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Featured Violin Teachers Near St Paul, MN

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Here are just a few of the many teachers offering Violin lessons in St Paul . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Marissa E

Instruments: Violin Viola

My name is Marissa, and I am a dedicated and passionate musician and teacher! I play the viola and violin, and graduated this past spring of 2017 from Luther College with a Bachelor of Arts degree in music. This fall I will continue my education at the University of Minnesota for my Masters of Music in Viola Performance. Over the course of my college career, I have had the opportunity to perform as principal endowed violist in the Luther College Symphony Orchestra across the United States, as well as a residency in Vienna, Austria playing in venues like the world famous Konzert Haus. Read More

Dawne E

Instruments: Piano Violin Viola Fiddle Keyboard

My style of teaching is different for each student. After meeting the student, I suggest setting a goal, working towards that goal for 4 -6 weeks - after which an assessment is made by me to determine how best to continue. For the younger student I often demonstrate, or play with them. Encouraging recital participation, finding the right performance piece helps me determine what inspires the student, young or old. Negativity in lessons is not acceptable and never happens with me as your teacher. Read More

Robin M

Instruments: Piano Guitar Voice Violin Cello Viola Trumpet Trombone Saxophone Flute Clarinet Drums Bass Guitar Organ Synthesizer Accordion Banjo Ukulele Mandolin Recorder Electric Violin Fiddle Double Bass French Horn Tuba Piccolo Mallet Percussion Orchestral Percussion Oboe Bassoon English Horn Conga Music Keyboard Electric Guitar Classical Guitar Acoustic Guitar

I am an instructor who tailors lessons based on the student's desires. Having been a performer since I was 13 years old, I work as a musical coach. My performing experience varies from pop, rock, country, jazz, hard rock, contemporary Christian and classical. I am a classically trained pianist and vocalist. Currently I play in a trio that performs regularly at nursing homes. I love bringing joy to the elderly by playing their favorite sing alongs as well as teaching them current music. Read More

Brenna B

Instruments: Violin

I am a violinist based in Minneapolis, and have studied under Fargo Moorhead Symphony's Joan Covington, as well as Minnesota Orchestra's Roger Frisch. I served as concertmaster to the Central Lakes Symphony Orchestra in the Alexandria Lakes area, MN for two years, and served as concertmaster in the University of Minnesota Campus Orchestra. I perform as a violinist in pitt ensembles throughout the Twin Cities, and greater Minnesota region. I also attended Suzuki institute for 10 years as a student and observed teaching classes during my last two years there during the first few years of teaching at my studio. Read More

Byron D

Instruments: Violin Cello Viola

THE DOUNIS METHOD - The secret of being a truly great string player is to make the instrument an extension of the body not vice versa. This is accomplished by using your native instincts which are strongest when you are a child, but can be rediscovered later. When all technique is based on these instinctive movements then the expression is released. Your creative potential is unlocked. This kind of playing conveys a natural musical authority because it is completely based on your own musical impulses. Read More

Kimberly H

Instruments: Piano Guitar Voice Violin Cello

Cello is my main instrument, but I have also been teaching piano, guitar, and violin for years. I love teaching and the variety of finding the approach that works best for each individual student. On a personal note, I was married in 2010 and had my first child, a boy, a year later. I live in Northfield but commute up to the Eden Prairie/Chanhassen area for lessons every Monday. I am also open to giving lessons at people's homes who are close to Highway 35 on the way to or from the Cities. Read More

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Recent Articles from the Musika Blog

Chord Substitution

...with both A and E minor 7th chords. The notes in common between chords here are highlighted in red:     ii7 for V7 substitutions-   Composers and songwriters often toy around with substituting the dominant 7th chord with the ii7 chord of a major key. In the key of C major, the dominant 7th chord’s notes are G-B-D-F and the minor second’s are D-F-A-C. This substitution is a great way to subtly defy the listener’s expectations because of the strong and predictable relationship between the V and I chord:     Diminished 7th for Dominant 7th-   This chord substitution is a great way to deliver... Read More

Piano Keys Chart for Beginner Piano Students

...a set of three. On the full keyboard this pattern repeats seven times, hence the seven octaves. Once you know the note names for the 12 keys shown above you’ve learned the entire keyboard!   Accidentals and Enharmonics You may have noticed that some notes have a b or a # next to the letter name. The b represents flat notes and the # represents sharp notes. Music moves in steps going up or down in pitch. When talking about steps, especially in relation to scales, we talk about half steps and whole steps. Sharps and flats raise or lower a note by ... Read More

Suzuki Performance: An Approach to Playing for an Audience

...blends with the idea of cars, hence the ‘highway’ concept.) Keeping your eyes on the Kreisler highway helps keep your bow from yawing sideways on the strings. It also keeps you from being distracted by the puppy trotting into the room, or a sibling using Legos in the corner of the teacher’s studio. Other tips your teacher may give you for a good Suzuki performance are along the lines of ‘practice until you can’t mess up.’ Will you get to do a dry run of your performance? Ask the teacher. If she doesn’t tell you this ahead of time, then you can ask: how ... Read More

Jazz Exercises for the Saxophone: Thinking in 12 Keys

...ears and some people rely more on logic. When I say “logic”, I mean specifically relying on thought more than on your ear. In the case of playing in 12 keys, that would usually mean thinking in terms of scale degrees (in the C scale C=1, D=2; in the F# scale F#=1, G#=2, etc.). In my opinion, it’s most effective to use a combination of both of these methods. People that rely too heavily on their ear can be extremely limited, as they haven’t learned about thinking in 12 keys. What happens when they have to play “Giant Steps” or “Cherokee” at quarter note = 300? Nobody’s mind ... Read More

Cremona Violins: Innovative and Artistic Instruments

...three exams every year, by the restorer and curator of the Stradivari Society. That way, the Society can assure both the lender and the borrower that the instrument has been kept in the best of care. And the number of famous musicians who have been a part of the program is quite impressive – Gil Shaham, Hilary Hahn, and Sarah Chang are just a few of the names on the list. Frequently, the musician who owns or plays the Cremona violin (or viola or cello) leaves his name with his instrument: the Ex-Gingold Stradivarius, for example, was played by Josef Gingold, ... Read More
Chord Substitution
Piano Keys Chart for Beginner Piano Students
Suzuki Performance: An Approach to Playing for an Audience
Jazz Exercises for the Saxophone: Thinking in 12 Keys
Cremona Violins: Innovative and Artistic Instruments

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