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Here are just a few of the many teachers offering Voice lessons in Baltimore . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!
Instruments: Piano Voice
I've taught students of all ages, five(5) and up, and abilities for more than 30 years. The curriculum at N.A. Rimsky-Korsakov Children's Music School in Mykolaiv helped me prepared my students for earning high scores on their academic music examinations, participate in annual national music competitions and programmed regional music recitals , with several of my students winning first place awards and continuing their pursuit of becoming a musicians at the post- secondary education level. Read More
Instruments: Piano Voice
I always ask students, both young and old, if they have goals they would like to work towards in lessons, and I then tailor lessons to help students achieve their goals. I listen to a students interests as well, and incorporate more into the lessons that will motivate and keep lessons fun, whether that is adding in time for composition/songwriting, learning how to play pop chords on the piano, or mixing in Disney/appropriate pop songs as well as classical and musical theater selections! Read More
Instruments: Piano Voice
She also studied piano for many years, and has experience as an accompanist and vocal coach.Other than her pedagogy training and the typical university diction and literature curriculum, she also took 14 years of French, and lived in a German-speaking country for the better part of a year studying the language. Her knowledge of diction and language issues is extensive. This, combined with her comprehensive training in music theory, history, and repertoire, gives her a vast reserve of knowledge and resources for her teaching. Read More
Instruments: Voice
With Over 20 years of performing throughout the United States, alongside various groups, musical icons, luminaries, organizations, religious affiliates as well as secular affiliates and as a solo artist. My Vocal Performance history consists of, however, not limited to the following: • Performed with Donnie Mcclurkin -Greater Allen Cathedral, New York, NY (2 consecutive years) • Performed with Yolanda Adams, Columbus, OH • Performed with Dottie Peoples, Washington, DC-Kennedy Center • Performed with Angela Brown (NY Met), Cincinnati, OH • Performed with Take 6, Cincinnati, OH • Performed for The Boys Choir of Harlem to increase enrollment for Wilberforce University-Harlem, NY • Performed at Darryl Green's Retirement Party, Washington, DC • White House Christmas Reception-attendee for reception with Chris Tucker, Angela Basset, Star Jones, The parents of Travon Martin, Lynn Whitfield, Caroline Kennedy, Forest Whittaker, Jesse Jackson, Al Sharpton, Photo with First Family (2 Consecutive years) • Performed British National Anthem for The Prince of Whales, Washington, DC • Performed National Anthem for two (2) consecutive years for the Cleveland Cavaliers • Current contracted vocalist/soloist and Alto section leader for Howard University Chapel Choir, Washington, DC • Former member of Patrick Lundy & the Ministers of Music, (recording artists) Washington, DC • New York Performance at the Greater Allen Cathedral with Rachel Ferrell, New York, NY • Performed at the Bet Gospel Fest, Baltimore, MD • Performed at Bethesda Jazz & Blues Supper Club with sons of Serendip, Bethesda, MD • McDonald’s Inspiration Celebration Gospel Tour invitee for background Vocalist for 2012 Fred Hammond Summer Tour • Former member of Children of the Gospel Choir, Washington, DC • Former member of Women & Men of the Gospel Choir, Washington, DC • Former member of Heaven's Reign A Capella Group and Wilberforce University Choir, Wilberforce, OH (2004-2009) • Praise and Worship Vocalist for Pennsylvania Avenue Baptists Church (2017-Current (seasonal)) • Brown vs. Read More
Instruments: Voice
I am a recent graduate from Dickinson College with a BA in Music- Vocal Performance and Anthropology. Some of my recent major performance experiences include two solo recitals, including one featuring works of all women composers; Natalie in Next to Normal; and Frasquita in Carmen. I have interned in Florence, Italy with St. Mark's Opera, which is where I made my opera debut in Carmen. I am a passionate performer and excited teaching artist located in the Baltimore area. Read More
Instruments: Voice
My method is the chest mix head method. I teach lessons about chest, mix, and head voice and how to smoothly transition between them and eventually have them become one. I help students find their range, I teach proper breathing techniques and warm ups that are right for helping them reach their full voice potential and even assist with choosing the perfect song for auditions and give audition confidence prep tips from someone who has auditioned and made performance roles in musical theatre productions in Pittsburgh Pa. Read More
Instruments: Piano Guitar Voice Bass Guitar Synthesizer Ukulele Keyboard
Sometimes all it takes to really understand the material is a considerate instructor who knows how to teach at your pace. Having worked with students throughout Northern Virginia since 2000, I bring a depth of professional experience and knowledge to those who are eager to expand their minds, talents, and skills. I am passionate about musical education. It is my belief that music is a gift to be shared - not just between instructor and student but also between the student and their community. Read More
Instruments: Piano Voice Keyboard
What advice do you have about practicing effectively?
