principal Accompanist for the World Premiere Grady-Rayam Gala of the Negro Spiritual Scholarship Foundation. This opportunity allowed me to perform with world-class opera Singer Stephanie Washington. In April 2017, I traveled to Nashville Tennessee, to compete in the James A. Hefner HBCU Piano Competition at Tennessee State University. I won the top two prizes of the competition. The first prize was 500 dollars for best overall performance and the second was 250 dollars for the best performance of a piece played by an African American composer. You can find a performance of the piece on my profile and here: https://www.youtube.com/watch?v=h-ydW8BgSVA

What do you think is the hardest thing to master on your instrument?
Well, virtuosity is hardest thing to master on the instrument. Virtuosity covers mastery of the instrument in all ways both technically and musically. Obtaining control, finger strength and dexterity, mastery of tension release, mastery of physical gestures, mastery of genres/styles, mastery of energized and active fingers and knuckles, mastery of finger placement/lower-upper arm movement, mastery of musical depth and understanding, interpretation, mastery of technique and practicing effectively are all contributors to obtaining virtuosity which in my opinion, is the hardest thing to master on the instrument.

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
Alfred, Bastion, Suzuki, Hal Leonard, Faber, John Thompson are method books that I use within my lessons because I believe they best represent the quality of music instruction I like my students to experience. More importantly, I used several of the method books in my own musical upbringing which helped to cultivate me into the pianist I am today. Also, an important feature of these method books is that they provide gradual, step by step instruction which lessons, especially for beginner should follow.

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Recent Articles from the Musika Blog

Beginner Guitar Solos: Getting Started with Improvisation

...once said, “Music is the space between notes.” Good guitar soloists don’t just barrage listeners with a constant stream of notes. They learn to give passages of music plenty of time to breathe and sink in. They realize that the notes they’re playing will have far more potency if they’re played at just the right time. You can liken this to other artistic mediums like painting or photography where too much of something often begins to take away from the original idea.   Now that you know a little bit more about guitar solos, we’re going to show you how to get started with improvising and writing... Read More

2 Chord Songs: Easy Songs for Guitar

...As you first start out playing guitar, one of the greatest difficulties that new players have is changing between many different chords. It takes a long time and a great deal of practice to get your fingers to the point where they can move quickly and smoothly between any variety of guitar chords. As you develop the required muscle memory, a great source of frustration is not knowing how to play a song all the way through, from start to finish. Most songs have multiple sections with many different chord changes that can make it difficult for new players to get beyond the introduction. Fortunately, ... Read More

Opera Voice Types

...Fricka from Wagner’s Die Walküre.   The Contralto Voice   First off, listen to “Erda’s Warning” from Das Rheingold by Wagner. Enough said. Contralto opera voice parts come as more of a commodity, and you won’t hear them every day. In fact, it’s so rare to find a legitimate operatic contralto that dramatic mezzo sopranos often have to sing contralto roles (much to their chagrin, we can imagine). Contralto voices are characterized by an exceptionally deep, rich, and powerful timbre–Marian Anderson is arguably the best example. Contralto is the lowest of the female opera voice types.   Male Opera Voice Types   ... Read More

Types of Clarinets

...You can hear the clarinet in many different types of clarinets in all sorts of music, from classical to jazz, marching band to rock, Broadway to klezmer. The first iteration of the modern day clarinet was invented around the year 1700. Its predecessor was the chalumeau.   When people talk about the clarinet, the word “clarinet” by itself always refers to the Bb clarinet. However, there are several different types of clarinets. The number and types of clarinets a typical clarinet player owns depends on the types of music he or she plays. A jazz player may own a Bb clarinet and a ... Read More

How To Write a Pop Song

...song as a whole.   Other Sections   Verses and choruses are a Pop song’s staple sections, but they’re by no means the only sections. When learning how to write a pop song, intros, endings, bridges, and instrumental sections should be studied as well. They are powerful songwriting tools that can add valuable character, momentum, and direction to the music you’re writing. A thoughtfully-constructed intro is your way to set the tone of your song by introducing instruments, suggesting a tonality, and constructing a mood. The intro is your chance to define a mood that will carry through your song or hint at ... Read More
Beginner Guitar Solos: Getting Started with Improvisation
2 Chord Songs: Easy Songs for Guitar
Opera Voice Types
Types of Clarinets
How To Write a Pop Song

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