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Here are just a few of the many teachers offering Voice lessons in Baltimore . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!
Instruments: Voice
Also I do shows of my own usually on weekend evenings and nights so would need that availability and my only other conflicting time would be Sunday mornings for church mass I cantor occasionally at masses and Saturday mornings every now and then usually around holidays there are pancake breakfasts, Committee meetings,festivals events, and fish fries that I provide a performance as entertainment for. I also am working on some of my own musical projections and creations that require some of my attention. Read More
Instruments: Piano Voice
I've been teaching piano and voice in the Northern Virginia area for over fifteen years. I have worked at studios such as Jordan Kitts Music and Music and Arts, and have done in-home lessons at students homes, which I still do now. My students range from beginners to intermediate level players, and my approach combines popular music with classical, jazz and traditional styles. Of course, in the beginning they learn to play simple songs that they are familiar with like Frere Jacques, Old McDonald, Jingle Bells and so on. Read More
Instruments: Piano Voice
My name is Rebecca and I am a native Texan who has just moved to the DC area from New York City. I am passionate about both teaching and performing! As a performer,I have enjoyed performing in many regional productions of musicals and operas. Some of my favoriteroles include Maria in The Sound of Music, Cosette in LesMiserables, Belle in Beauty and the Beast, Kathy in The Last 5Years, Nella in Gianni Schicchi, and Edith in The Pirates ofPenzance. Read More
Instruments: Piano Voice
For beginners who are children, I typically use Faber and Faber's Piano Adventures. One of my biggest goals while teaching is to provide my students with a well-rounded music education. From my experience, the Piano Adventures series aligns well this goal while providing engaging, fun material for children. After completing a series of method books, I start to focus on classical repertoire. While I believe classical repertoire is the best way to build piano technique, musicianship, and musical knowledge, I love including other genres depending on the student's interest. Read More
Instruments: Voice
I am a member of the National Association of Teachers of Singing (NATS), the Pan American Vocology Association (PAVA), and the Voice Foundation. As a performer, I have sung in many opera houses and theatres across the country as well as in Germany and Italy. My voice has been described as “ebullient” in roles such as Figaro in Le Nozze di Figaro, Leporello in Don Giovanni, Dr. Dulcamara in L’elisir d’amore, Méphistophélès in Faust, Caspar in Der Freischütz, and Sam in Trouble in Tahiti. Read More
Instruments: Voice Saxophone
In the initial meeting with a student I talk through what they want to accomplish what genre's of music the would like to play and what kind of personality they have. Then I have more of an understanding of what direction to go in to personalize the teaching. I believe very much in the saying "there's only one way to Carnegie Hall PRACTICE, PRACTICE, PRACTICE". I don't force structure and scales etc. Read More
Instruments: Piano Guitar Voice Cello Music Electric Guitar Acoustic Guitar
I'm a passionate musician, music therapist, teacher, and songwriter, and have dedicated my life to improving myself and others through music. In 2022, I graduated from Seattle University with a B.A. in Music (with a specialization in cello performance) and a B.A. in Psychology. In summer of 2025, I will finish my Masters of Music in Music Therapy from Colorado State University virtually. I am a current music therapy intern at Springfield Hospital Center in Sykesville, MD. Read More
Instruments: Piano Voice Keyboard
What advice do you have about practicing effectively?
Minimize distractions: It’s no surprise that your phone and computer can be big distractions if you leave them within arm’s reach during practice sessions. Put them where you can’t see or hear any notifications so you won’t be tempted to stop practicing to reply to a message “real quick” and end up going down a distraction rabbit hole.
Focus on quality: Start slow if you’re new to what you’re practicing so you can make sure you’re doing quality work, like landing one dance move well before moving onto the rest of the routine. Once you feel comfortable, increase your speed but don’t lose sight of the quality of your practice.
Divide your practice into sessions: Give yourself breaks in between practice sessions. Even professional athletes and performers take time between sessions to recharge so they can maintain the right quality level during practice.
Use your imagination: Run through your dance moves, speech, or piece of music in your imagination when you’re not physically practicing. This can actually help you improve since many skills have a heavy mental component.
How do I know if my child is ready to start lessons?
1. Does your child know the difference between left and right? Playing the piano requires the use of both hands, so being able to distinguish one hand from the other is an important skill.
2. Does your child know the alphabet, specifically the first seven letters (A-B-C-D-E-F-G)? The musical alphabet is made of seven letters. It is important for your child to be able to identify and name these letters in order to read music.
3. Can your child count to ten? With really young beginners (age 4-5), I focus on counting to four. The note values and time signatures in beginner music focus on one count, two counts, three counts, or four counts. However, it is ideal if a child can count to a higher number as music is heavily based in math. Distance between notes (intervals) rely on counting the number of notes that separate them. Even the basic scale patterns are mathematically based.
4. Can your child focus and pay attention for 30 minutes? All of my beginner lessons are 30 minutes in length. However, I usually reserve ten minutes of each lesson to do more hands on music activities, especially for really young beginners. As a result, I need students to be able to focus and pay attention for a minimum of 20 minutes.
5. Has your child expressed an interest in taking music lessons? Children who have expressed an interest in taking piano are more likely to be motivated to practice.
6. Can your child follow basic instructions? Your child needs to be able to follow simple instructions for practicing the assigned material.
7. How are the child's fine motor skills? Can your child hold a pencil or cut with scissors? Playing the piano requires a lot of fine motor dexterity, so having well tuned fine motor skills makes a huge difference.
8. Can your child read? Teaching piano to a child who can read makes a lot of things easier, including practicing more independently and reading practice instructions on their own. Plus, beginner piano music tends to have lyrics for the child to sing while they practice. Being able to read allows the child to sing the lyrics while they play which can increase their rhythmic accuracy and timing.
If you weren't a musician what do you think you'd be doing instead?
If I was not a musician, I would be an Early Childhood Educator. Children are very important to me. I see so much potential in each child that I see. My passion is to make children follow their dream no matter what. I am the first person in my family to graduate from college. I believe that if it was not for the teachers that I had in elementary school, I would not be who I am today!
25 Years
Since We Started
41,456+
Happy Customers
10,769
Cities with Students
3,123
Teachers in Network
Trusted as the industry leader, for over 21 years the teachers in our network have been providing Voice lessons in Baltimore to students of all ages and abilities.
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