Minimize distractions: It’s no surprise that your phone and computer can be big distractions if you leave them within arm’s reach during practice sessions. Put them where you can’t see or hear any notifications so you won’t be tempted to stop practicing to reply to a message “real quick” and end up going down a distraction rabbit hole.
Focus on quality: Start slow if you’re new to what you’re practicing so you can make sure you’re doing quality work, like landing one dance move well before moving onto the rest of the routine. Once you feel comfortable, increase your speed but don’t lose sight of the quality of your practice.
Divide your practice into sessions: Give yourself breaks in between practice sessions. Even professional athletes and performers take time between sessions to recharge so they can maintain the right quality level during practice.
Use your imagination: Run through your dance moves, speech, or piece of music in your imagination when you’re not physically practicing. This can actually help you improve since many skills have a heavy mental component.
How do I know if my child is ready to start lessons?
1. Does your child know the difference between left and right? Playing the piano requires the use of both hands, so being able to distinguish one hand from the other is an important skill.
2. Does your child know the alphabet, specifically the first seven letters (A-B-C-D-E-F-G)? The musical alphabet is made of seven letters. It is important for your child to be able to identify and name these letters in order to read music.
3. Can your child count to ten? With really young beginners (age 4-5), I focus on counting to four. The note values and time signatures in beginner music focus on one count, two counts, three counts, or four counts. However, it is ideal if a child can count to a higher number as music is heavily based in math. Distance between notes (intervals) rely on counting the number of notes that separate them. Even the basic scale patterns are mathematically based.
4. Can your child focus and pay attention for 30 minutes? All of my beginner lessons are 30 minutes in length. However, I usually reserve ten minutes of each lesson to do more hands on music activities, especially for really young beginners. As a result, I need students to be able to focus and pay attention for a minimum of 20 minutes.
5. Has your child expressed an interest in taking music lessons? Children who have expressed an interest in taking piano are more likely to be motivated to practice.
6. Can your child follow basic instructions? Your child needs to be able to follow simple instructions for practicing the assigned material.
7. How are the child's fine motor skills? Can your child hold a pencil or cut with scissors? Playing the piano requires a lot of fine motor dexterity, so having well tuned fine motor skills makes a huge difference.
8. Can your child read? Teaching piano to a child who can read makes a lot of things easier, including practicing more independently and reading practice instructions on their own. Plus, beginner piano music tends to have lyrics for the child to sing while they practice. Being able to read allows the child to sing the lyrics while they play which can increase their rhythmic accuracy and timing.
If you weren't a musician what do you think you'd be doing instead?
If I was not a musician, I would be an Early Childhood Educator. Children are very important to me. I see so much potential in each child that I see. My passion is to make children follow their dream no matter what. I am the first person in my family to graduate from college. I believe that if it was not for the teachers that I had in elementary school, I would not be who I am today!
25 Years
Since We Started
41,456+
Happy Customers
10,769
Cities with Students
3,123
Teachers in Network
Trusted as the industry leader, for over 21 years the teachers in our network have been providing Voice lessons in Baltimore to students of all ages and abilities.
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