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Featured Piano Teachers Near Arlington, VA

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Here are just a few of the many teachers offering Piano lessons in Arlington . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Kaoru M

Instruments: Piano

I find each student's possibility. Some are good at reading music, but other are good at listening. Some have creativity to compose music and other are good at understanding what composers idea and perform music beautifully. Therefore I take different approach to each student. I discuss about their goal and set the goal with together with students. I explain what is the best way to achieve the goal. I instruct them clearly step by step and let them know what they have to do every day. Read More

Kevin W

Instruments: Piano Guitar Keyboard Acoustic Guitar

My methods and approach to teaching a student all depend on the student (or group of students). I like to find out what attracts my students to music, and more specifically, why they want to learn to play piano. By investigating the motives of my students, I can better tailor a lesson that delivers both what they want to learn and what they need to learn. Once the goals are known, we begin to build a foundation of technical and creative exercises to increase skill and comprehension within the realm of playing piano. Read More

Raymond R

Instruments: Piano Saxophone Djembe

My teaching experience dates back to the beginning of high school. Though it wasn't music education, I am very much use to private teaching. I started my education career at "Kumon of Bowie Math and Reading Center," a tutoring center created to emphasis one-on-one assistance for students in need. After working there for five years, I pursued my undergraduate education until Spring 2017. During college, I also worked as an ear training mentor. Read More

D'Niko E

Instruments: Piano Trumpet Trombone Saxophone Flute Clarinet Drums Bass Guitar Double Bass Piccolo Oboe Bassoon Music Keyboard

Observing and listening to a variety of different artist and styles of music pertaining to your respective instrument; helps you gain a great deal of insight of how the playing of your instrument can possibly look, as well as how the playing your instrument can possibly sound. Routine practice and the application of knowledge, as it pertains to proper posture, breathing techniques, embouchure formation, handling positions, and expression, helps you perform from your core and the depths of your soul. Read More

Michael B

Instruments: Piano Guitar Voice

Lessons are geared towards student needs. Beginning guitar and piano lessons follow standard curricula. Voice lessons are usually 15-30 minutes of technique work followed by 15-30 minutes of work on repertoire. Read More

DeAndre S

Instruments: Piano Trumpet

I love to teach. I love sharing the knowledge and experience that I've accumulated over the years as a Musician. For me the best part is opening my students eyes to the possibilities music has to offer. Its very rewarding to see them grow and not only achieve the goals we set together but to become continually curious about music and life. I love to encourage my students yet I also am not afraid to let them know when they're veered off of the path. Read More

Nathan B

Instruments: Piano Violin

During this time, I will use different teaching styles to find what methods work best for a particular student. For adult or intermediate to advanced students, I hold much higher expectations in and out of lessons. I want students to have a thorough understanding of music so that they may better learn and discover things for themselves. This process takes time and energy from the student. During lessons, I will provide appropriate fundamental methods, exercises and repertoire for an individual student's needs. Read More

Teacher In Spotlight

Emily B

Instruments: Piano Voice

What advice do you have about practicing effectively?
Effective practice goes beyond simple repetition. When you sit down to practice, start with something you enjoy playing {or singing} as part of your warm-up routine, then start your actual work. If you're starting a new piece, begin by looking through the music - take note of the rhythm, key signature, accidentals, etc., then slowly sight-read through the piece. Divide the piece into sections and take it one section at a time. When working on a section, play through it, then decide which chunks need the most focus - it can be as long as a phrase or as short as a measure or two, or even just a motive. Figure out what you can do to make that small section better, be it fingering changes, hands-separate practice, working with rhythms, etc. Eventually, you can piece the larger sections together and get something great!

How do I know if my child is ready to start lessons?
If your child shows a genuine interest in making music, they are ready. Depending on the age of your child, talk to them about starting lessons, and ask them questions, such as: How much time do they have to practice each day/week? Do they understand that it will take time and practice to become proficient? What are their musical goals? What kind of music do they want to learn? If they can answer some of these questions, they should be ready to succeed in music. A trial lesson is a great way for both the student and the teacher to determine if the student is ready.

