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Featured Voice Teachers Near Las Vegas, NV

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Here are just a few of the many teachers offering Voice lessons in Las Vegas . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Daniel H

Instruments: Voice

As I firmly believe in the power of music and singing, I like to create levels of success for the student that are individual and specific to that student. I know that each student progresses differently so after a lesson or two, we will create goals specific to that student. I enjoy getting feedback from the student as well as allowing them to share their goals and aspirations for their voice. Read More

Diane L

Instruments: Voice

As a coach and motivator, my methods are rooted in ultimate self-reliance. The singer on stage stands alone, without their coach at their side. Many of my current and former students tour nationally and globally and have the skills and character to manage their own day to day careers. "Give a Diva a fish and she feasts for a day. Teach a Diva to fish and she feasts for a lifetime." Read More

Tony P

Instruments: Piano Voice

If the student wants to be a performer on stage then we have to work on certain stage techniques, for example how to use a microphone or how to work with a mic stand or how to use the stage and work with the audience. I have study photo techniques with Barbra Streisand’s vocal coach in New York, who was Martin Lawrence. And I have studied vocal techniques in California with Michael Jackson’s vocal coach, who was Seth Rigs. Read More

Beau A

Instruments: Guitar Voice Bass Guitar Ukulele Electric Guitar Acoustic Guitar

I take a very personalized teaching style. Like I said in the My Methods section, I first find out the students favorite music, musicians, songs. Then I create lessons around that information. I am teaching the students chords, theory and structure while they are learning their favorite songs. And let me tell you, when students learn their first song, it is a rush that motivates them to learn more. I am very patient and work with students at their pace. Read More

Linda A

Instruments: Piano Guitar Voice

For beginning piano students, I use Alfred's basic Piano Library. This works well with young children as it has colorful pictures and easy to understand language. For Adults who are just starting to learn piano I like Alfred's basic Adult Piano Course. This course comes with audio CD's to accompany the student each step of the way. It makes it fun. For beginning Guitar students, we go over the parts of the guitar and learn how to tune the instrument. Read More

Alison K

Instruments: Guitar Voice Trombone Flute Electric Guitar Classical Guitar Acoustic Guitar

I was a teacher in the public schools, and I wanted to be able to give more one-on-one attention to students. I wanted to be able to teach in a way that uplifts students and makes them excited about music. I also wanted to be able to make students feel comfortable and have fun. I have a degree from Vandercook College of Music in Music Education. I like to teach using the Vandercook method and give students a strong foundation on their instrument. I am in the process of getting set up to teach online lessons! Read More

Alex M

Instruments: Piano Voice

I'm a patient and motivated teacher and focus on vocal/singing technique and beginning piano. Read More

Teacher In Spotlight

Heather M

Instruments: Violin Viola

What do you think is the hardest thing to master on your instrument?
I believe the hardest thing to master on the violin/viola is bow control. Holding the bow is like holding nothing else. Aside from holding the bow, controlling the bow is an entirely different story. Some musicians spend decades trying to master bow control, and some might even say that no one has mastered the violin, because no one has mastered bow control. It takes patience and lots of self-reflection to learn most of the violin. You have to put yourself under a microscope and determine what is working and what is not. The sooner you learn how to self-reflect, the soon your practice time will become more productive.

Have any of your students won awards or been selected for special honors? How have they succeeded?
I have students go on to study music in college and be accepted into youth orchestras. They were successful because they wanted to be, meaning they put forth effort outside of their lessons. They always tried their very best. I don't believe success comes from spending five hours practicing every day, but you do have to dedicate a portion of your day to your goals and practice. My students who have been awarded for their work truly worked hard. You do not, however, have to take lessons to be the best of the best, you can take lessons simply to have fun and fulfill the part of you that loves music.

What musical accomplishments are you most proud of?
The musical accomplishments I am most proud of are my two Masters recitals. The preparation and practice that went into each of those recitals made me believe that I can do anything. Second to my recitals were the opportunities I had to play at Carnegie Hall at the age of 12 and later at Lincoln Center in college. Playing at venues that the "worlds greatest" have performed at is humbling. It makes you realize that anything can be achieved with a little hard work. You do not have to be the greatest musician in the world to make an impact on your community, you just need hard work and determination.

Why did you choose your primary instrument?
I chose my primary interest simply because there was another girl in my daycare that played the violin. She was so talented and would practice at daycare and the simple answer is, at 4 years old I guess I thought that was cool. I started taking lessons at 5 years old, and there were definitely moments during my teenage years that I wanted to quit, but my parents and teacher saw potential. It wasn't until I was in college did I truly fall in love with the violin--it's a versatile instrument that can sound absolutely breathtaking when played correctly.

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Recent Articles from the Musika Blog

Finger Exercises For Guitarists

...you stretch your fingers. Tricky riffs sometimes require us to be able to stretch one finger over two frets, so playing this exercise regularly will help get you prepared. We’re going to show you one example per stretched-finger, so feel free to adapt this drill exactly how you want it. It’s a good idea to start this one higher up the neck because that’s where the frets are smaller.       Legato Finger Strength Builder: This exercise is designed to help you build strength and legato playing in your left hand. “Legato” is the musical term that means “long,” so play these notes in... Read More

Piano Fingering Exercises: Scales, Chords, and More

...way to teach your hands how to play independently, and they’re a gateway towards understanding basic chords and how to play within keys.   All major and minor scales are built using simple formulas that never change. These formulas all revolve around a series of half and whole steps, or intervals, found on the piano’s keyboard. Here’s the formula you’ll need to memorize for the building of major keys. We’ll start with the example of the C major scale:   W-W-H-W-W-W-H C D E F G A B C     Starting with the note of C, if you follow ... Read More

Viola Maintenance: Keeping Your Instrument Sounding Its Best

...reality of physics; they expand when heated and contract when cooled. For this reason, it is incredibly important to keep your viola in a climate controlled area at all times. For instance, if you leave—or happen to forget—your viola in your car on a cold day, it can literally pull apart at the seams, as the cold wood contracts and pulls on the adhesive, jeopardizing the instrument’s structural integrity. If you hear any unusual buzzing coming from your viola, this can also be a sign of a cold-induced open seam that should be examined by a trusted violin shop as soon as possible. Since cooler temperatures also ... Read More

Different Piano Types: An Introduction and Pricing Guide

...Piano If you’re a music student at a university, or you had a music teacher in elementary school or high school, you probably know all about the upright piano. The vertical string alignment makes an upright piano much more compact than a grand, and the sound of the instrument doesn’t even have to suffer all that much—although upright pianos have a higher likelihood of producing a “twangy” sound. Bar room piano, anyone?   An upright piano that approaches 50 inches in height will often be referred to as a “professional” upright piano. Some professional uprights even have the same string ... Read More

The Kodály Approach – More than Hand Signs

...as “the one with the hand signs” (that weren’t even developed by Kodály, more on that later), there is so much more to this approach. The inspiration Kodály teachers find in Zoltan’s teachings is a starting point for facilitating students’ music learning in each and every individual, situated, learning environment 1. First and foremost, the Kodály approach is sequential One of my great Kodály mentors says, “sequence is life, life is sequence.” This is particularly true when it comes to education, and is to essential music education. The spiral curriculum, based on a cognitive theory by Jerome Bruner, is another ... Read More
Finger Exercises For Guitarists
Piano Fingering Exercises: Scales, Chords, and More
Viola Maintenance: Keeping Your Instrument Sounding Its Best
Different Piano Types: An Introduction and Pricing Guide
The Kodály Approach – More than Hand Signs

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