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Featured Piano Teachers Near Westfield, NJ

4155   5 STAR Musika Reviews

Here are just a few of the many teachers offering Piano lessons in Westfield . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Tree P

Instruments: Piano Trumpet Trombone

I have been teaching trumpet lessons for a decade, to students of all ages, and I also now teach beginning piano and trombone. I have also served as a Teaching Assistant in the Harvard Music Department. While I originally come from classical training and have the ability to deal with classical repertoire, I think there is much to be gained from trying to find and learn about the music that students love and connect to, be it Chopin, the Beatles, movie soundtracks, or Sara Bareilles. Read More

Laura D

Instruments: Piano Saxophone Flute Clarinet Recorder

I taught piano and recorder for over 10 years at Church Street School for Music and Art in Tribeca, and have worked as a teaching artist with The New York POPS since 1992. Currently Im coaching a jazz ensemble at an NYC public middle school and am working with kids that might not have the resources to study privately. Over the summer, I worked at a summer program with some special needs kids where I created and implemented a music appreciation program. Read More

Max A

Instruments: Piano Guitar Voice Drums Organ Synthesizer Recorder Mallet Percussion Orchestral Percussion Conga Latin Percussion

I teach a variety of music to a variety of people, ranging from classical composition to hip-hop songwriting and production, classical voice to pop, rock, and punk vocals, baroque piano to free jazz synthesizers, and maybe noteverything in between, but I try to get close.I have been teaching privately since 2006, with a special focus on teaching both children and adults with special needs. On top of that, I also am an adjunct instructor and engineer at Borough Manhattan Community College, where I teach students and other faculty alike the ins and outs of the recording studio. Read More

Isaac L

Instruments: Piano Cello Bass Guitar Recorder Double Bass Keyboard

As part of my graduate and undergraduate studies I regularly taught both locally and abroad to students of all ages, skill levels, and backgrounds. I have also maintained a steady private studio, teaching individual lessons to students for over five years. My teaching style has a strong emphasis on developing and maintaining engagement and excitement with the subject. I believe that a positive attitude is essential to a student’s growth and it is my responsibility as a teacher to develop that attitude. Read More

Richard V

Instruments: Piano Voice Recorder Conga Latin Percussion Keyboard

I'm passionate about giving the student the best information to improve their love and skill for the Arts. I make it fun thru techniques applied from manny years of experience in teaching and performing. I'm dual certified in New York and New Jersey and have made music a major part of my life (I met my wife at Music College.) I have taught in many settings and places to acomadate the learning situation. Read More

David Z

Instruments: Piano

In accordance with the Russian school of piano teaching, I start the student off with the foundational skills of correct hand position and proper touch. It is very important for the student to absorb these concepts early on in order to avoid potential bad habits as his/her study progresses. I follow by introducing the student to the essential skill of reading music. I then have him/her play from the Russian School of Piano Playing book, a collection of beautiful simple pieces. Read More

Teacher In Spotlight

Nick N

Instruments: Piano Drums

Did you have a teacher that inspired you to go into music? How did they inspire you?
I've had the pleasure of having excellent teachers during all of the stages of my development as a musician. One teacher in particular that really helped my development along was a teacher in Florida named John Yarling. He taught me from the time I was around 13 years old to when I went to college and I was already a skilled, dedicated and promising student at that point, but he provided me with the insight and tools to take my playing to a professional level by challenging me technically to new heights, exposing me to music and drummers at the avant-garde of rhythmic development that I had never heard before, and encouraging me to become an inspired musician with a strong work ethic and sense of developmental direction.

If you have a Music Degree, what is it in (Performance, Education, Musicology, Theory, Composition, etc) and why did you choose that degree?
I have a degree in Jazz Percussion Performance from the New England Conservatory. I chose this degree over a composition or education degree because I am absolutely a performer first and foremost, and I wanted the educational opportunities that the school had to offer to serve that purpose. I did study composition and music pedagogy in school as well, and I think these skills have also been a great asset to my overall understanding of who I am as a musician, but I got a performance degree so I could study with some of the masters of my instrument!

How do I know if my child is ready to start lessons?
Whenever they show interest! Enthusiasm and curiosity for music is much more of an indicator of whether a student is ready than age. A student, no matter what age they are, will benefit from music lessons if they are showing an interest and a desire to play music. Some key signs that they are ready to begin can be any of the following: a. They are listening to music b. they're messing around on whatever musical instruments they may have access to and maybe even attempting to emulate some of the things they hear c. they ask for music lessons!

What advice do you have about practicing effectively?
The most important thing is to have fun! If practicing is feeling like a chore, than you most likely will not make the most effective use of your time. Sometimes, frequency is more important than how long you practice. If you put in 15 minutes of good concentrated work, but do that consistently on a daily basis. That is generally much more effective than practicing for an hour one day a week. I generally will help my students best organize their practice time, but it generally is also a great idea to have a list that puts a scheduled agenda to your practice sessions. Having clear, short term goals that are achievable in the near future, as well as ambitious long term goals really do wonders for determining how one could be spending their time practicing.

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