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Featured Piano Teachers Near Arlington, VA

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Here are just a few of the many teachers offering Piano lessons in Arlington . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Shareka B

Instruments: Piano Clarinet

My teaching experience dates back to college. I was a student teacher as well as a mentor. When i graduated college I began teaching my own private lessons for piano and have been for almost 3 years in student homes. I start from 5 years old, all the way up to adults. For my younger students (5 year olds) I encourage to practice everyday for 15-20 min as it helps memory and passion for their instrument. Read More

Aida K

Instruments: Piano Organ Keyboard

For young beginning students most of the time I like to use John Thompson's ''Easiest piano course'' as a practicing book,for their hands position and finger velocity I use ''A Dozen a Day'' and also I introduce them to music notation,spelling and writing with various Theory books . For older and adult beginners I choose different books. I have my own customized methods to teach different age groups and personalities.The most important thing is that a music lesson should be fun, not a burden. Read More

Alex A

Instruments: Piano Voice

I have started teaching shortly before college, and have a proven track record of working as an independent instructor and part of teaching collectives. I am a member in good standing with both MTNA and MSMTA, and have been consistently teaching students out of my home studio for the past 15 years. With younger students, I prefer emphasizing habit formation, such as setting a practice schedule, regularly committing to a set amount of practicing time, and develop a passion for the piano. Read More

DeAndre S

Instruments: Piano Trumpet

I love music. Music changed my life growing up. I was a very shy kid and music taught me how to connect with others from various backgrounds. I think that music is one of the most powerful forces on our planet. Being a teacher is amazing because I get to share those experiences with my students. I graduated in 2004 with a Bachelors of Music with a focus on Jazz Studies. Read More

Donovan D

Instruments: Piano Guitar Voice Drums Bass Guitar Synthesizer Accordion Harmonica Lap Steel Guitar Banjo Ukulele Mandolin Mallet Percussion Orchestral Percussion

Originally being a self-taught musician, I began with piano and harmonica, then eventually branched out to guitar, bass, banjo, among several others. I have ran sound equipment from an early age as well, learning how to set rigs for full bands and how to mix and master tracks for recording purposes. I have met and played with many famous and unfamous musicians, and find that the highest amount of talent is undiscovered and uncultivated. Read More

Viktoria T

Instruments: Piano Keyboard

My professional experience includes teaching Piano to dozens of students of all levels and ages, teaching skills that range from basic scales to classical sonatas to modern jazz, teaching students to read sheet music, playing by ear. Over the course of my career thus far, I have learned that compassion, communication, and encouragement are just as essential to imparting musical knowledge as technical skill. I also have experience teaching Music appreciation classes, Music Theory, and Ensemble. Read More

Kasaundra S

Instruments: Piano Clarinet Recorder Music

Everyone learns at their own pace. I want every student to make sure they are comftable with all information each week that is being introduced to them. Music should be fun and a way to express yourself. With that being said, every student has different methods that helps them learn material and I don’t want anyone to feel discouraged if they are not understanding at the same speeds as others they may know. Read More

Teacher In Spotlight

Emily B

Instruments: Piano Voice

What advice do you have about practicing effectively?
Effective practice goes beyond simple repetition. When you sit down to practice, start with something you enjoy playing {or singing} as part of your warm-up routine, then start your actual work. If you're starting a new piece, begin by looking through the music - take note of the rhythm, key signature, accidentals, etc., then slowly sight-read through the piece. Divide the piece into sections and take it one section at a time. When working on a section, play through it, then decide which chunks need the most focus - it can be as long as a phrase or as short as a measure or two, or even just a motive. Figure out what you can do to make that small section better, be it fingering changes, hands-separate practice, working with rhythms, etc. Eventually, you can piece the larger sections together and get something great!

How do I know if my child is ready to start lessons?
If your child shows a genuine interest in making music, they are ready. Depending on the age of your child, talk to them about starting lessons, and ask them questions, such as: How much time do they have to practice each day/week? Do they understand that it will take time and practice to become proficient? What are their musical goals? What kind of music do they want to learn? If they can answer some of these questions, they should be ready to succeed in music. A trial lesson is a great way for both the student and the teacher to determine if the student is ready.