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
I like to use the Bastien Piano Basics series for my young piano students, because it is what I primarily learned with. I also like the Piano Adventures series; over the past year or so I've become pretty familiar with the series, and it has a lot of good things to offer - the pacing and organization is great. For adults, the Alfred piano course is good, though depending on the capabilities of older students, I may just teach through repertoire. For very young students, adding a bit of the Kodaly method into the lessons helps as well - using folk songs/singing to teach musical concepts.

Does music run in your family? Tell us a little about your musical family members.
Music definitely runs in my family. My mom's family is very large - there are 11 kids - and all of them sing and/or play an instrument, and just about all of them have been in a band at some point in their life. My mom is a singer/songwriter with multiple recordings. My dad's parents toured the country listening to polka bands, but my dad ended up getting into drumming. All of my 7 siblings are musical, too: we have pianists, singers, a drummer, a guitarist, and a potential violinist. We love singing together and making up goofy songs with each other.

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Recent Articles from the Musika Blog

Heart of Gold Chords Arranged for Beginning Guitar (Neil Young)

...chord (as the right hand of the piano would).   Here’s the basic techniques that I use:   Block Chord: Pluck all of the strings (well, the four that you’ll be playing) at the same time with the same rhythm as the recording. Bass Chord: By separating the thumb and fingers we can create more of a rhythmic feel. Aim to use the thumb on the downbeat (think of the bass drum) and then freely add the fingers (think of snare and hi-hat). This creates a percussive and pianistic effect. Arpeggios: Individually pluck the notes of the chord. I usually do... Read More

How to Read Strumming Patterns for Guitar

...A note tying to another note sustains throughout the duration of the second note. Here’s what a tie connecting two quarter notes looks like: Ties can cross over bar lines, and they add syncopation into strumming patterns.   Rests are symbols that tell musicians to be completely silent during a specified section of music. A quarter note rest is a symbol that represents the rest of a full beat and it looks like this:   An eighth note rest is a symbol that represents the resting of an eighth note. It looks like this:   Here’s a few measures of music with ties ... Read More

Easy Guitar Chords and How to Play Them

...Then use your ring finger the bar the A and D strings at the seventh fret. Your thumb should be pressing against the back of the neck, securing your hand to the fretboard. Play the first three strings, E, A, and D, and you will have played the A power chord.   You can then move this chord shape up and down the neck, still starting on the E string. Alternatively, you can move the shape up to the A string, and refrain from strumming the E string. With this simple shape, you can play in any key and cover any chord in the musical spectrum. ... Read More

Types of Flutes: The Modern Flute Family

...terms of intonation and tuning. Its smaller embouchure hole requires a tighter embouchure and a faster air stream, especially in the higher register. The higher register, also, is harder to tune anyway because of the smaller variation in wave length for each note. At about half the size of a C flute, piccolos sound a whole octave higher than the flute. The modern piccolo can play as low as d2, and as high as c5.   Modern piccolos are 12 ½ inches in length, with an embouchure hole of 10 millimeters in diameter, and finger holes of 6 millimeter in diameter. Because of the piccolo’s ... Read More

Stars in Our Eyes: An Interview with Paul Huang, Young Concert Artists' Brightest New Recruit

...to start violin lessons; I didn’t even remember that I had already taken one at age four and hated it! Who were your violinist idols growing up? I love David Oistrakh and Yo-Yo Ma, I grew up listening to their recordings. It’s just so wonderful that we now have access to media on the internet and on YouTube. You get to see and hear the great masters whenever you want and it’s a great way to learn more about classical music. When you first starting playing violin, did you have teachers that really inspired you? Of course! My first violin teacher was relatively ... Read More
Heart of Gold Chords Arranged for Beginning Guitar (Neil Young)
How to Read Strumming Patterns for Guitar
Easy Guitar Chords and How to Play Them
Types of Flutes: The Modern Flute Family
Stars in Our Eyes: An Interview with Paul Huang, Young Concert Artists' Brightest New Recruit

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