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Featured Piano Teachers Near Winston Salem, NC

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Here are just a few of the many teachers offering Piano lessons in Winston Salem . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Steve S

Instruments: Piano Guitar Trumpet Acoustic Guitar

For beginning students I typically start with sound development and articulation for the brass instruments starting with armband studies and schlosburg studies. For the intermediate students I work on Clark studies and intersperse getchel etudes for artistic development. Advanced students work on major recital works for brass that help their development for performance. Guitar students learn chordal techniques with rythem patterns and a blend of classical playing finger picking for individual technique for fingers. Read More

Cara S

Instruments: Piano Voice

I was in choir and band all throughout middle/high school and went to college unsure if I wanted to focus on music or theatre. I was very active in both departments and continued to take private piano and voice lessons but theatre won out and my primary focus changed to scenic painting. However, music remains a huge part of my life. I love that no matter where I am or who I am with music brings people together in a way that nothing else can. Read More

Eric S

Instruments: Piano Music

I believe that learning should be fun. I love music, and my most crucial goal is passing that love and passion onto students that I work with. I work with a variety of different methods, depending on the needs and interests of the student, and am always happy to be flexible, with the end goal of having a great time making music. I want to instill a love for music making in all of my students, and am happy to take whatever approach is necessary to make that happen. Read More

Mallory N

Instruments: Piano Voice Violin Cello Viola Trumpet Trombone Saxophone Flute Clarinet Drums Synthesizer Recorder Euphonium French Horn Tuba Piccolo Mallet Percussion Orchestral Percussion Oboe Bassoon Keyboard Djembe

For beginning students, I start with the Essential Elements book. If the student has already taken lessons or is in their school band/orchestra, I encourage moving onto the Rubank Elementary, Intermediate, and Advanced method books depending on ability. Once a student has proven that they are able to handle it, I will start on solo repertoire. Particularly for college-bound musicians who wish to major in music, the majority of their lessons will be based on preparing solo literature for All District or college auditions. Read More

Vincent S

Instruments: Piano Guitar Voice Saxophone Bass Guitar Keyboard Electric Guitar Acoustic Guitar

When I think about a student learning wintry to put myself in there shoes. They want to feel like they have something to show for the time that they were the class session. . if we have an hour session and at the end of the session they can go out and show off what they learned then they will. It be as motivated to come back.... So my method is to teach them while at the same time giving a practical aspect where they have something that can show and practice to develop the skill learned in the proviso session. Read More

ADRIENNE B

Instruments: Piano Keyboard

My teaching methods includes: • Focus on building independent musicianship • Sequence of activities moving from simple to complex • Inclusion of movement as part of the teaching process • Sound before symbol • Instruments used as an extra tool for learning • Rhythm Syllables • Authentic music from different cultures is important • Folk dancing/structured movement • Building positive musical experiences • Fostering personal expression Each week the student and I will set attainable goals to progress at their own pace. Read More

Adella C

Instruments: Piano Clarinet Music

I have been teaching clarinet and piano since 2019. For each student, I focus on developing healthy practice habits (physically mentally) that allow them to be efficient and rewarded by their time spent with the instrument. I help students build a strong foundation of fundamentals so they are able to be successful working on more advanced literature. I'm always excited to help students at any level explore music as a means of learning about and expressing themselves, while gaining and improving upon this new skill. Read More

Teacher In Spotlight

Elizabeth R

Instruments: Trumpet

What do you think is the hardest thing to master on your instrument?
On trumpet, the hardest thing to master is blowing through a phrase. What I mean by this is keeping a steady air flow and not changing your air flow up and down due to the notes you are playing in what range. Flexibility studies and Stamp as well as Hood warmups in particular help with this. The next thing that is most difficult is playing quietly with a good tone. A great way to practice for this is by playing Clarke 1,2,3,4,5 at a very low volume. Pair this with flow studies, and mastering Small and Arbans etudes will certainly help sustain a steady air flow.

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
Of coarse! A trumpet player’s best friend are their method books. The most well-known trumpet method books include Arbans and Clarke studies. These are great for fingering exercises, etudes, and a really great way to work up towards the trumpet player you want to be. Irons is great for flexibility, Small for etudes, Caruso for kinestetics, Schlossberg for etudes which are wonderful for beginners; and you can’t go wrong with Chicowitz for long tones - which of coarse improve your tone. These books belong in every trumpet players’ collection.

