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Featured Viola Teachers Near NYC, New York

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Here are just a few of the many teachers offering Viola lessons in NYC, New York . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Noah B

Instruments: Violin Viola

I am extremely passionate about music and excited to pass my passion on to students.  I have been studying violin since I was 4 years old and it has always been a central part of my life. I graduated from Carnegie Mellon University this past May with a BFA in Violin Performance and Physics.  I enjoy music of all styles and in addition to classical music I play rock and jazz. Read More

Benjamin H

Instruments: Violin Viola

For beginning students who are children, I typically begin by introducing them to the various parts of the instrument, along with the basics of technique and position. New notes and concepts would be introduced through learning familiar songs and pieces. All parents are encouraged to attend their child's violin lessons so that they can aid practice sessions. For adults, I try to find out what the student is most interested in learning, and devise a plan with the student accordingly in order to keep the lessons engaging and fun. Read More

Julia K

Instruments: Piano Violin Cello Viola

I have extensive experience as a private teacher (25+ years). I teach cello, violin/viola, and piano and have taught students ages 5-65. I also have prepared students for specialized middle school and high school auditions, pre-college programs, and other auditions. In addition to private teaching, currently, I teach group string classes in Harmony Program NYC. Since I play the piano I'm often the accompanist for my students' recitals. My students are encouraged to enter competitions and recitals, as well as work on composing their own original material, so they can feel good about their accomplishments and stay motivated to learn. Read More

Alyssa B

Instruments: Piano Violin Viola Music

My job is of upmost importance; to teach, but also to learn. As an educator I am responsible for encouraging growth and delivering material as efficiently as possible while maintaining a realistic sense of what is achievable. However, it is also my job to learn from the student and be able to adapt and grow to new situations. Not every student progresses at the same rate, but I keep my expectations and spirits high to push students to want to keep learning and working hard to accomplish their goals. Read More

Elise F

Instruments: Violin Viola

Experience teaching all levels at all ages, from the beginning child to the aspiring conservatory student, the adult who's always wanted to learn how to play an instrument or the professional looking to brush up on past musical skills. Tailors the lesson to fit the student's needs and temperament; believes two important aspects of teaching are patience and dedication. Equally adept at both violin and viola, plays viola professionally in orchestras throughout the New York area. Read More

Ariel F

Instruments: Piano Violin Cello Viola Double Bass Keyboard

Since then I have been employed at over 4 different studios, and I still teach privately. It is my main source of income and my life's passion. I encourage all of my students to pursue performance opportunities, anything from playing for family in the basement to big recitals with huge crowds. Performing and sharing art is one of the best parts of being a musician, and it isn't nearly emphasized enough in many schools of educational thought. Read More

Liora S

Instruments: Violin Viola Clarinet

Nothing is more rewarding than seeing one of my students develop a passion for music! Therefore, it's important that each student progresses at his or her own pace. I encourage this by setting realistic goals for my students at each lesson. Acknowledging accomplishments helps fuel a student's desire to progress, and makes students eager to learn more. By trying to find out what inspires the student, I can successfully tailor my instruction to their wants and needs. Read More

Teacher In Spotlight

Joey D

Instruments: Piano Guitar Voice Violin Cello Viola Trumpet Trombone Saxophone Flute Clarinet Drums Bass Guitar Synthesizer Ukulele Recorder Electric Violin Double Bass Euphonium French Horn Tuba Piccolo Mallet Percussion Orchestral Percussion Oboe Bassoon English Horn Music Keyboard Electric Guitar Acoustic Guitar

If you play more than one instrument, how did you decide to start playing the second? (Or 3rd, 4th, 5th, etc)!
Ever since I learned the saxophone in middle school after playing the clarinet for four years, I have loved learning new instruments! At first, I wanted to be able to play more types of music, and then I realized how similar the clarinet and saxophone were. From then on, I loved being able to play more and more instruments. As it turns out, they're all more alike than they are different!

What do you think is the hardest thing to master on your instrument?
The hardest thing about the clarinet—or any instrument—is being able to leave the technique behind. So often we get caught up in being able to play our instrument that we forget to *make music*.

What does a normal practice session look like for you?
A normal practice session for me will involve a nice long warmup where I focus on my technique and sound, followed by playing all of the things I am currently working on. I'll try to play three things: something new that I want to learn; something that I will be playing in a concert soon; and something old that I just enjoy playing. If I have enough time, I will play until I get tired of playing (but not a second longer!).

If you have a Music Degree, what is it in (Performance, Education, Musicology, Theory, Composition, etc) and why did you choose that degree?
I'm currently finishing my Bachelor of Music in Music Education. I chose Music Education because I believe that music is most enjoyable when it is shared with others! My degree provides me with the chance to spread a love for music through accessibility, diversity, and inclusion.

What advice do you have about practicing effectively?
The best practice is the kind that you enjoy! I suggest setting clear goals for your practice sessions, and then planning how to achieve those goals. Most importantly, check in with yourself: if you're feeling frustrated or tired of playing, put your instrument down and come back later. Too much practice can be worse than too little!

How do I know if my child is ready to start lessons?
For every stage in a person's development, theres a type of music for them, so I say a student is ready for music lessons when they show a desire to make music! For our youngest learners who are just learning to speak, Music Learning Theory can be used to help develop musical and linguistic skills from infancy to early childhood. There are also teaching methods designed for students as young as 3 to years old to give them a head start in playing an instrument (Orff), singing (Kodaly), or dancing (Dalcroze). All of these methods are proven to be immensely helpful to students' development in schools and as a musician.

When will I start to see results?
If you measure in joy, the results will be immediate! When we build a strong foundation of love for music, the technique just falls into place. Most importantly, I hope the result my students hope for is a well-rounded musicianship that can translate to listening skills, compositional/improvisational skills, and proficiency on their instrument.

What is your dream piece to perform and why?
I have always wanted to perform Aaron Copland's Clarinet Concerto. It is my favorite piece of music for the clarinet, and I love the fusion of classical and jazz that sounds so cool on the clarinet!

What musical accomplishments are you most proud of?
While I am incredibly proud of recently performing in my first solo recital, I am most proud to have been a member of the incredible ensembles at NYU. Making beautiful music with some incredibly talented groups of musicians has shown me the most important reason for making music is the shared joy of performing together.

Why did you choose your primary instrument?
I chose the clarinet because it looked cool! In my defense, I was only 9 years old, but I made a great decision. My love for the clarinet helped me learn the skills I needed to be a well-rounded musician and transfer my knowledge to many other instruments. Not only have I become an excellent clarinet player (if I do say so myself), I have become a better musician.

Did you have a teacher that inspired you to go into music? How did they inspire you?
I'd say I'm very fortunate that every teacher I've had has inspired me to pursue music, but the most impactful teacher was my first music teacher at age 9: Mrs. Hughes. While I didn't start exceptionally young, my life was immediately changed by Mrs. Hughes's infectious enthusiasm. From then on out, I was hooked! After following in her footsteps, I hope to give the same excitement to my students so that they can be lifelong musicians no matter their path in life.

Does music run in your family? Tell us a little about your musical family members.
Funny enough, my family wasn't musical at all! It wasn't until I started learning to play clarinet that my little brother took up percussion, and we both went on to major in music in college. After seeing how much my brother and I enjoyed playing music, my parents then decided to learn themselves!

If you weren't a musician what do you think you'd be doing instead?
If I wasn't a musician, I would be very sad, first of all. That being said, I would probably be a fashion designer, since I have always loved to sew (and I even sew a lot of my own clothing!).

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