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Featured Violin Teachers Near St Paul, MN

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Here are just a few of the many teachers offering Violin lessons in St Paul . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Dawne E

Instruments: Piano Violin Viola Fiddle Keyboard

I am familiar with all teaching methods, both American and European. I use the combination of both. In general I teach scales, reading music, learning to sight read, metronme training, along with muscle development and strengthening. I teach all styles of music for both strings and piano and have had very successful students young and old. Specifically for violin, I teach the Dounis method for more advanced students preparing for auditions, scholarships etc. Read More

Byron D

Instruments: Violin Cello Viola

I was born into a family of string teachers. My father was a conductor and cellist and also played violin. My mother was a violinist and my brother. So it was only natural this became my course in life. I started on the violin, but soon focused on the cello. I was surrounded by string teaching my whole life. But it was not until I met George Neikrug and learned about D. Read More

Robin M

Instruments: Piano Guitar Voice Violin Cello Viola Trumpet Trombone Saxophone Flute Clarinet Drums Bass Guitar Organ Synthesizer Accordion Banjo Ukulele Mandolin Recorder Electric Violin Fiddle Double Bass French Horn Tuba Piccolo Mallet Percussion Orchestral Percussion Oboe Bassoon English Horn Conga Music Keyboard Electric Guitar Classical Guitar Acoustic Guitar

I began teaching private lessons in 1989. My focus is to understand what learning style my students have and base my teaching methods on their individual needs. In college I studied pedagogies (teaching methods) for band, orchestra and majored in vocal and classroom education. Since achieving my degree in teaching kindergarten through 12th grade education, I have worked in Preschool, Elementary, Middle School, and High School settings as well with the elderly. Read More

Marissa E

Instruments: Violin Viola

I have been playing violin and viola for over fifteen years, and over the course of that time I have studied piano and theory as well. My piano background has helped immensely in teaching strings, and I highly recommend piano experience for any musician, though I don't require it. I have been teaching for over three years and have greatly enjoyed sharing my passion with students. A consistent practice schedule and help from parents is essential to the success of any musician, especially young musicians, and I highly encourage this. Read More

Brenna B

Instruments: Violin

My teaching experience started in 2010 at my own studio in Alexandria, MN. Since moving to the Minneapolis area, I have regrown my studio in this region. I work with students to achieve their goals which can be anywhere from advanced student goals, beginner students learning for fun, and adult students learning a music instrument as a hobby. My emphasis is on creating a fun, safe environment where I can help students identify methods of practice that will help them succeed long-term in their home practice. Read More

Kimberly H

Instruments: Piano Guitar Voice Violin Cello

Piano: I prefer Faber Piano Adventures, but I can be flexible if the student is in the middle of another series already. I have also taught the young beginner series by Faber. Strings: I use a traditional approach, but I am not tied to any particular method book. I can supplement whatever is being taught in school or the lessons can stand on their own. I have taught anywhere from Kindergarten to adult ages. Read More

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Recent Articles from the Musika Blog

Chord Substitution

...with both A and E minor 7th chords. The notes in common between chords here are highlighted in red:     ii7 for V7 substitutions-   Composers and songwriters often toy around with substituting the dominant 7th chord with the ii7 chord of a major key. In the key of C major, the dominant 7th chord’s notes are G-B-D-F and the minor second’s are D-F-A-C. This substitution is a great way to subtly defy the listener’s expectations because of the strong and predictable relationship between the V and I chord:     Diminished 7th for Dominant 7th-   This chord substitution is a great way to deliver... Read More

Piano Keys Chart for Beginner Piano Students

...a set of three. On the full keyboard this pattern repeats seven times, hence the seven octaves. Once you know the note names for the 12 keys shown above you’ve learned the entire keyboard!   Accidentals and Enharmonics You may have noticed that some notes have a b or a # next to the letter name. The b represents flat notes and the # represents sharp notes. Music moves in steps going up or down in pitch. When talking about steps, especially in relation to scales, we talk about half steps and whole steps. Sharps and flats raise or lower a note by ... Read More

Suzuki Performance: An Approach to Playing for an Audience

...blends with the idea of cars, hence the ‘highway’ concept.) Keeping your eyes on the Kreisler highway helps keep your bow from yawing sideways on the strings. It also keeps you from being distracted by the puppy trotting into the room, or a sibling using Legos in the corner of the teacher’s studio. Other tips your teacher may give you for a good Suzuki performance are along the lines of ‘practice until you can’t mess up.’ Will you get to do a dry run of your performance? Ask the teacher. If she doesn’t tell you this ahead of time, then you can ask: how ... Read More

Jazz Exercises for the Saxophone: Thinking in 12 Keys

...ears and some people rely more on logic. When I say “logic”, I mean specifically relying on thought more than on your ear. In the case of playing in 12 keys, that would usually mean thinking in terms of scale degrees (in the C scale C=1, D=2; in the F# scale F#=1, G#=2, etc.). In my opinion, it’s most effective to use a combination of both of these methods. People that rely too heavily on their ear can be extremely limited, as they haven’t learned about thinking in 12 keys. What happens when they have to play “Giant Steps” or “Cherokee” at quarter note = 300? Nobody’s mind ... Read More

Cremona Violins: Innovative and Artistic Instruments

...three exams every year, by the restorer and curator of the Stradivari Society. That way, the Society can assure both the lender and the borrower that the instrument has been kept in the best of care. And the number of famous musicians who have been a part of the program is quite impressive – Gil Shaham, Hilary Hahn, and Sarah Chang are just a few of the names on the list. Frequently, the musician who owns or plays the Cremona violin (or viola or cello) leaves his name with his instrument: the Ex-Gingold Stradivarius, for example, was played by Josef Gingold, ... Read More
Chord Substitution
Piano Keys Chart for Beginner Piano Students
Suzuki Performance: An Approach to Playing for an Audience
Jazz Exercises for the Saxophone: Thinking in 12 Keys
Cremona Violins: Innovative and Artistic Instruments

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