What does a normal practice session look like for you?
I begin with breathing exercises and move to mouthpiece buzzing. I use the Boyd Hood mouthpiece drills corresponding on piano then with my mouthpiece; resting the same amount as playing. I move onto Chicowitz long tones and then Stamp warmups. I make sure to not overplay and rest just as much as I play. I move onto technical studies - including Irons flexibilities, Clarke technical studies and etudes, and etudes from either Schlossberg, small, or Arbans - depending on what I’m working on that week. After than I normally take about a 30 minute break then I work on my literature. Last, I warm down by playing low long tones included in the Stamp warmups.

If you have a Music Degree, what is it in (Performance, Education, Musicology, Theory, Composition, etc) and why did you choose that degree?
I have a Bacholer of Arts in Music - concentration trumpet. I chose this degree to teach private lessons as well as perform gigs and I will eventually obtain my masters degree in either Musicology, Theory, Performance, or Composition. I like to keep my options open so that is why I have chosen some wiggle room for what I’m going to graduate school for. For now in this transition between undergrad and grad school, I want to teach lessons full time and continue practicing and playing gigs. I plan on attending UNT or UTA for graduate school.

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Jazz Scales: The Pentatonic Scale

...than one good chord/scale relationship. For example, the Cmajor(b6) pentatonic sounds good over a Bb13(#11) chord, and also sounds good over an Fminor(major7) chord, and also works over a G13sus(b9).   A useful exercise is to look at a chord and try to figure out which pentatonic scale, or pentatonic scales, would sound good over that chord. Eventually, you’ll be able to do this on the fly.   Scale Patterns   As for practicing pentatonic scales, you can practice them the same way you practice most of your other scales. Think about all your major scale exercises. You can practice pentatonic scales straight, in... Read More

Hey There Delilah Chords for Acoustic Guitar (Plain White T’s)

...2 & 3 & 4 (&). Please note that you will be playing a quarter note on the “4”.   Basic Finger-style Technique Hey There Delilah is perfect for beginning finger-style players. The right hand is notated as follows: P = Thumb I = Index M = Middle A = Ring   The right-hand finger-picking pattern will not use the ring finger. The “P” (or thumb) plays on the downbeat while the “I and M” (index and middle) are played together, as if they were just one finger, on the “and” of each beat. Simply alternate between the P and I–M.   For the Intro, the P will ... Read More

Jazz Scales: The Diminished Scale

...scale”. Let’s analyze the notes in the scale and see how they relate to the chord. The notes in the scale, in ascending order, are: 1, b9, #9, 3, #4 (#11), 5, 6 (13), and b7. So, every note in this scale is part of a dominant thirteenth with a flat nine, sharp nine, and sharp eleven chord. I suggest playing these chords on piano and playing the diminished scale over them, so you get the sound in your ear. You can also arpeggiate the chord and then play the scale. Scale Patterns Here’s where the “endless possibilities” part that I talked about in ... Read More

Jazz Exercises for the Saxophone: Thinking in 12 Keys

...be more fun and immediately rewarding. I’ve picked out some easy songs for you to learn in 12 keys. See how your brain works when learning these songs. Try using logic as well as using your ear so that you begin thinking in 12 keys. See which feels more comfortable, but keep trying both methods even after you figure this out. Examples Based on the Major Scale These first few examples are based solely on the major scale. The first two are easy songs everyone knows. The third one is a jazz standard. Many jazz standards, although the harmony may go through many keys, are melodically based on ... Read More

A Case for Early Childhood Music Education

...the more musical vocabulary they will develop.   Let’s go back to the three year old whose parents wish for him to begin piano lessons ASAP. Indeed, a child at this young age will not be able to play four octave scales in sixteenth note patterns, but he could be placed with a teacher who understands his current stage of cognitive development and focuses on foundational skills in music. This can be done through a number of ways, whether game based or purely exploratory. These early experiences provide an entry point from which young musicians blossom.   If you were to take ... Read More
Jazz Scales: The Pentatonic Scale
Hey There Delilah Chords for Acoustic Guitar (Plain White T’s)
Jazz Scales: The Diminished Scale
Jazz Exercises for the Saxophone: Thinking in 12 Keys
A Case for Early Childhood Music Education

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