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Featured Violin Teachers Near Saint Petersburg, FL

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Here are just a few of the many teachers offering Violin lessons in Saint Petersburg . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Francisco Javier M

Instruments: Violin Viola Electric Violin Music

He has been the recipient of awards at the Fifth National Violin Competition “Juan Bautista Plaza” in 1987 in Caracas, and also at the National Violin Festival of Los Andes in 1997. He has developed a wide pedagogical expertise in his role as Director and Teacher of the Latin-American Violin Academy of Barquisimeto, part of “El Sistema”. Through this organization. He has launched important Violin Festivals, Professional Development workshops, Master-classes, Violin Workshops, seminars and Conferences in Venezuela and in many Latin-American countries. Read More

Steven D

Instruments: Piano Violin Bass Guitar Electric Violin Double Bass Music

First lesson I start by assessing what level the student is at and what goals they have with their music and develop a lesson plan from there. I focus first on fundamentals of sound and technique to build a foundation for the student then work on scales and repertoire to get them playing music. From there it is a focus on musicality and performance. A lesson plan for example may be working on solo repertoire by breaking down the piece by focusing on different elements that make the song; the scale, they rhythm, certain patterns by measure, techniques required, etc. Read More

Gregory D

Instruments: Piano Violin Cello Viola

A native of Florida, I recently graduated from the University of South Florida in Tampa under the tutelage of Scott Kluksdahl, an internationally renowned cellist and pedagogue. My other primary cello teachers include Loran Stephenson (National Symphony Orchestra), Helga Winold (Indiana University) and John Kaboff (Arlington, VA). I have participated in masterclasses with David Requiro and the Baumer String Quartet, Noreen-Cassidy Polera, Rhonda Rider, Jan Müller-Szeraws, Joshua Gordon, Carol Ou, Rupert Thompson, Robert Jesselson, Ross Harbaugh, Rebecca Penneys and Norman Fischer. Read More

Constance R

Instruments: Piano Violin

As technique improves, so will the sound. I work on intonation and a good bowing arm technique. I can play and they repeat. It helps that I can accompany on the piano if one is available, but if not, the students can listen to me play to help with intonation. Having access to the CDs allows the student to progress at his own speed with an always available accompaniment that makes things SO much easier than it is having to play all alone. Read More

Robert F

Instruments: Guitar Violin Mandolin Fiddle Music Electric Guitar Acoustic Guitar

Regardless of which instrument(s) my student is learning, I generally teach at the pace of the student. I never rush a student, and I keep with a scenario that is COMFORTABLE for both of us. Being relaxed is important to learning, and I always stress having students' hands relatively loose while holding and playing their instrument. I have lesson plans that I devise myself, while referring slightly to instructional videos and books also. Read More

April C

Instruments: Piano Voice Violin Viola Flute Piccolo

My teaching style really focuses around developing a love for your instrument. If the student loves their instrument and the music that is written for their instrument, they will feel encouraged to practice. I try to pick up on the student's personality and learning styles and make each person's lesson a combination of my teaching styles and what works best for the student. Once we find the routine and groove that works for the both the student and myself, then the learning should come along easily and fun. Read More

John P

Instruments: Piano Guitar Voice Violin Cello Viola Drums Bass Guitar Banjo Ukulele Mandolin Electric Violin Fiddle Electric Guitar Classical Guitar Acoustic Guitar

I teach the student as much as they can absorb while making sure they understand the material.I have never run out of material to teach.I teach proper technique and about scales because every song written is based on scales.I also work on songs with the student at the same time so they can see and understand how the songs and scales are used together.After the basics are understood we move on to songs the student wants to learn.I can also tailor lessons to a students wants or needs if desired.I have been doing this quite a while and understand what works. Read More

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Recent Articles from the Musika Blog

Piano Styles

...Eb7 Eb7 Ab7 Ab7 Eb7 Eb7 Bb7 Ab7 Eb7 Eb7   The blues language musicians use to communicate with each other is heavily reliant on simple and repetitive song forms like the 12-bar blues.     The jazz piano styles were forged by a league of fiercely talented musicians including Thelonious Monk, Bill Evans, Art Tatum and Nat King Cole. A major defining characteristic of this style is it’s use of complex harmonies. The piano is an integral part of the genre because of its ability to provide harmony and melody as opposed to brass instruments which can only play single notes.   The jazz style... Read More

Understanding Lead Sheet Notation

...the page, it’s gonna sound pretty square. Performers and arrangers usually embellish and/or alter the melody and rhythm.     Who Uses Lead Sheets?   Why do lead sheets exist? Who is lead sheet notation relevant to? Who uses lead sheets? Who benefits from them? Lead sheets have a wide variety of relevant applications. Musicians of all kinds regularly use lead sheets for various purposes.   Jazz Musicians: Jazz musicians use lead sheets often. If you play any jazz at all, you most likely own at least one of the Real Books. The Real Books (or any fake books) are compilations of several ... Read More

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...and bass its unique voice. From a practical perspective, the most critical and perhaps overlooked difference to be aware of when buying a viola is the potential difference in string length. This is the measurement taken along the finger board, stretching from the nut to the bridge. This distance is of equal importance to the actual size classification of the instrument because it alone is the factor that determines finger placement. In other words, the string length can have a significant impact on the playability of a viola. This makes perfect sense when you consider that a shorter string length will ... Read More

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...of study in classical voice training. The breath not only fuels the singer’s best possible singing but also allows for vocal longevity so that the singer can continue to sing beautifully and healthfully throughout his or her life. Without good breath support, the voice fatigues quickly, which consequently increases the potential for serious vocal injury. The singer will learn to use breath support to efficiently withstand any length, dynamic level, or intensity of vocal phrase.   Vocal Range Classical voice training relies heavily on warm-ups and vocalises to not only physically warm up the voice but also challenge the singer ... Read More

Choosing Your First Drum Set

...These form the core of most drumming. Beyond that, two or three tom-toms (including rack toms and floor toms) are typical, and many more are possible, as well as the ride cymbal, crash cymbal(s), and other types of accent cymbals. This leads us to my next point:   Keep it simple! Many beginning drummers, especially kids and teenagers, are entranced by the enormous drum sets employed by many rock drummers. However, having a large number of tom-toms, cymbals, and other add-ons is very distracting to the beginning drummer, and can hamper the learning of the essentials of the drummer’s palette- it’s very tempting to spend practice ... Read More
Piano Styles
Understanding Lead Sheet Notation
A Young Violist’s Guide to Buying a Viola
The Benefits of Classical Voice Training
Choosing Your First Drum Set

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