Bass Lessons in Millneck, NY

Instruments: Piano Guitar Trumpet Trombone Saxophone Bass Guitar Synthesizer Accordion Ukulele Euphonium French Horn Tuba Keyboard Electric Guitar Acoustic Guitar

Hi! I'm Steven, a multi-instrumentalist teacher and performer located in New York City! I hold a Master's in Music Education from New York University and a Bachelor's in trumpet and tuba performance from NYU as well. I've spent my entire life dedicated to creating, collaborating, and performing music, all while keeping many students. I've been an active performer in rock, jazz, R&B, funk, soul, classical, new music, studio, and musical theater groups for more than a decade, learning from some of the finest players and teachers around. Read More

Instruments: Guitar Bass Guitar Ukulele Electric Guitar Acoustic Guitar

In-demand NY session musician, teacher, and musical director Pete O has studied with many of the world’s top bass players. In addition to his independent studies at Berklee Music school, Pete has had the pleasure of studying with industry legends such as Victor Wooten, Chuck Rainey, Anthony Wellington, Adam Nitti, and Matt Garrison. Pete’s highlights include opening the Gathering of the Vibes festival in upstate New York, featuring James Brown, Michael Franti and Spearhead, Gov’t Mule, and the Allman Brothers. Read More

Instruments: Piano Guitar Voice Drums Bass Guitar Synthesizer Mallet Percussion Orchestral Percussion Conga Latin Percussion Music Keyboard Electric Guitar Djembe Acoustic Guitar

I am an intuitive teacher: I have learned how to observe my students, their moods, their energy levels, and adjust my lesson plan on the fly. For instance, one student has ADHD, which I manage by injecting exciting new rhythms for him to mimic when I see his attention wander. I then harness that renewed focus towards the original goal of the lesson, whether it’s learning a new time signature or a complex cross-rhythm. Read More

Instruments: Guitar Bass Guitar Banjo Ukulele Electric Guitar Classical Guitar Acoustic Guitar

I began teaching when I was a junior in highchool 5 years ago. As I progressed and study music at college I've kept on teaching as I've kept on learning, both at school and at home. Consistency is key and I always ingrain this into my students, no matter the level. The more you play the more you'll foster a love for your instruments! Being classically trained has given me a phenomenal base for my playing and I always try and incorporate the excellent form and technique it produces when teaching, especially with students of different genres! Read More

Instruments: Piano Guitar Drums Bass Guitar Mallet Percussion Orchestral Percussion Conga Latin Percussion Keyboard Djembe Acoustic Guitar

Over the years, I've taken lessons from instructors who had an array of teaching styles. While in high school, I was taught through intimidation and was scared into learning, which is something I was able to handle. This methods can actually turn students away from music which is the main reason dislike approach. Students should be comfortable and relaxed when entering a lesson. This not only creates a positive learning environment for the student but helps create a relationship between instructor and student that only helps the growth of both individuals. Read More

Instruments: Piano Bass Guitar Double Bass Keyboard

Over 15 years of teaching experience (including being a professor of a music academy), touring, performing at major venues and festivals, recording and leading my own projects. I employ healthy and efficient practicing and teaching technique through relaxation, gradual learning and individual approach. The lessons may also include theory, analysis, basic or advanced composition and many other aspects depending on the student's needs and abilities. The main goal is that my students are able to get fully engaged in the process of learning and enjoy every minute of it! Read More

Instruments: Piano Guitar Saxophone Flute Clarinet Bass Guitar Recorder

I use what some have called the target approach. With this method you are working on one concept at a time, and you should always have one concept in mind while you practice. Some examples of beginning concepts are 1) keeping a steady beat, 2) sound quality, or 3) smooth finger technique. In one practice session using the target approach you may spend 10 minutes on target 1) and 15 minutes on target 2). What is important, however, is that you continue to work on a target every day until you find yourself performing that single concept flawlessly and effortlessly. Read More