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
I like to use the Bastien Piano Basics series for my young piano students, because it is what I primarily learned with. I also like the Piano Adventures series; over the past year or so I've become pretty familiar with the series, and it has a lot of good things to offer - the pacing and organization is great. For adults, the Alfred piano course is good, though depending on the capabilities of older students, I may just teach through repertoire. For very young students, adding a bit of the Kodaly method into the lessons helps as well - using folk songs/singing to teach musical concepts.

Does music run in your family? Tell us a little about your musical family members.
Music definitely runs in my family. My mom's family is very large - there are 11 kids - and all of them sing and/or play an instrument, and just about all of them have been in a band at some point in their life. My mom is a singer/songwriter with multiple recordings. My dad's parents toured the country listening to polka bands, but my dad ended up getting into drumming. All of my 7 siblings are musical, too: we have pianists, singers, a drummer, a guitarist, and a potential violinist. We love singing together and making up goofy songs with each other.

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Recent Articles from the Musika Blog

Heart of Gold Chords Arranged for Beginning Guitar (Neil Young)

...chord (as the right hand of the piano would).   Here’s the basic techniques that I use:   Block Chord: Pluck all of the strings (well, the four that you’ll be playing) at the same time with the same rhythm as the recording. Bass Chord: By separating the thumb and fingers we can create more of a rhythmic feel. Aim to use the thumb on the downbeat (think of the bass drum) and then freely add the fingers (think of snare and hi-hat). This creates a percussive and pianistic effect. Arpeggios: Individually pluck the notes of the chord. I usually do... Read More

How to Read Strumming Patterns for Guitar

...A note tying to another note sustains throughout the duration of the second note. Here’s what a tie connecting two quarter notes looks like: Ties can cross over bar lines, and they add syncopation into strumming patterns.   Rests are symbols that tell musicians to be completely silent during a specified section of music. A quarter note rest is a symbol that represents the rest of a full beat and it looks like this:   An eighth note rest is a symbol that represents the resting of an eighth note. It looks like this:   Here’s a few measures of music with ties ... Read More

Easy Guitar Chords and How to Play Them

...Then use your ring finger the bar the A and D strings at the seventh fret. Your thumb should be pressing against the back of the neck, securing your hand to the fretboard. Play the first three strings, E, A, and D, and you will have played the A power chord.   You can then move this chord shape up and down the neck, still starting on the E string. Alternatively, you can move the shape up to the A string, and refrain from strumming the E string. With this simple shape, you can play in any key and cover any chord in the musical spectrum. ... Read More

Types of Flutes: The Modern Flute Family

...terms of intonation and tuning. Its smaller embouchure hole requires a tighter embouchure and a faster air stream, especially in the higher register. The higher register, also, is harder to tune anyway because of the smaller variation in wave length for each note. At about half the size of a C flute, piccolos sound a whole octave higher than the flute. The modern piccolo can play as low as d2, and as high as c5.   Modern piccolos are 12 ½ inches in length, with an embouchure hole of 10 millimeters in diameter, and finger holes of 6 millimeter in diameter. Because of the piccolo’s ... Read More

Stars in Our Eyes: An Interview with Paul Huang, Young Concert Artists' Brightest New Recruit

...to start violin lessons; I didn’t even remember that I had already taken one at age four and hated it! Who were your violinist idols growing up? I love David Oistrakh and Yo-Yo Ma, I grew up listening to their recordings. It’s just so wonderful that we now have access to media on the internet and on YouTube. You get to see and hear the great masters whenever you want and it’s a great way to learn more about classical music. When you first starting playing violin, did you have teachers that really inspired you? Of course! My first violin teacher was relatively ... Read More
Heart of Gold Chords Arranged for Beginning Guitar (Neil Young)
How to Read Strumming Patterns for Guitar
Easy Guitar Chords and How to Play Them
Types of Flutes: The Modern Flute Family
Stars in Our Eyes: An Interview with Paul Huang, Young Concert Artists' Brightest New Recruit

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