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Featured Violin Teachers Near Washington, DC

4047   5 STAR Musika Reviews

Here are just a few of the many teachers offering Violin lessons in Washington . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Elizabeth L

Instruments: Violin Viola

My teaching experience dates back to my grad school years, as I began teaching private lessons part time in 1995. Since then, I have been teaching more and more students both privately and in school setting. I have taught in Park School, The Friends School in Baltimore area, and Towson University preparatory music department, and currently I'm a faculty in McDonogh School Private Music department. I also run studio recitals yearly and help my students rehearsing with the pianists to make their music complete and bring them up to their fullest performance level. Read More

Nathan B

Instruments: Piano Violin

For young, beginning and novice students, I believe that it is important to find and instill a love of music before diving too deeply into the fundamentals. Music is a beautiful thing, but it can be overwhelmingly complex at the same time. I will only take on students who show a genuine interest in music, and from there I like to cultivate that interest. We can discover what they like about music and go from there. Read More

Stephanie S

Instruments: Violin

I have helped students achieve their goals as young as 4 years old and into their college years! I am trained in the Suzuki Method, but I also feel comfortable teaching any preference and learning style. I particularly enjoy teaching younger musicians and have focused my work on beginner students, as young as preschool. However, because of my extensive performing experience, I have been able to see many of my students into universities where they have continued to play the violin at top levels. Read More

Sarah S

Instruments: Violin

For beginner students who are children, I usually start with Hal Leonard's Essential Elements. Once the student has grasped the fundamentals, I will introduce solo repertoire suited for his or her first recital performance. I introduce etudes to the students after the student demonstrates the ability to play several simple pieces well. For intermediate and advanced students, I typically do not let them play a piece at a certain grade level until they have finished playing one piece one grade level below that. Read More

Jason R

Instruments: Piano Guitar Violin Trumpet Saxophone Flute Clarinet Bass Guitar Keyboard Electric Guitar

I have a lot of experience with curriculum development. My favorite books to teach from include Accent on Achievement, Alfred's Piano Book series and Essential Elements. However I can teach without a book on any instruments and compose assignments as I have done in the past. Even if I am teaching using a book, I usually do a lot of ear training and music theory based assignments that are not found in these books. Read More

Cheuk Ching T

Instruments: Violin

I have had lots of experiences working with young musicians. I assisted my former violin teacher who teaches at Xinghai Conservatory of Music in Guangzhou supervising some of his students’ practice. I helped my students to prepare for their exams, auditions, performances and competitions and a lot of them achieved satisfying outcomes. I also coached sectionals of a high school orchestra for 2 years and they were awarded 1st prize winner for the first time at the city’s interschool music contest during the second year. Read More

Teacher In Spotlight

Wayman M

Instruments: Violin

What advice do you have about practicing effectively?
I recommend slow consistent practice consisting of scales, arpeggios, etudes, and solo repertoire. Practice should be disciplined and intentional with specific goals for each session. For example, bowing and left hand techniques, phrasing, intonation, posture. Beginning students should strive for 30 minutes, intermediate students 45 minutes; advanced students 60 minutes. Solo performers will generally exceed 120 minutes to several hours. In any scenario, care must be exercised to avoid overuse injuries.

How do I know if my child is ready to start lessons?
I have found that children younger than 6 years old are generally not yet ready to start lessons although there are exceptions. I believe that all children are intrigued by musical sounds and will demonstrate their desire to learn an instrument by imitating musicians they see on television or hear on the radio, or Internet - namely, YouTube, Vimeo, Facebook, etc. Furthermore, kids with a strong propensity for taking lessons will frequently talk about it in every day conversation with family and friends. A colleague of mine said that she attended concerts at the Kennedy Center when she was a child always focusing her attention on the instrumental soloist. She told her parents who were both church musicians that she wanted to wear a long dress and play on stage in front of an audience too. She is now a world class violinist and associate violin professor at the San Francisco Conservatory of Music. She is often called upon by regional symphony orchestras to perform as soloist.

When will I start to see results?
Results vary with each student and depend upon both talent and disciplined application. If the student is consistently engaged in lessons, and practices at least 3-4 days weekly for 30 - 45 minutes each session, results can be seen in 3-6 months. Music study like any academic endeavor requires persistent study and application. The learning experience is cumulative much like mastering mathematics multiplication tables, fractions, or Algebraic equations. Each musical concept and technique builds upon those previously learned. Patient repitition of these skills is a requirement for sustained success.

Did you have a teacher that inspired you to go into music? How did they inspire you?
Yes, my first private instructor was my first major inspiration for pursuing music as a a career possibility. He played with the Buffalo Philharmonic Orchestra for over 40 years. He combined traditional repertoire for the violin but also incorporated popular music as part of my lessons. This approach demonstrated to me that the violin is relevant to a variety of musical genre. My teacher would allow me backstage at concerts at Kleinhans Music Hall and introduce me to artists like Itzhak Perlman, Aaron Copeland and others. I felt at home in this environment.

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